Chapter 61: Performance Accidents?

“Wow~!Wow~!”

As soon as the Five Hours song ended, the cheers and shouts of the audience still lingered, and all the Ravers didn't seem to have completely shaken off the magical melody just now.

One by one, they shouted vigorously, hoping that the music would not stop and release all the emotions in their hearts!

At this moment, there is no prejudice against Chinese DJs for a long time.

Strength is the best illustration of everything.

With the song Five Hours, the thunderclouds have conquered the fiery hearts of all the ravers on the scene!

"Wow!"

Immediately afterward, an equally familiar tune sounded again.

However, this time it was not a song produced by Thunderclouds, but a well-known Dubstep-style single released by the Dead Poets Society.

After all, Thundercloud's debut time is too short, and he doesn't belong to the ranks of prolific DJs.

So far, Thundercloud has only produced two pieces of electronic music.

This is naturally not enough for a live performance that starts at least two hours, and it is impossible to repeat two songs without stopping, right?

No matter how high the quality of these two songs is, no matter how good the atmosphere is, in the end, everyone will be tired of it.

Therefore, in the two-hour performance, other popular singles that are not produced by Lei Yun but are relatively well-known are naturally arranged.

Of course, there is no doubt that these singles are naturally from the Dead Poets Society.

On the one hand, Kevin forcibly inserted Thundercloud into the opening performance, which was originally intended to make the Death Poets Society and Thundercloud start together, how could he play tunes from other labels.

On the other hand, no matter whose song it is, it involves copyright ownership, and you can play it at home, as long as it is not a commercial for-profit act, as long as the copyright owner of the song does not know or investigate, naturally no one will treat you well.

But on a stage of this scale, it is obviously a commercial activity, so generally speaking, playing tracks released by other labels naturally involves the issue of cost.

Unless you have a particularly good relationship with the copyright owner and they agree to license you to perform live for free, that's a sure deal.

Either that's under the same label, and the label defaults to the fact that you can perform live with the tunes of other artists on the same label without charging any fees.

But in fact, for slightly famous DJs, unless there are special circumstances, they are generally reluctant to play other DJs' tunes on the spot, even if there is no charge, and performing their own works by themselves is naturally the best effect.

Therefore, since last night, Kevin and Lei Yun have adjusted and adjusted the playlist for today's opening performance, and it took more than a dozen revisions before finally reaching an agreement.

With a total of two hours of performance time, the repertoire to be performed is naturally pre-arranged, and according to the needs of the atmosphere and rhythm, the DJs usually arrange all the tracks to be used in the performance in advance on a playlist.

Of course, the playlist here does not refer to the playlist on the music software, where electronic music is arranged in advance in the order in which it is played, and then played in order during the live performance.

That's called singing, not DJing.

Strictly speaking, it would be more appropriate to call the playlist used by a DJ a library.

In the past, DJs would carry a large stack of heavy vinyl records on their backs and switch records live according to their needs, or simply scratch the plates to create a special sound.

Maybe that's where the word 'DJing' comes from, but it's important to know that DJing isn't just about rubbing around on a record.

With the development of technology, today's DJs rarely use vinyl records directly when performing live.

Except for a few DJs who are obsessed with feelings, it is inconvenient to carry and troublesome to replace, which has made most DJs choose a more advanced way of DJing.

It's about using a DJ player and a mixer to seamlessly edit and mix multiple pieces with completely different rhythms, melodies, moods, and musical styles.

This whole work process is DJing, and scratching is only a part of DJing work.

Generally, when DJs go out to perform, they will carry their own computers or USB flash drives, which store various song resources of different styles that they have preset in advance.

Many of these assets have been modified and even edited by the DJ himself.

When DJing, the DJ will select the next cut song and the right time to cut in advance according to the live situation, and mix the sound at the right time to bring better live effects.

It's not that just give anyone a DJ's playlist and that person will be able to DJ on stage.

If you think that you can play a song with a playlist and twist the volume button, you will be DJed, then it will be really ridiculous and generous.

Even Lei Yun studied hard for more than three months before he became familiar with the various operations of the DJ player and mixer.

Soon the performance entered the half, and when the last song was about to end, the whole scene echoed Kevin's passionate shouting!

“The next!Like A ~BiTch!!”

With Kevin's last word shouting with a super long tail, Thundercloud found the right time and hurriedly cut to the next Kevin's hit single - Like A BiTch!

Unexpectedly, what followed was not the expected crisp belltone, but mixed with an extremely chaotic drum sound!

"Crackle!

The chaotic drum beats, mixed with the chaotic bells, sound chaotic, like the chaotic scene of a horse race in the racetrack suddenly getting out of control, and thousands of horses galloping and rampage!

"Oops!!"

Lei Yun's face suddenly changed, his mind was blank for a moment, and he was completely stunned!