However, the change of Tianmu Yao to Lin Haven is, of course, indeed a small matter.

Especially when it comes to oil paintings.

Lu Dong and Old Man Dou arrived soon, and Cui Cheng didn't miss it either—this one had been relatively peaceful since he said goodbye to Qi Hui and Chu Weiwei in Chaowang Jindian last time.

"Stand back. ”

"Huh?" Lu Dong helped Old Man Dou take two steps back, although he looked confused, he was still obedient: "Why are you still using explosives?"

It's not surprising that the artist used anything.

"No, I don't. ”

"Then why step back, this distance is easy to admire?"

"No, it's because I'm going to start pretending. Lin Haven said with a serious face.

Lu Dong: ......

Cui Cheng: ......

Old man Dou: ......

Zhang Yida's stalk really worked well, Lin Haven saw that they were confused, and he was secretly refreshed: "There are two works, Mr. Dou, you can choose one by yourself after seeing it." ”

"Two?" Old man Dou's eyes moved away from the white cloth covering the easel: "You painted two?"

"Well, the subject matter is similar, but the expression techniques are different, you can see it when you see it. Lin Haven gestured, Wang Peng and Tang Cheng took one side, lifted the white cloth, and the framed "Father" appeared in front of everyone.

This one is classic and realistic.

The ravines are deep, the hair is disorderly, a wrinkle is the hardships and hardships of a lifetime, a little dark spot is the heaviness of not being able to straighten the waist, and the chaos in the eyes is numb and constant...... It's fascinating, because the shock of realism is very direct, especially in a work of this peak.

Including Old Man Dou, the three of them were immediately attracted by this painting.

"Better than mine. ”

"But it's not a real person. ”

This is the first and second thoughts after Lu Dong's brain reactivates - too shallow.

For Cui Cheng, her father, Cui Dong, in her impression, does not have this side. So for her, she is not looking at a father, but a peasant, and it is also shocking, and even those stereotypical descriptions in textbooks are alive in this painting.

It was the hard and bitter peasants of the previous era.

Compared with these two idle gangs, the surging in the heart of the old man Dou could not be concealed, his lips were shaking, his hands were shaking, he walked forward twice, reached out and touched the painting, the surface of the oil painting was not smooth, although after the varnish, it was slightly calmer, but it was still able to feel the texture, especially like the touch of caressing wrinkles.

After a long time, Old Man Dou exhaled a long breath:

"My dad seems to look like this. ”

Of course, his father didn't look like this, but his vague face was filled in by this painting, and the important thing is that even if he knew it was fake, the hint of truth was still so strong.

"That's not your style. When Old Man Dou calmed down, Lu Dong asked. As a person who owns Lin Haiwen's portrait masterpieces, of course he will learn about Lin Haiwen's style, that is, the source classicism, there is no doubt that this is not classicism, but realism, which is a bit similar to Concubine Yu's paintings.

"Well, this is my first attempt at realism, the subject matter is required, if you want to focus on this character, you don't need more expansion, realism is a very focused genre. Lin Haven looked at this "Father", not like looking at his own work, a bit like looking at Luo Zhongli's original work: "Very powerful, very impactful." ”

"Yes, the other one is also realistic?"

Lin Haven shook his head, motioned to Wang Peng and Tang Cheng, and opened the second "Father".

Compared with the realistic "Father", this "Father", which is based on classicism, is actually not so eye-catching. But when you look closely, you will unconsciously immerse yourself in it: where it is bright and where it is dark, where it is deep and where it is shallow, and the layout structure of one hand and one finger is all just right. Not to mention the wrinkles one by one - if the wrinkles of the realistic "Father" are a whip and a scar, deep into the bones. The classical "Father" is like looking down at a winding river from a very high place, not knowing where to start, not knowing where to do, up and down the ancient earth, left and right, writing the traces of history.

The more I looked at it, the more I felt that I couldn't breathe.

"It's like sucking people in. Lu Dong's eyes widened: "What kind of path is this? Especially these two eyes, are you painting this father, or is it the creator god?"

"Every father is the original creator god of his child. ”

Lin Haven stood with his arms crossed, did not look at Lu Dong, but just looked at this painting, this is the first time he created portraits after the completion of Yuan Classicism - anyone who goes to look through the art history of classicism will find that portraits and figures are the eternal themes of classicism, Leonardo da Vinci's "Mona Lisa", Ingres's "Spring", and Rembrandt's hundreds of self-portraits that have been handed down to this day...... All of them.

However, Lin Haiwen's work that laid the foundation for Yuan classicism, "Black Dragon Pond", is a landscape painting.

Many classicist conservatives even refuse to admit the milestone significance of "Black Dragon Pond" on this basis, of course, that is a very small part. But it is true that many people, most people, want to see whether the expression of source classicism in portraiture will continue the tradition of classicism in portraiture.

After all, when everyone discusses "Black Dragon Pond", the deep and changeable pool is often the easiest to be taken out, but if it is replaced by a person, the imagination will seem quite barren, and I don't know what kind of performance it will be.

Lu Dong and Old Man Dou are not professionals.

But Wang Peng and Tang Cheng have already started, and they fully understand that this "Father" of Source Classics has very consistent and typical Source Classical characteristics, such as those eyes, which can almost move. Another example is the whole face, wrinkles, cheekbones, contours, and their changes at different angles, forming a face that can go infinitely deep - that is, what Lu Dong said, the feeling of sucking people in.

But at the same time, this father, especially when compared with the realistic "Father", is more of a biological person than a sociological one - when you look at him, you will not suddenly think of how hard and difficult he is, but you will feel that he is so attractive to you to explore, so majestic, so divine - that is, the naturalness of the source classicism.

It's hard to say which is better between the two.

Especially when it comes to such a subject.

But it is impossible to say that a certain school of art can express all the needs, including the ghostly and the abstract that can be interpreted casually, cannot do it.

"Mr. Dou, which one do you want?" Lin Haven himself didn't know which one he wanted to keep, so he just let it go.

"Can it be either?" Lu Dong asked with a lot of mouths.

"I'm afraid your small company will go bankrupt. ”

“...... Is it okay for us to be one of the top five in Chinese film and television?"

"Wang Peng and the two of them don't count, the three of us, you compare yourself. ”

Old man Dou's 10 billion empire, Cui's richest family's wealth like mountains and seas, and he Lin Haven - the first person in Chinese film and television entertainment! Lu Dong can't be compared.

More than one billion net worth is still a little less.