"It doesn't matter. Regarding Zhao Fusheng's proposal, Fan Baobao was very calm and calm, and said calmly: "I don't think anyone should pay attention to me, after all, I am not famous." ”

Although she has participated in many movies, most of them are literary films, and occasionally there are a few commercial films, and she is not the protagonist. The rest of the time is spent filming dramas.

There are a lot of advertisements, but the problem is that the current advertising stars have exposure, but they don't have attention, so Fan Baobao is really not a big star.

This can also be seen from the number of times she sees the newspaper on weekdays.

"You're thinking about it. Zhao Fusheng looked at her speechlessly: "Do you really think that no one pays attention to you on weekdays, and occasionally there are reporters who report it, but they are all blocked back by the company." ”

This is the truth, although today's reporters don't have any ideas for reporting on the third- and fourth-tier stars, but they are also willing to report if there is occasional news.

It's just that there is a future film and television, and most of the news has been stopped by Ye Jing.

"You call the shots, I'm preparing for the wedding anyway, and after I get married, I just don't go out to film. Fan Baobao unexpectedly spread his hands and said to Zhao Fusheng: "I am very envious of Zhou Yun now, their children are so cute!"

Zhao Fusheng was stunned, a little surprised, and looked at Fan Baobao in surprise.

In his impression, Fan Baobao has always been the kind of character who likes to pursue a free life, why did he suddenly change so much.

Fan Baobao saw that Zhao Fusheng's expression was a little strange, and shrugged: "I know, you will definitely be surprised." But I do think so now, filming is my hobby, but compared to filming, marrying you, having a child, and then taking care of you is more important than filming. I'll say okay first, after I give birth, if I encounter a good script, I will definitely film, and you don't stop me when the time comes. ”

Zhao Fusheng laughed, walked up to her, picked up Fan Baobao, spun around in place, and then let her down, and said softly: "Okay, okay, do what you say." But, my bride-to-be, do you tell me how many babies you are going to have?"

"Huh?"

Fan Baobao was stunned when he heard this, then blushed, glared at Zhao Fusheng but did not speak.

At this time, Zhao Fusheng naturally won't talk nonsense, Fan Beibei went to live at Lao Jiang's house tonight, if he didn't grasp such a good opportunity, wouldn't he live up to this good night.

"Baby, I thought about it......" Zhao Fusheng whispered in Fan Baobao's ear.

Then, he picked up Fan Baobao, who was already blushing and speechless, and walked towards the bedroom.

A good night......

..................

..................

The next morning, Zhao Fusheng, who got up in Meizizi, found the breakfast and notes that Fan Baobao had left for her, she went to Lao Jiang's house to pick up Fan Beibei, and went shopping with Zhou Yun by the way.

As for Zhao Fusheng himself, well, he is free today.

Anyway, there was nothing to do, Zhao Fusheng opened his mailbox and began to read the evaluation report on the Korean entertainment industry sent to him by the Strategic Planning Department.

I have to say that the young people in the strategic planning department are still very actionable, the content of this evaluation report is quite comprehensive, and a comprehensive analysis of the current Korean entertainment industry has been made from the aspects of film, television, songs, and variety shows.

"The Korean film industry is now in a bottleneck, and back then, with the ......Gwanghwamun sit-in incident, Balabala analyzed a lot of things on the document, and finally concluded that South Korea is about to start a policy of protecting its own films, that is, they will allow foreign films to enter while vigorously supporting local film culture.

"That's true. Zhao Fusheng nodded, to be honest, he didn't know much about the film and television industry in South Korea, even in his previous life. But in my impression, many times, on the Internet, many movie resources are the first to be leaked in the Korean version, in other words, for example, a Hollywood blockbuster, released worldwide in early April, maybe the Korean version has already appeared in high-definition version in mid-April, and Korean people don't seem to be so concerned about protecting the film resources of other countries.

But on the other hand, when it was their turn to make a film in their own country, the copyright protection was called in place, and Zhao Fusheng had to sigh that Koreans are really used to double standards.

"Invest in Korean films and then release them in Korea. Zhao Fusheng thought about it, tapped his fingers on the armrest, and made this judgment.

If you get involved in the film production industry in South Korea, the best way is to cooperate with a Korean company and invest together, and then you have the opportunity to make money.

Thinking of this, he looked at another part of the document, and the next part was about the production of a TV series.

Korean TV dramas, referred to as Korean dramas, were born in the sixties of the last century. The mode of Korean dramas is to broadcast while filming, the main genre is love, followed by comedy, fantasy, time-traveling, action, detective, revenge, suspense, campus, workplace, historical drama, costume drama, etc.

The production and broadcasting of Korean TV dramas is heavily influenced by the government. Due to historical reasons and current market conditions, the South Korean government has adopted strong intervention and support policies for the radio and television industry with TV dramas as the main body, and managed, protected and supported the television industry through legislative guarantees, policy guidance, and resource assistance. From the perspective of market structure, the production and broadcast of Korean dramas are mainly operated by the three major wireless television stations of Korea Broadcasting Corporation (KBS), Korea Culture Broadcasting Corporation (MBC) and Seoul Television Station (SBS), and only a small part is completed by cable television stations (tvN) and independent production agencies. The three major stations compete with each other and form a tacit understanding through various contracts to jointly maintain their leading position. Some not only have one episode a week, but even two episodes a week, each episode is about an hour long, and the production pace is quite fast.

The vast majority of Korean TV dramas are produced in a film-and-broadcast mode. That is, while the TV series is playing, the screenwriter writes the script for the director to shoot. Taking a TV series of about 20 episodes as an example, before the broadcast, the screenwriter only needs to write a complete script of about four episodes and a plot synopsis of about 10 episodes to start filming, and after the broadcast, according to the original design and then integrate the audience's feedback to continue to complete the subsequent script.

In the early days, almost all Korean TV dramas were produced and broadcasted, that is, the production and broadcast of TV dramas were completed by TV stations, which were both producers and broadcast media. With the deepening of the Korean drama industry, it is difficult to adapt to the needs of the market due to the various drawbacks of this system, and the production mode of Korean dramas has changed to the separation of production and broadcasting, that is, the production business and broadcast business of TV dramas are completed by different subjects. In this way, independent TV drama production companies and entertainment companies to which actors and artists belong have played a more important role in the production and broadcasting mode of TV dramas as the main body of TV drama production and participation, and more flexible and market-oriented operation is also conducive to the development of the entire industry. But even so, the TV station that holds the right to broadcast and compile TV dramas is still in a dominant position in the production of TV dramas.

Most Korean dramas do not start filming until one to two months before the broadcast, and the 16 or 20 episodes of TV dramas are the standard, and the production of new dramas before the start of the broadcast is about four to six episodes, and then they are often filmed and broadcast in the same week. The tight script and unreasonable shooting schedule, and the filming similar to the live broadcast sometimes cause problems for the broadcast of TV dramas, and the production mode of Chaohua Xishi shows the typical Korean way of doing things. However, there are also those who advocate that agility and adaptability are the unique competitiveness of Korean dramas, and the choreographer's on-site judgment determines everything, and the crew is like a sports team in an orderly manner with a single order, and the content is also flexibly modified.

During the broadcast of the TV series, the advertising sponsor decides whether to advertise or how much to advertise based on the audience's response and ratings survey. The completely market-oriented mode of operation forces screenwriters to write scripts with all their hearts. If the ratings of TV dramas are not good, advertising sponsors will refuse to invest money, TV stations or production units will suffer loss-making transactions, and the income and credibility of screenwriters and directors will be greatly damaged. Therefore, projected ratings are very important parameters for TV stations or production companies.

Moreover, unlike in China, directors and screenwriters have a lot of power in the production process of Korean TV dramas.

The Korean director is actually called PD, which is different from our concept, it is a producer's concept, and it is actually a producer and director. Some of the directors belong to the TV station, and some are external freelancers, as are the screenwriters. In most cases, although the screenwriter only typed out the name of one person, it was actually a team's assignment, and the group led by this person was writing. The choice of actors varies from drama to drama, and if the drama is planned by a TV station, it must be the TV station that comes to find actors. If there are some TV dramas invested by foreign parties, for commercial operation, the investors will select the actors, and then the TV station will confirm them. Another is to select the actor and then tailor a play for the actor.

And big-name directors and screenwriters can even designate a certain actor to star in their own works, such as Zhao Fusheng's impression of a gold medal screenwriter who wrote a series of popular Korean dramas such as "You from the Star" and "Descendants of the Sun" in later generations, Kim Eunshu, whose works are still only in the planning stage, will be noticed by many big-name artists, hoping to star.

Seeing this, Zhao Fusheng's eyes lit up, according to this statement, his previous strategy would have to be considered for a change.

My previous understanding of the Korean film and television industry now seems to be a bit one-sided, or to be precise, a little taken for granted, and it is not so easy to make money from Koreans.

"That's fine, if it's not difficult, then it's not boring. Zhao Fusheng rubbed his chin and muttered to himself.