It was almost time, Lu Kaiping called again to remind Yang Jingxing, as soon as he heard that Yang Jingxing was here with Li Yingzhen, he was happy again and again, and then brought Miki Nakai and her two students to greet him, as well as an interpreter. For some reason, the two Japanese students put on school uniforms, which were not as good-looking as Shangpu High School, and there was no waist design at all.

Miki Nakai expressed her gratitude to Li Yingzhen and Yang Jingxing, and the translator was very professional and dedicated, almost bowing to Li Yingzhen with the students.

Miki Nakai solemnly asked Yang Jingxing to use DV to film the class process, and Lu Kaiping generously agreed, but Miki Nakai still promised to translate the video to ensure that the video would only be used for the student's personal study.

Li Yingzhen didn't plan to go to this kind of small open class, but the guests were so polite, she also gave face and decided to go and see it together.

On the way to the audio-visual education building, the translator found an opportunity to show Yang Jingxing that he was actually a business translator, although he had the level of simultaneous interpretation, but in terms of music and piano, his evil compensation from yesterday to the present is estimated to be useless, and Yang Jingxing has to take care of it.

Seeing the big team on Lu Kaiping's side, those students who were still on the road sped up their pace while looking, but "Tingsang" and An Xin were discovered by the Japanese girl.

There is a small sign at the entrance of the audio-visual education building, which is put together with the colorful fancy font printing paper of the angry designer: Yang Jingxing piano open class, student Kiyokawa Kuiyoshi, second year of the high school affiliated to Tokyo National University of Music, and Nanaka Terui, second year of the middle school affiliated to Tokyo Women's University.

Lu Kaiping is also really good-looking, two five-foot grand pianos are placed in front of the podium, and the configuration is higher than that of the master class. And it seems that the director is also satisfied with the current audience size in the classroom, the piano department is basically complete, plus the small team of the composition department and other departments are lively, and the hundred or so people are basically full.

The guests and teachers sat in the front row, and Miki Nakai set up the DV.

Yang Jingxing came directly to the stage: "Let's welcome guests from afar." He took the lead in applauding, ignoring the teacher who approached him to take a close-up.

The Japanese students stood up and bowed back and forth in thanks, and Nanaka Terui waved and smiled. It seems that many students came to see the guests instead of cheering Yang Jingxing, especially the male students.

Yang Jingxing saves time: "Next, please play for us first, welcome." ”

The female student got up on the stage, bowed to Yang Jingxing, and followed by the translator dutifully: "Sorry for the trouble, thank you, teacher......"

Yang Jingxing asked the interpreter to sit down as well, and reminded him to stay back and don't block the performance.

It seems that the Japanese are not advanced to where they are.,The first song that Nana Xiang came up with is the law of average.,Judging from the table xiàn, it must have undergone long-term training.,Actually, it's a bit difficult for the teacher.,I don't cherish the opportunity too much.。

At the end of the song, the students, teachers, including the interpreter, applauded.

After Yang Jingxing thought twice, he began to talk about the advantages first: "The rhythm and lines are very stable, and the natural flow ......"

The translator may be overstretched, listening to him speak at a very different pace and tone than at social events, and a notebook full of terminology is useless. But fortunately, the students did not understand the difficult expressions, and the characteristic smile seemed to directly feel the teacher's praise.

Yang Jingxing believes that the students still need to improve the balance table between the various parts and the adjustment of the ornamental sounds, in order not to make it difficult to translate, he still uses more hands, just stands and repeats the students' version and demonstrates better processing methods, which successfully makes the children who come to China for the first time show a shocked expression.

The students on the stage listened attentively, and Miki Nakai kept nodding her head in the audience, and she didn't seem to be disgusted with Yang Jingxing talking to her students. Of course, Lu Kaiping and Li Yingzhen are both very modest.

Yang Jingxing also extended what kind of techniques and requirements are similar and different in different works of different composers, and tried to draw the students' attention back from the guests.

The most idle thing in the audience was the translator, and after trying hard for a long time, he found that the service users could communicate better with guò music, so he basically rested, and only maintained a little sense of storage in the easy places.

Nana Terui has a good learning ability, and after being praised by Yang Jingxing, she played the second piece she prepared, Chopin Nocturne. Yang Jingxing seems to be getting more and more proficient, in addition to explaining and diverging by himself, he will also ask students to play something more, and it happens that he can always grasp some of the weak links of students and try to solve them.

Yang Jingxing seems to be a kind teacher, so the students have to take the initiative to ask questions, but fortunately, most of the Japanese music terms are English, and sometimes Yang Jingxing can understand the meaning of the students before the translator.

The atmosphere in the classroom is very good, and after an hour, Nana Terui played three tunes, after all, it was brought by Miki Nakai, and the table xiàn is very good, and it should also be a leader in Puyin Attached Middle School.

Although there is a language barrier, Yang Jingxing's expression has not regressed compared to the master class, probably because of the improvement of teaching methods, which can explore the strengths and weaknesses of students more specifically and give suggestions, which can be regarded as making full use of this time in a more formalistic way.

Yang Jingxing announced the recess, and Nanaka Terui bowed to Yang Jingxing and thanked the translator, and then bowed to the audience: "...... Thank you. ”

Although this Mandarin thank you pronunciation is too layman, but it is more or less a meaning, everyone applauded and encouraged.

Nanaka Terui smiled a little distinctively, seemed to be shy, and was in a hurry to go down to watch the DV.

The teachers chatted, Yang Jingxing greeted the classmates first, and praised Luo Jiaqian very vulgarly: "It's so good, accompany my boyfriend to see the Japanese girl." ”

Xu Xuesi felt seen through, haha perfunctory, Luo Jiaqian still paid attention to the pop music scene, and asked Yang Jingxing about the video of "Sitting in the Well and Watching the Sky": "Guess right, the accompaniment is definitely not something that ordinary people can make......"

Dai Qing's video has been a little bit of a spread in the past two days, and it has been discussed in mini forums like Ruge. However, in Luo Jiaqian's opinion, this song is not strange, it is quite creative, and inspiration is secondary.

The junior brother of the piano department has a question to ask for advice, Yang Jingxing just said some technical requirements for the three parts, so what about the five parts, how to play them out or play them further? Not to mention others, Yang Jingxing was also taken aback.

A quarter of an hour later, the second class began, Yang Jingxing welcomed Kiyokawa Hisakashi to the stage, and Nanaka Terui also adjusted the DV lens angle for the senior brother.

Kiyokawa Hiyoshi also brought the score, but he didn't read it himself, but politely handed it to Yang Jingxing with both hands.

Yang Jingxing glanced at the cover and introduced to everyone: "The senior brothers in the composition department know that a famous Japanese composer Kengo Furukawa is a piano piece composed by him in 05...... What do you mean?"

The translator looked at it and exclaimed: "What does the name mean...... Oh, this is a haiku, written by the famous Japanese poet Basho, the specific translation I forgot jì, the summer grass and trees are deep, the dream of the samurai back then...... Let me explain that this haiku comes from the famous poet Du Fu of the Tang Dynasty in China.

The interpreter was impassioned and everyone applauded enthusiastically. Two Japanese women smiled and thanked him, while Kiyokawa Hisakichi sat in front of the piano.

Yang Jingxing took a few seconds to briefly look through the score, more than 300 bars of the piece, requiring 160 beats per minute. There are really a lot of show-off ingredients, but fortunately, there is no militarism, so Yang Jingxing signaled Kiyokawa Hisayoshi to start.

A middle-aged Japanese composer used a unique haiku as the title of the piano music, and a Japanese student came to Puyin to play, and I felt that this learning attitude was not very sincere. It seems that Miki Nakai was also surprised by the student's behavior, and she looked a little uneasy.

It should be said that Kiyokawa Hisayoshi still has the capital to show off his skills, and the difficult table xiàn in some places should also amaze undergraduates. It is estimated that it is because of cultural differences, the music is really difficult to appreciate, and most of the Puyin students present have no expressions of appreciation, and An Xin even has a sneer on her face.

Yang Jingxing was still very serious, listening to the students while flipping the score, and after spending four or five minutes listening, he still led everyone to applaud and encourage, and Kiyokawa Hisayoshi also got up and bowed.

Being stared at with concern by so many classmates and teachers, Yang Jingxing stubbornly said: "Please forgive me for not knowing Japan's modern music culture, I can only make a very shallow analysis based on the interpretation of Kiyokawa Kuyoshi and combined with the score......"

The translator worked loudly, and Miki Nakai expressed his modesty in the audience.

Yang Jingxing still discussed with his classmates first: "This piece can be divided into four parts......"

Unlike Liszt, who tries to show off his skills as much as possible, this piece is trying to show off his skills and trying his best to be as deep and complex as possible, which is really groundbreaking, and Yang Jingxing is still an old stubborn in comparison.

Analyzing, Yang Jingxing also reminded Kurosawa of Akira Kurosawa's films "Chaos" and "Shadow Samurai", and asked for translation. Miki Nakai seemed very happy and excited, and said that she was willing to return to China and find an opportunity to communicate with the composer.

But Yang Jingxing was still timid after analyzing it: "Because I didn't have research, I didn't dare to guide, I can only use my understanding to play it from my point of view, I hope you will have more or less some new ideas and insights after listening." ”

Turning around to face Yang Jingxing, Kiyokawa Hisayoshi, who was sitting, listened carefully to the translation and bowed respectfully.

Yang Jingxing stopped standing and sat down in front of another piano. The classmates really gave face, and they slapped their hands, even if the guests were much more enthusiastic.

Yang Jingxing put the score on the music stand, but didn't open it. Qingchuan Jiuji was polite and got up to help turn over the score, but Yang Jingxing didn't stop him.

At the beginning of Yang Jingxing, the sneer on An Xin's face was more presumptuous than when she listened to the Japanese, but the other classmates were a little more serious.

When he turned to the third page, Kiyokawa Hisakichi forgot about his task, and when he came back to his senses, he wanted to turn to the fifth page.

Yang Jingxing doesn't play faster than Kiyokawa Hisayoshi, but whether it's the harmonic level or the texture of the surface, or the powerful showmanship or minimalism, or the division of strange musical phrases, the treatment of weird legato or skipping...... It's a different world than before.

Kiyokawa Hisayoshi was not easy, his flipping movements were very fast and accurate, and when he turned to the last page with all his hard work, he was soon greeted with the warmest applause of the hundreds.

Yang Jingxing quickly stood up, did not bow in thanks, and gestured to stop the applause: "...... We all eat rice, after all, I have eaten it for several years. If you have the right chance, tell us about my understanding of music...... Translate the second half of the sentence. ”

The translator was responsible, and Nana Terui, who was only more than a meter away from Yang Jingxing, came back to her senses and applauded vigorously, but she was alone, so the child quickly stopped embarrassedly. Yu Xinting grinned, An Xin still sneered.

After Miki Nakai stood up and said something, the translator told Yang Jingxing: "She said that I can not translate, she will find someone to translate the video, which can save time." ”

Yang Jingxing was still happy and relaxed, and asked Kiyokawa Hisayoshi, who was still standing, to sit down, and the young man found an opportunity to bow deeply to the teacher.

There is no need to take care of the guests, Yang Jingxing shared with the students the experience of understanding music, that is, to get a brand new song, or a song that seems to belong to the experience should be dealt with.

Everyone listened carefully, even the Japanese pretended to be, but Yang Jingxing said for a long time, but the main conclusion was that the ancients did not deceive me, and he did not use any new tricks when dealing with this piece just now: "...... Remembering the teacher's teachings and practicing the teacher's teachings is enough for us to go all over the stage. Professor Li, Professor Feng, Professor Wei, Professor Hu, Director Lu, my sycophants have been photographed...... Looking at the translation of the video in the future, please ignore these two sentences. ”

There was a burst of laughter, Yu Xinting peeked at Li Yingzhen while hehe, fortunately, the professor is in a good mood now, but Lu Kaiping frowned, probably worried that the vulgar culture would be embarrassed to go abroad. Nanaka Terui was so anxious that she looked left and right, and in the end, she could only watch DV sullenly.

Yang Jingxing asked the students to do the next one, probably to learn a lesson, and Kiyokawa Hisayoshi's second piece no longer shows off his virtuosity, but returns to the traditional first movement of Beethoven's sonata "Passion".

The class has also returned to the routine, Yang Jingxing seems to be stricter with male students, and his tone is not so gentle, and he has little patience to go straight, but it saves time and gives students the opportunity to play the second movement.

At the end of class at half past four, Kiyokawa Kuyoshi also bowed back and forth, and although he thanked him in his native language, the masters encouraged him.

Don't be in a hurry to leave, Lu Kaiping also spoke: "I am very happy to invite Ms. Miki Nakai as a guest today, and I also let you communicate with outstanding students in Japan, both students are very good, and Yang Jingxing's teaching is also very attentive......" He gave time to translate.

After Lu Kaiping finished speaking, he invited Li Yingzhen, Li Yingzhen shook his head, and Lu Kaiping invited Miki Nakai again, this is not polite.

"We are very happy and honored to be able to come to Puhai Conservatory of Music with my students, we have toured the bustling city and beautiful campus, met lovely classmates and respectable teachers, heard the best piano and music, and had the opportunity to let students receive guidance from the best pianists, we are sincerely grateful to ......"

At the teacher's suggestion, two Japanese students bowed to Yang Jingxing and Yang Jingxing's teachers.

Puyin students are very polite, and in addition to the applause, there are also cheerleaders, and let the guests go to the front.

Coming downstairs, Miki Nakai, with the help of a translator, invited Yang Jingxing to give lectures in Japan to Lu Kaiping and Li Yingzhen. Lu Kaiping was not happy, and Li Yingzhen was also more childish: "Do you want to go?"

Yang Jingxing shook his head: "There is no time." ”

Lu Kaiping hurriedly pulled the translator: "You say that...... Let's just say, thank you for the invitation from the Japanese side, if there is an opportunity, we are very willing to promote the piano teaching exchanges between the two schools or the two countries, but Yang Jingxing does not have time at present, because there are too many things to be busy and can't take a break, but we welcome them to come as guests at any time to carry out further cooperation. ”

Then goodbye, although Miki Nakai will also take the students to tomorrow's celebration, but Nana Terui is still reluctant to give up with Yu Xinting An Xin, but Yu Xinting is obviously difficult to show the kind of big sister attitude towards Jiajia. R1058