Zhong Yu's style is really with a lot of Jianghu atmosphere. Hanging up the phone, Yu Yao shook his head slightly.

"Where there are people, there are rivers and lakes. Pu Jie followed.

"That's not what it meant. Yu Yao rubbed his face and punned on it: "Forget it, it's useless to think so much, let's eat a full meal first!"

After the meal, the two also went to Luanjiajing Antique Street, and they didn't contact Lao Zhou and Lao Huang.

This small street is about a kilometer long and very narrow, that is, two or three meters wide, and it is said that it has been renovated in the past two years, and the street looks much more comfortable.

On both sides of the street, there are almost all antique porcelain shops, and from time to time you can still see people carrying burdens and baskets of porcelain in and out of the small street.

"I'll go, pick up the old guy, and it's directly on the sign!" Pu Jie pointed to a store's billboard.

The so-called old bottom is to use the bottom of the old porcelain to connect the top half of the new one. Look at the porcelain first to see the bottom, in addition to the reason for the style, the bottom is generally exposed, you can see the quality of the fetus, as well as the place where the glaze is combined, which is also the key to identification. Therefore, "connecting the old bottom" has become a common process of porcelain fraud.

Yu Yao and Pu Jie didn't rush into the store, but just walked around the street first, and they saw that in addition to the main street, there were many forks on both sides.

There are many billboards similar to "connecting the old bottom", and they are all antique rather than really old. There are also people at the door of the store, directly holding potassium permanganate solution and brushing on the bottles and cans.

Potassium permanganate solution, mainly used to remove the thief light on the surface of porcelain, is a relatively primary means.

Generally, the new porcelain, unlike the luster of the glaze of the old porcelain, has a layer of fire, and the line generally likes to call it thief light, which is a kind of light that makes people uncomfortable. This is for veterans, and for newcomers who are just starting out in the industry, the difference is very subtle and difficult to see.

In addition to the shops that directly sell antique porcelain, there are also shops that undertake processing and writing on behalf of others. Moreover, there are so many stores and many customers. Even if Yu Yao and Pu Jie didn't enter the store, they could more or less hear that most of the customers were antique dealers.

It is conceivable that a large amount of antique porcelain flows into the antique market across the country every day. Here, it is clearly said that it is antique porcelain, and it is according to the price of antique porcelain; but when it comes to the antique market in other places, it is tacit to know what to sell and how much to sell.

After walking roughly, Yu Yao lost interest, this place is indeed as the taxi driver said, it is basically a big road goods, and those that are well done are like the level of the alum red color goblet that Lao Zhou bought;

However, when Yu Yao was about to propose to leave, Pu Jie was at the door of a store, looked inside, and found a large pot of Yuan blue and white Guiguzi going down the mountain, so he proposed to go in and have a look.

Yu Yao didn't object, and walked in together.

The store is relatively large, and there are a few customers in the store looking at the goods, like regular customers, and while reading, they are holding a notebook and writing something, like the type and quantity of the goods they want.

Yu Yao and Pu Jie are fresh faces, and as soon as they entered, a middle-aged woman greeted them, "What do you want?"

Pu Jie pointed to the Yuan Qinghua Guiguzi Downhill Jar on the shelf, "What is the price of this?"

Yuan Qinghua Guiguzi went down the mountain big pot, because it was auctioned for more than 200 million yuan in 2005, which created an auction record for Chinese porcelain at that time. In addition, the large-scale Guiguzi descending character story picture, the composition and painting are very beautiful, so even the layman often appreciates it when he sees it.

For a time, the height of the big pot of Guiguzi descended from the mountain seemed to have sprung up. There is only one genuine product, but many people want to have a good time, so they buy a high imitation to play. More than ten years have passed, and the popularity of Yuan Qinghua Guiguzi Xiashan big pot and high imitation has decreased, but business is still good.

The middle-aged woman smiled and said, "It depends on which layer of goods you want." ”

"Which layer?" Pu Jie was puzzled.

"It's the bottom, the middle, the high. As for the top floor, we can't do it. ”

The middle-aged woman explained. The so-called bottom layer is a big road car, and the middle layer is relatively fine, but the hair color, pictures and so on, are still a little inadequate. The high-rise ones are specially blended green materials, and skilled and skilled painters are invited. As for the top floor, it is extremely simulated, and it is not easy for the master to identify, and they can't do it in this store.

Yu Yao looked at the shelves, "This is the high-rise?"

"Yes!" said the middle-aged woman, "this is a sample, you can take it." There's still stock in the backyard, so it's okay to get you a new one. ”

"How much does this cost?" asked Pu Jie.

"A few years ago, it was 100,000 pieces, now it's 50,000. The middle-aged woman then introduced, "20,000 yuan in the middle layer and a few thousand yuan in the bottom layer are fine." ”

Yu Yao looked at Pu Jie, "Why do you always want to buy a high imitation? That Ru kiln didn't buy it, so I want to buy Yuan Qinghua." ”

"We also have one in Ruyao. The middle-aged woman immediately answered, "If you can still engrave, Emperor Qianlong's three-legged wash is done well, and the old carver will make you satisfied." ”

Yu Yao couldn't cry or laugh, on the antique street of Luanjiajing, how could he still smell the unique charm of half of the antique?

Emperor Qianlong carved words on the three-legged wash of the Ru kiln, which was originally a tyrannical thing. Let the craftsman use diamond diamonds, at the bottom of this three-legged wash, carved a poem, plus the inscription, a total of more than 30 words, accounting for most of the bottom.

There is really no diamond, no porcelain work - the work of destroying precious Ru porcelain.

At present, there are less than 100 pieces of known Ru kiln porcelain. How many pieces did Qianlong engrave? Twenty-two!

He wrote a total of fifteen poems, engraved on twenty-two pieces of porcelain. Some of the poems, of course, have been engraved with more than one piece, and it is estimated that he thinks he is proud.

The problem is that these poems are really not very well written, and even worse, among these fifteen poems, according to research, there are six that are admittedly wrong.

For example, on a azure glazed Ru kiln bowl, the first two lines of the poem he wrote were: Jun kiln has been repaired by the inner division, and it is difficult to have many bowls so far.

Well, it's just that the poem is roughly written, but this is a Ru kiln, but you have to say that it is a Jun kiln (the former name of Jun kiln)!

In addition to porcelain, Qianlong has been diligently pursuing and destroying the beauty of cultural relics. For example, the famous Wang Xizhi's "Sunny Post when the Snow is Fast", a total of only 28 words, this master actually maintained the interest of inscription and seal for a long time, and a total of 172 chapters were stamped before and after!

Yu Yao was thinking about it when his mobile phone rang suddenly. He picked it up and saw that it was Zhong Yu calling, so he walked out of the store and picked it up.