If you want to talk about Emperor Qianlong, there is another thing that has to be said that Emperor Qianlong should be the first "like madman" in history. {We don't write, we're just web word porters.} -

Why is it said that he is a crazy demon, because in addition to the collection of cultural relics, Emperor Qianlong also has a problem, that is, he likes to inscribe poems, inscriptions and inscriptions on the cultural relics such as calligraphy and painting, jade, porcelain, etc.

There are many cultural relics experts and antique collectors who believe that Emperor Qianlong's treatment of cultural relics is extremely disrespectful to cultural relics, and even destroys cultural relics.

Especially in some famous paintings and calligraphy of the past dynasties, but after Qianlong's hand, it is always inevitable to inscribe a paragraph on it, leave a poem, and stamp a seal, such as the "Qingming Riverside Picture" mentioned before, Wang Xizhi's "Fast Snow and Clear Time Post", Wang Xianzhi's "Mid-Autumn Post", Zhao Mengfu's "Quehua Autumn Color Map" and so on, which can be called tireless destruction of paintings.

In addition to calligraphy and painting, Emperor Qianlong would also inscribe poems on some favorite porcelain, jade, bronze, bamboo, wood and tooth horns.

For example, in the center of a sauce-yellow jade plate in the Palace Museum, he carved a very long limerick poem: Zi has nothing to do and does not leave the jade, Ju Yu wears the left and the right. The playthings are heavy and strange, and the five virtues are worthy of being friends and .......

In addition to leaving pen and ink on these cultural relics, the Qianlong Emperor also liked to scribble on immovable places of interest, architectural plaques, and stone carvings.

In general, whenever he sees what he likes, Emperor Qianlong will try his best to leave something on it, so he can be called the first "like madman" in history.

It has almost the same meaning as those who must be liked in the WeChat circle of the circle of friends now.

And because of these, so in today's antique shop, many precious collections, there are Qianlong imperial pens.

As mentioned earlier, some cultural relics experts and antique collectors oppose this phenomenon, believing that it is a desecration and destruction of cultural relics.

However, in the cultural relics market, often a cultural relic has Qianlong's imperial pen inscription, then the value is immediately doubled, exactly two things, one has a Qianlong inscription, then it must be much higher than the other does not have.

There was even such an incident, such as a fake of "Toyama Spring Residence", originally a fake painting was of little value, but it was this painting, Qianlong inscribed poems in many places on it, almost occupied all the places that could be used, leaving no blank space, and even the stones on the painting were full of poems.

As a result, because of Qianlong's inscriptions, this fake painting, which was originally worthless, suddenly became a national treasure, a national first-class protected cultural relic, and was collected in the Palace Museum.

In fact, to sum up, to use a slightly modern word, it is Qianlong's superstar advertising effect.

Qianlong was a big collector, and his ability to appreciate cultural relics was also very good. There is the entire Qing Palace collection as the foundation, plus tributes from all over the world, as well as the relatives of the civil and military officials, the emperor's relatives and relatives, so that Qianlong's collection can be called unbeatable.

In modern times, this is a super cultural relics collection investment star, and he is a star-studded figure in the entire cultural relics industry.

And secondly, Qianlong himself is also a superstar.

He is the emperor, and he is a very special emperor among the 559 emperors in Chinese history, not to mention anything else, at least, he is definitely the longest-lived emperor in history, at the age of 89, exercising the highest power of the state for 63 years and 4 months.

Second, he has a high significance in promoting the development of folk art, such as Peking Opera, one of the quintessence of the country, which was promoted during the reign of Qianlong.

Then, Qianlong is still one of the most famous poets in history, although it is not as good as Li Bai Dufu, but only he wrote more than 40,000 poems in his life, and this amazing poetry output is enough for Qianlong to leave a heavy mark in the history of poetry.

You must know that there are only more than 48,000 poems in "All Tang Poems", but there are more than 2,000 authors, and Qianlong's poems alone are worth a whole Tang Dynasty poems.

Let's ignore whether Qianlong's poetry is good or bad, just this output is enough to be amazing.

Therefore, the sum of this total has created a very unique position in Chinese history, and then because of his status, he has created a superstar advertising effect.

Therefore, a bowl with an inscription poem by Qianlong Imperial Pen is genuine, then it is really worth a lot of money, and it is worth a trip by Wen Zhiming.

In this time of gossip, the errand gang that Zhang Kun was waiting for finally came, a young man in his twenties, about the same age as Qi Xiangyang, riding a small electric bicycle.

After contacting Zhang Kun on the phone, the little electric donkey stopped in front of Zhang Kun.

Zhang Kun didn't say much, and directly handed over the sealed package to the man, then explained the delivery address and contact phone number, and finally negotiated the price, paid the money, and watched the little young man ride the little electric donkey, slowly driving away into the distance.

And just when the little electric donkey was about to disappear in Zhang Kun's sight, Zhang Kun hurriedly launched the leased electric car and followed from afar.

Tens of millions of things were handed over to a stranger like this, it was absolutely impossible to say that Zhang Kun was not nervous, and he couldn't come forward in person, so after thinking about it, Zhang Kun decided to use such a method.

Entrust the errand to help deliver the goods, and then track the whole process by yourself, anyway, he didn't appear in front of Wen Zhiming from beginning to end, so there was no risk of exposure.

And Zhang Kun tracked the whole process, and he didn't have to worry about any loss of the entrusted things.

As for what is lost, just kidding, Yanjing, as the capital of China, has a serious traffic jam, which is unparalleled in the country, even if it is just a small electric donkey, so small that it can be inserted, but if you want to run out of speed, you can't even think about it.

Under such circumstances, it is absolutely impossible to escape Zhang Kun's sight.

Just like that, the young man in front rode a small electric donkey, and Zhang Kun hung far away with an electric car in the back, one after the other, slowly moving in the direction of the Yanjing Museum.

After a half-hour "long journey", in the distance, a huge boxy building appeared in front of you, and that was the Yenching Museum.

When he came to a distance of more than 200 meters from the gate, Zhang Kun stopped the electric car, and then watched the little electric donkey in front of him drive to the gate of the museum little by little.

At this time, at the gate, there were five figures standing there quietly, and Wen Zhiming was standing in the first place. There were four people standing behind him, all of them waiting quietly.

Sure enough, as Wen Zhiming said before, he swept the bed and waited.