"So in fact, this song was really tailored by you for Sister Lin Zi personally?"

"Awesome, Director Wei, I've never seen a Chinese person who can write English songs in such an Omi-style, cool and wild. ”

"I think that with Director Wei, the creator of golden songs, and Sister Lin Zi, a powerful singer, the two will join forces, and "Shake It Off" will really be able to achieve good results overseas at that time. ”

Trying to record a song is actually quite time-consuming.

Lin Zi recorded all night, and he didn't record a few words, and Wei Xun stayed by his side in order to follow up on the quality problem.

The musicians of those bands, when they heard that "Shake It Off" was created by Wei Xun, even had a different attitude towards Wei Xun before and after, and they all admired it when they chatted.

If Wei Xun was a very powerful director and actor in everyone's eyes before, then now he is a respectable gold medal music creator.

People will always worship the strong.

Especially if this strong person is strong enough in your field.

As a Chinese musician, you all too know how great it is to write a high-quality English song.

This song "Shake It Off" completely conquered everyone present, including Lin Zi.

The song was recorded until midnight, and Lin Zi took the initiative to stop.

She sent Wei Xun out and said apologetically: "Trouble Mr. Wei, you still have to film tomorrow, I will handle the recording of the follow-up songs myself, and after the recording is done every day, I will send it to you again." ”

This will not delay Wei Xun's time too much.

After all, Wei Xun still has "I Am Not the God of Medicine" to be filmed, and I heard that the script of the TV series "In the Name of the People" is still being written while filming.

can only say that the young man in front of him is really all-round and powerful, and he can do all kinds of film and television songs.

It's really admirable.

"Okay, if you feel something wrong while recording, feel free to contact me. In the next period of time, you don't have to go back to Beijing, just finish recording this song in Jinling. ”

Wei Xun said with a smile: "This also makes it easier for us to communicate in a timely manner." ”

In the wee hours of the morning, it was pitch black outside.

Lin Zi sent Wei Xun out, seeing that Wei Xun was about to get into the car, she hesitated for a moment and asked, "Mr. Wei, I want to ask, how much are you looking forward to the song "Shake It Off"?"

Wei Xun pressed the car door with one hand, turned around and smiled: "I expect you to parachute the bulletin board and kill all the way." ”

Rao was mentally prepared, but Lin Zi was still stunned by Wei Xun's answer.

Kill the billboard, can she really do it?

Lin Zi didn't have the slightest confidence.

But seeing Wei Xun's kind and confident smile that was almost dazzling, her heart couldn't help but flutter and beat faster.

Maybe...... Maybe this song really might help her open up the European and American markets and fight with Omi musicians on the billboard?

After all, "Shake It Off" is definitely a very personal and excellent song!

Thinking of this, after Wei Xun left, Lin Zi excitedly returned to the recording studio and stared at the English song given by Wei Xun, his expression became firm and fanatical.

There was something called ambition burning in her eyes.

Since Wei Xun can have so much confidence in her, why can't she Lin Zi herself have confidence in herself?

Isn't it just a billboard, the old lady killed it with a new song!

The song "Shake It Off" needs this kind of flamboyant and confident state to play its best.

Lin Zi, who was inspired by Wei Xun's ambition, became more and more smooth in the recording process of follow-up music.

After Wei Xun solved the problem of singing for Lin Zi, he returned to the crew of "I Am Not the God of Medicine" to continue filming.

When he was in the second week of filming in the crew, Yuan Ye, the editor-in-chief of "Film Weekly", personally wrote a column interview about the acting faction on Monday.

The subject of his interview was actor Wei Xun.

And the title of this article is called: Wei Xun talks about the current situation of the theory of the performance industry, classifies the performance genre, and claims to be a member of the experience school.

As the most authoritative journal in the performance industry, Film Weekly has always been a benchmark magazine in the performance academic community.

Not only theorists in the acting industry will order it, but also academic masters will make it a habit to read the weekly "Movie Weekly".

Even professors at major film schools now force students to subscribe to Movie Weekly to learn acting and theory.

As a senior professor in the acting department of the Beijing Film Academy, Professor Chen Qinghe also reads "Film Weekly" every week.

On Monday morning, he arrived at his office twenty minutes early, with a magazine on his desk.

The office was quiet at the moment.

Chen Qinghe took out his reading glasses from the drawer and put them on, and then opened the latest issue of "Film Weekly".

Then he was surprised to find that "Movie Weekly" actually published a column.

Under normal circumstances, only the editor-in-chief and editor-in-chief are qualified to publish columns, and the interviews are all with the big names in the performance industry, analyzing some performance skills, or summarizing the experience.

Chen Qinghe has taught and educated people at the film school for most of his life, and often absorbs new ideas and methods and teaches them to students.

So he was very excited to see that there was a column in this issue.

However, when he saw the name of the interviewer in this column, he was a little stunned for a moment.

Wei Xun.

An actor and director who has been very popular in recent years, the "Let the Bullets Fly" with a box office of more than 200 million at the beginning of the year was directed by Wei Xun, Chen Qinghe went to the cinema to watch it, and I liked it very much.

Judging from these achievements, Wei Xun is definitely qualified to appear in the column of "Film Weekly".

Chen Qinghe thought silently in his heart and began to watch the manuscript written by Yuan Ye.

"Wei Xun talks about the current situation of the performance industry's theoretical ambiguity, classifies performance genres, and claims to be a member of the experience school......"

Categorizing performance genres and calling themselves experiential?

However, after reading Wei Xun's interview, Professor Chen Qinghe went from being surprised at the beginning to becoming more and more ugly later.

Not to mention whether a young man in his twenties is qualified to openly divide the performance profession into genres, let's just say what is this so-called experiential school?

To play a homosexual, you have to find the point of love from a man, and the best way to play a murderer is to turn yourself into a murderer.

This is an almost absurd remark, and it is simply a demonstration of the performance as a cult theory.

And for actors, creating a role is to perform what they feel, how can anyone turn themselves into a character!

It's just full of gibberish, all of which is eyeballs.

Chen Qinghe's previous good impression of Wei Xun because of "Let the Bullets Fly", after seeing this bells and whistles full of unbelievable remarks of 'performance faction classification', angrily threw the newspaper on the table, and then dialed the phone of "Movie Weekly".

After the phone was connected, Chen Qinghe said angrily: "Editor-in-chief Yuan, how did the manuscript of your column about Wei Xun pass the review, it is simply a mistake!"

It's not just Chen Qinghe.

On Monday, because of the article published by Wei Xun in "Film Weekly" to divide film factions, the entire performance academic community had a great reaction.

The descriptions of the two schools of expressionism and method school are acceptable to most people.

But that experiential statement is simply bullshit!

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