While continuing to shoot, it is probably that Luo Xun gave Stephen Chow a few times with very practical advice, and when he encounters that kind of hesitation later, Zhou Xingchi will obviously ask Luo Xun's opinion more, the kind where the two discuss the script together, this is probably a very high-level recognition, but Luo Xun does treat Zhou Xingchi like this.

After all, he has the original as a comparison.

So generally speaking, his opinions are more targeted, for example, when he was filming an emotional scene, he said that he felt that the process was not particularly natural, and it was a little abrupt, so it was necessary to use a few small details to show that the moment when Xuanzang and Miss Duan liked each other, so that the audience could really feel that the two characters were in love, rather than making the audience confused-

Why did the two fall in love with each other?

This is a drawback of the movie in the previous life, some people feel that the emotional drama is not natural enough, although the movie deliberately left a period of time for Miss Duan to pursue Xuanzang, but Luo Xun does not feel that there is a big problem in the script, but there are some flaws in the way of acting, Wen Zhang should make the audience feel that he actually has Miss Duan in his heart, for example, there is a plot in the movie, it is the master who asks Wen Zhang, what do you think about the relationship between men and women?

Wen Zhang said that it was Xiao Ai.

He pursues the great love of the world.

Luo Xun also has this interpretation, but Luo Xun's interpretation method is different from Wen Zhang, when he heard the master's torture, he made a slight pause, this pause is very necessary, because when the master asks this question, his heart will inevitably flash Miss Duan's figure, and then he can answer, and this answer is not so much a response to the master, but rather that he is convincing himself!

Yes.

The first time he met, he was attracted by Miss Duan, an exorcist with a completely different style from himself, and he had not yet shaved his face but had become a monk, and he had something that he shouldn't have been-

Less timeless feelings.

The same performance distinction should also be experienced when the plot of the pig gang chiena is played, even if this plot sacrifices a certain amount of funny, it must also show that Xuanzang and Miss Duan like each other and worry about each other at a critical juncture.

Of course.

These are all things in terms of details, but the movie is just over an hour, and the audience is actually very easy to receive the signals transmitted by small details, so in a sense, details can really determine success or failure.

Honestly.

In my previous life, I watched "Journey to the West", except for some jokes that were vulgar, like they were forcibly added in order to add them, the plots of the three monsters were all remarkable.

First paragraph.

The fish demon kills people at the bottom of the river without blinking, but turns into a human form on the riverbank, but only has a face full of innocence and innocence, and later the master told Xuanzang that in fact, the fish demon is a good person, and some people lamented the cruelty of Zhou Xingchi, and arranged for the fish demon to eat the little girl at the beginning of the movie, even including the little girl's mother, but there is a bit of Buddhist cause and effect in this plot-

The fish demon is innocent.

He wanted to blend in with the world and do something good to please the people, so when a child was washed away by drowning, he desperately rescued the child and sent it back to the village, but the villagers became suspicious when they saw the stranger, so they regarded him as a child trafficker.

He doesn't understand the language of the world.

I don't understand the expression of the world.

I just stared at them blankly.

The villagers even thought he was a wicked man, so he threw down his clubs, the sound of his skull cracking, and the blood slowly flowed down, but he still did not speak, and he looked innocent without expression, until he was thrown into the water with every bone in his body broken, and he did not defend himself.

Later the child was eaten.

The child's mother also died.

Just like when the child was rescued, but the fish demon died, this is a metaphor for the first plot of the movie, a very cruel cause and effect, Zhou Xingchi arranged to play the role of the fish demon always with an innocent face, just out of this thought.

Second paragraph.

Not to mention the green hat love story that happened to Zhu Gangguana, it can be called a cult in terms of the scene arrangement of the movie, the charm and bloody ghosts, from the atmosphere to the picture and even the meaning of the combination of roast people and roast pigs, are full of the taste of dark fairy tales, and the Peking Opera appearance of Zhu Gangguan when he appeared as a handsome man with oil head and pink face is even more numb!

This is the "uncanny valley" effect.

When the pig is full of oil and wearing a costume, in fact, his movements are not like people, more like puppets without aura, human beings have a good impression of things that resemble themselves, such as monkeys and orangutans, but when the appearance of a thing is highly similar to people, it will give people a great sense of horror, such as corpses and wax figures or dolls and zombies.

This phenomenon is called the "uncanny valley".

Pig Gangguan seems to be the same, he contains an irrational sense of terror, and it is probably the sentence that accepts the opportunity to apply for Buddhism that all beings are equal, leaving aside everything else, human beings can eat pork with peace of mind, why can't pig demons eat human flesh?

The same goes for the first story.

Human beings fish for a living, and the fish demon eats people, isn't it the same as people eating fish, this should also be a kind of equality of all beings, a kind of truth and cruelty of all beings, just like karma, it is bloody.

As for the third story......

The story of Sun Wukong, in fact, is very exciting from the beginning of the cave, and his dialogue with Xuanzang is full of modernism, which is also the technique that Zhou Xingchi's Journey to the West series has always used, so Xuanzang will call the monkey Mr. Sun, and the monkey will also call Xuanzang Mr. Chen, and in order to strengthen the monkey's sense of cunning, Luo Xun also discussed with Zhou Xingchi to enrich the lines of the first meeting of the two characters.

This paragraph.

Sun Wukong's opening remarks lengthened a lot: "Actually, I haven't regretted it for a moment in the past 500 years, and I'm reflecting on why I have embarked on such a road of no return? Why did I change from a pure little monkey to what I am today? In the final analysis, it is because I have not studied hard, because I have no culture, so I have been seriously thinking about learning Buddhism every day for the past 500 years, and you can see that I have engraved my learning experience on the cave wall." I have memorized the rolling melon of the Great Sun Heart Sutra like a stream, I don't believe you test me for a while, you can test me for a while, since I studied the Buddha's thoughts, I have found that my body has undergone wonderful changes, I will never be angry anymore, I find that human desires are extremely boring and small compared to the great Buddha's teachings. I have understood the great love of the Buddha and given up the small love of people, I have completely reformed myself, from head to toe from soul to mind, every hair has been transformed, do you see that my hair is now emitting a warm Buddha light? This is the role of the great Dharma inspiration, I have not spoken to anyone for 500 years, I have not seen the sun for 500 years, and I have written a 2 million word summary report of thought. After the transformation of the small black house for 500 years, I have completely expelled the demonic nature in my heart, you see if my current appearance is not the monkey I used to be, I have completely evolved into a human, I have completely transformed, I am now only left in my body of socialist truth, goodness and beauty, only the infinite admiration and worship of the Buddha......"

The lines are long.

And be quick.

Zhou Xingchi said it in Cantonese without difficulty, but it was too difficult for him to say it in Chinese, fortunately, the mainland dubbing of the Monkey King in this movie should be looking for grouper, and the other party's dubbing with Zhou Xingchi's near-perfect fit should be easy to control this paragraph, as for the speed of speech, it should not be a big problem, but Zhou Xingchi has always been curious about how Luo Xun could make up such a long line, but Luo Xun smiled.

This line was not written by him.

He is learning from the gold of his previous life.