Zheng Ziheng felt a little sorry for his Chinese teacher.

It is only today that he understands the true meaning of the word "ravage" and what it is like to be ravaged by one person and ravaged by many people.

"In this group, I'll be frank, you're a little weaker. Whether from the perspective of your own performance, or from the aspect of not dragging your feet, you have to work harder, be cruel to yourself, man, don't be afraid, just do it. Ji Ming patted Zheng Ziheng on the shoulder again.

made him feel in a trance that this was a good teacher who was strict but selfless in his heart.

But I don't know what Ji Ming thinks in his heart: If this group is not promoted by the calf Ren Suxi, nor the veteran actor Zuo Xiaoqing, but Zheng Ziheng, I am afraid that he Ji Ming is not the only one who has turned into a koi in this world.

To sum up, that's impossible to drop.

Abusing Zheng Ziheng is just a pleasure - of course, if he can learn from it and make progress, Ji Ming will also be happy to see it.

The rehearsal of the "1942" segment was relatively difficult.

In addition to the run-in of the actors, it is more that the script itself is too consuming - the mood is too sad, and it takes energy and time for the experiential actors to enter and get out of the role.

Teacher Tianchi and Ji Ming can't follow the audience.

"It's a hurry. Ji Ming rubbed his eyebrows, he entered the traffickers, and entered the emotions of Hua Zhi and Gui Fen, and he was also burdened. Especially this kind of rapid role switching, even if it has the role of a magical koi, it is still a big challenge for Ji Ming.

Teacher Tianchi was actually surprised.

"You are so gender-neutral, regardless of role, the pressure is quite high, in fact, there is no special need, if there is a problem with the burden. Teacher Tianchi suddenly laughed: "When I was helping Director Zhang to shoot "The Thirteen Hairpins of Jinling", before the official start of filming, I gave performance training to the new actors, including Ni Ni, and they all had a very difficult time - that is, they entered the emotions of the whole tragedy, and they couldn't control it all of a sudden. A lot of new actors are, we say experiential, there is this problem. That's why I found out today that your interpretation of these characters is in this way of full dedication, which is a bit amazing. ”

"Huh, haha, huh?"

Of course, Ji Ming has also met it, at that time in the Chinese opera, Tan Ziyang thought he was going crazy - but now that he wants to go, the sound of Chu Qing's violin is always melodious and floating, and even when he needs to get rid of the role now, those notes will emerge.

Perhaps, Chu Qing and her piano sound are already his coordinates in the real world.

"What do you think? Laughing so much—drunk?"

If Tan Ziyang was there, he would definitely say that he was smiling with a stupid face.

"Nothing, thought of something. ”

Teacher Tianchi is a person from the past and an experienced actor, and as soon as his mind turned, he understood what Ji Ming was thinking - young man, wait for another twenty years, and what else will be heart-pounding, all of them are Hedong lion roars.

......

Duol, Song Yang.

When Ji Ming followed Teacher Tianchi in, in the rehearsal room, both of them had simply dressed up, and the costume drama was also required by themselves - from this point of view, they were more experienced than Hu Xu and Xu Jiao, and the service was not dispensable, it played a great role in helping the actors enter the play.

When he co-wrote the script before, Ji Ming stayed in the book of "1942", which was co-authored by Mr. Tianchi alone.

So this is the first time Ji Ming has met the two actors.

"Hello two teachers. ”

"Today you are the teacher. Du said with a smile.

He is very senior, born in 81, he didn't pass the Chinese opera exam, and then he went to Nortel, cough cough.

has been acting for fifteen years, and as soon as he debuted, it was a big drama like "The Emperor of the Han Dynasty" - this is inseparable from his father who is a senior actor. Although his career has not become popular, there are also some popular roles, such as Tian Qing in "Walking to the West", who can be regarded as proving himself.

As for other laces, Ji Ming knows, but he doesn't care - the other protagonist of that gossip is still a Mandarin actor, but Ji Ming and him haven't had a chance to work together.

Another Song Yang is the queen actor of martial arts director Xu Haofeng, who has starred in three works of Director Xu in a row, but the most well-known should be the suspense film "Burst Silent".

In general, the popularity is still limited, but such qualifications cannot be said to be shallow.

Ji Ming can teach Zheng Ziheng how to act, but it is a bit inappropriate to teach these two, so he mainly listens to Teacher Tianchi's teaching, and occasionally helps adjust the rationality of the stage - this is actually his duty as an assistant.

Ji Ming watched as Teacher Tianchi and Song Yang had a role disagreement - what kind of attitude did Cao Zhi, a genius of eight fights, have in the face of death? Is it a poet's free and fearless, or a layman's feeling that there is a great terror between life and death.

Song Yang thinks of the former.

Teacher Tianchi believes that if you don't care about life and death, the performance will be dull - a performance on the stage, if it is too peaceful, I am afraid it will not be competitive.

Cao Yang struggled.

"Ji Ming, what do you think?" Teacher Tianchi suddenly turned around, and Ji Ming was sure that she didn't mean to find a helper.

"Actually, it's two questions, I think. Ji Ming paused, but decided to tell the truth: "One is the understanding of the role, and the other is the stage effect." If Mr. Song's understanding of Cao Zhi is like this, that is, he is not afraid of life and death, and he is at peace with what happens, then on this basis, can he design a good stage effect? Make the performance more brilliant and moving, this is the direction of thinking. The second is to bypass the question, is the answer to this question necessary to complete the performance? Is there a zero-sum between a person's fear of death and not being afraid of death? You might as well look for it in the performance. Like Cao Pi, does he want to kill you? In fact, it is also a process of change, and this is the second direction. ”

Ji Ming did not give a judgment, this is really a very personal decision that belongs to the actor.

Song Yang himself needs to make a final decision.

......

"If you were Song Yang, how would you act?"

"I think he is generally not afraid of death, Wei Jin is a talented man, and he still has a backbone. In fact, more inner conflicts can be placed on the difference between facing a brother and facing an emperor, and the contrast is also very stark. Ji Ming answered Teacher Tianchi's question in private, very directly: "But what suits me may not be suitable for Teacher Song, he will give him the answer, we are just suggesting." ”

One night later.

Song Yang chose the setting of Teacher Tianchi.

"I'm tormented, but, let's just act. ”

——

The last book week has begun! After this week, I am no longer pure......