Chapter 240: False Monk
Song Ying turned into a small anchor and took her mobile phone to do a live broadcast to the fans in her live broadcast room: "Dear friends, the hooligan uncle will start singing immediately, according to the agreement between Ying'er and everyone, every time the hooligan uncle starts singing, we will provide a batch of half-price stinky tofu for everyone to buy!"
"Oh~~~~~~~~!"
The fans in Song Ying's live broadcast room were jubilant, and they didn't know whether they were cheering for Jiang Dongliu's singing or cheering for the half-price stinky tofu.
"Uncle Hooligan's first song, let's grandly launch a spicy flavor of stinky tofu for everyone to buy! I'll count down to three, two, one, and put the link, it's time to compare the speed of the hand!
As soon as Song Ying's voice fell, the 100 bags of half-price stinky tofu in the live broadcast room were instantly seconds.
Just when Song Ying shouted the countdown to three-two-one.
The live DJ introduced Jiang Dongliu's first song - "Fake Monk"!
Tens of thousands of fans by the lake followed the big screen at the scene to count down and build momentum for Jiang Dongliu's debut:
"Five!"
"Four!"
"Three!"
"Two!"
"One!"
"Boom!"
The great gong on the lake was sounded again.
Every time before the singer starts singing, the moment the countdown ends, the giant gong will sound, which is also a feature of the Haba Lake Challenge.
The sound of gongs radiates along the surface of the lake like a vast space, like the sound of Buddha coming into the world, and the restless enthusiasm of the audience will be instantly curtailed.
The scene soon fell silent.
on stage.
All the musicians, like Jiang Dongliu, wore the most modest white shirts and black pants.
This kind of dress is not to play gimmicks, and to capture the hearts of fans with the purest music.
Jiang Dongliu's confident and calm aura gave the musicians around him the greatest spiritual inspiration.
After Jiang Dongliu smiled and nodded at Li Baoguo, the old blower of the county troupe, with a drum of cheeks, blew the Sakas in his arms very steadily, and also sounded the horn of the Qin and Han dynasties.
It's different from the peak, fear-bodied heavy rock 'n' roll in front of you.
The song "Fake Monk" brought by Jiang Dongliu is obviously a flow of mind.
The delicate and somewhat lonely tune of the saxophone, like the nightshade that slowly blooms in people's hearts, everyone smells a different flavor and can only be savored by themselves, but the audience's emotions are quickly captured.
Then, the female ghost Luo Shanshan's guzheng danced.
It is not the same as the traditional Chinese style zither song, this zither sound is like a jade hook, every time it is hooked to the bottom of people's hearts, the power of the plucked guitar is much more vigorous than the guitar, this is the most ruthless plucked instrument in Chinese folklore.
Luo Shanshan's guzheng is the essence of this song.
Luo Shanshan's black hair was half-covered with her face, and her expressionless face danced wildly in a gust of finger wind, as if she wanted to turn herself into a lonely ghost in the song.
In order to better interpret this otherworldly divine comedy, Jiang Dongliu explained the creative connotation of this song to everyone in the band during the rehearsal.
This is no ordinary hooligan self-deprecation, although it seems a bit pretend-bearing, as if it is very irresponsible to women.
But in reality, it's a sad song about the collision of faith and reality.
The original author of the song, Lao Cui, the godfather of rock and roll, has experienced the great changes of the times, and their group of people once had extremely firm beliefs, unbeatable self-confidence and pride.
Just like the song sings, "I have these feet, I have these legs, I have these thousands of mountains and thousands of waters" - although they have fallen, they still seem to be heroes.
But in the era of reform and opening up, there was a huge crisis of faith in them, and the ideals that could be exchanged for their lives became soap bubbles that "looked beautiful".
The "fake monk" in the song is actually in a state of empty trance after his faith is shattered, going from south to north, from white to black like a psychopath.
Why do we want to "do it"? Because without ideals, there is no destination. It's actually a mental wandering.
The reason why it is called "monk" is because the ideal has been shattered to the point that it is necessary to see through the red dust.
He doesn't seem to care about anything, and even has a strong contempt for himself.
But he still longs for true love from the bottom of his heart, and still hopes that there is something real in this world that he can find.
But he didn't dare to bet anything on this "truth" anymore, and he had nothing to bet on.
The woman who appears in the song is actually a reference to good things, and of course it also includes beautiful women.
He was afraid of hurting it, so he made it clear and said: Don't expect anything from me, think that I can repay you anything, because I am already a waste of wood.
The whole work is filled with a sense of despair after disillusionment of faith, and in the despair, there is a nostalgia for beautiful things, like a halo of light around a black hole.
It is precisely because of this trace of nostalgia that the "monk" cannot achieve the four major emptiness, so it is called "fake".
There may be some kind of self-deprecation in the song, but it is by no means a hooligan's self-deprecation.
To a large extent, this song is the singer's self-chant, and it is a self-spiritual portrayal of a considerable number of people in the "new generation of the 80s" (not the post-80s).
Jiang Dongliu told Luo Shanshan about this meaning, which is a psychological portrayal of him who once had extremely firm beliefs and ideals, and lost his soul after his faith was shattered.
Luo Shanshan: They all know Jiang Dongliu's experience of traveling in all directions.
At first, they didn't understand why Jiang Dongliu went crazy and traveled the world, but it wasn't until they saw this song that they understood Jiang Dongliu's hesitation, helplessness, and loss in his heart.
Qian Dachao and Tang Zhi heard Jiang Dongliu mention this song when they first dragged Jiang Dongliu to the club to sign a contract, but there were too many things later, and they had to forget this self-deprecating work that Jiang Dongliu once jokingly called.
It wasn't until Jiang Dongliu moved the song out of the water in preparation for the Haba Lake Challenge that they finally got a glimpse of the whole picture of the song, and after listening to Jiang Dongliu talk about the creation of this song, Qian Dachao and Tang Zhi admired Jiang Dongliu even more.
Luo Shanshan fully understood the pathos of Jiang Dongliu's song, the guzheng was played extremely expressively, and she almost used her life's work.
Although she is not a master guzheng player, her ghost-like fingering still vividly interprets the emotion of the song, which is neither concerned nor cold, and pathosical, and her voice is like a hook, which pulls out the soul of the person from the body and scatters it into the air.
The rock fans at the scene were all excited when they heard such an alternative and powerful guzheng prelude.
Fans who love rock and roll know that adding guzheng to their works is either a stroke of genius or a pretentiousness.
At the beginning of this song "False Monk", fans with ears will know that this is a divine comedy!
The hooligans really didn't disappoint them, and they magnified their moves at the beginning!
His music is so different and it's so rewarding to be there to support him!
The opening chapter warmed people's hearts, Jiang Dongliu took a step forward and sang with the most energetic rock voice: