Chapter 305: Xue Bazhu, secretly help
Because this price tag is a choking price.
Seven hundred thousand.
If it is a large item "standing" in the official kiln of Shunzhi, such as a large bottle and a large can, as long as it is determined, the market price will rush to more than one million, it is not difficult.
If it is a "tummy" small piece, such as plates and bowls, it is at most hundreds of thousands.
The pen holder, not tall or short, not big or small, is considered "squatting", and the market price of the official kiln boutique is between 600,000 and 800,000.
And this tube must not reach 800,000, because the green material used is mixed and light blue.
The blue and white hair color of the Shunzhi official kiln, with verdant and positive blue being the most expensive, is the use of purified Zhejiang materials, light blue, black and blue second, mostly caused by Zhejiang materials mixed with Jiangxi soil green.
In addition to the price, the important reason for "choking on the neck" is that it has no money, so it is not easy to sell.
However, the Shunzhi official kiln is indeed a scarce variety, even if there is no money, once it is identified, it is not too reluctant to let go. At the same time, it is still a potential stock, and it is definitely bullish.
Yang Rui also belonged to the people who couldn't grasp it accurately, and when the pen holder was put up vertically, he lightly touched Yu Yao.
Yu Yao directly attached his ear, and said in a voice that Yang Rui could barely hear, "Shunzhi Guanyao." ”
When Yang Rui heard this, there was a slight excitement in his eyes at first, but then his brows furrowed slightly.
This thing is not cheap, and he has a surplus of spare money, but the next game has not been opened, what if he sees something again?
"If you want, I'll let it go. Yu Yao followed up with a sentence.
Yu Yao is indeed not too thirsty, at that time, he and Lao Zhou saw the "Dragon and Horse Meeting" Chongzhen official kiln large pen holder at Zou Suo's house, which is also a variety in the transition period, larger than this one, and the market price is also higher, Yu Yao did not choose to take it.
What to collect, what to sell, everyone's vision is different, and the concept is also different. This Shunzhi official kiln pen holder, even if Yu Yao wins it now, it is still possible to make a move if there are suitable substitutes and opportunities in the future.
Moreover, at this price, with Yu Yao's vision, it is a bit "broken".
Yang Rui's hesitation was extremely short, and he quickly nodded slightly at Yu Yao.
If you really like it, you want to collect it, such a thing, the market price is not a loss, and the opportunity is rare, for Yang Rui, the next time may not be able to meet, and the encounter may not be able to seize.
Seeing Yang Rui's affirmation, Yu Yao immediately seized the time to look at another thing.
This is a string of fiery red beads, Tibetan drum beads, about fifteen millimeters in diameter, about thirteen millimeters in height, forty-two, with hand-rolled cotton threads worn together, and with an old ivory Buddha head full of laughing lines and an old turquoise back cloud, there are no disciple beads below, but scattered cotton threads, made into tassels.
Yu Yao frowned, the beads, the Buddha's head, and the back clouds were obviously pieced together.
Of course, if this string of beads is real, the old tooth Buddha head and turquoise back cloud are just decorations.
It's a string of red sherbets.
Sherpa beads, also known as Sherpa beads, are essentially a kind of glass, but the difference between snow beads and conventional glass beads is that it is not made of clamping or stirring tires, it is pressed, basically not transparent, and the material is special, extremely delicate, and has a different texture.
The reason why it is called Sherpa beads or Sherpa beads is because it is made by the Sherpa people. The Sherpas, also known as Sherpas, mainly made these beads from the 17th century to the mid-to-late Qing Dynasty, first imitating the Aka coral red, and later also yellow and a small number of other colors, the most common of which is this red.
In the mid-to-late Qing Dynasty, the way of making snow beads was lost.
The Sheba people are not a familiar ethnic group, and the distribution is a bit scattered, mainly in the Himalayas, Huaxia, and Nepal. It is also not listed separately in Huaxia and is generally considered to be a Tibetan branch.
At first, the Sheba people made Sheba beads that could be used as currency and could be exchanged for items, and later the role of accessories gradually strengthened.
The now recognized snow beads must be before 1900. However, because of its beauty and attractiveness, Xuebazhu was sought after by many collectors from the end of the Qing Dynasty to the Republic of China, so from the Republic of China to the present, a large number of imitations have also appeared.
The shape of the snow beads is mainly based on Tibetan drum beads and barrel beads, but there are large and small. The size of the snow beads in this string is medium, if it is a genuine product of the Qing Dynasty, how can one get a thousand pieces.
And this string, the forty-two beads are uniform in size, uniform in color and texture, and make up the "forty-two ranks" in Buddhism, which is to turn over one heel.
That's basically how the price comes from, 80,000. It's a little low, and it's equivalent to giving an old tooth Buddha head and an old turquoise back cloud.
From the price point of view, compared to the blue and white pen holder, the weight of this string of snow beads is much worse, but it is indeed difficult to put together so neatly, just as far as the snow beads are concerned, it is a very weighty string.
However, this is only for the real thing.
After Yu Yao saw it, he decided that this was a string of imitations!
Moreover, it is not a high imitation of the Republic of China, but a string of modern high imitations. It is more appropriate to say that it is a handicraft.
Although the formula and production method of the snow beads have been lost, it is difficult for future generations to use the existing old snow beads, use new materials, study the firing method, and make beads with a similar texture to the excellent feeling.
It's not an ancient recipe, it's not an ancient method, as long as the appearance is the same.
The key is aging and toning after it has been made.
The bumping, wearing, and pulping of glaze are different from jade, and Xueba beads are not ordinary glaze, and after the pulp is formed, there is a special sense of "hair".
This is not easy to explain, if you have seen the skin of steamed bread just out of the pot, it is similar to that feeling, but it has to be a little more bright and greasy,
Since it is a high imitation, of course it is not so easy to see. Yu Yao can see that others may not.
For example, a man's wife.
She was standing opposite Yu Yao at this time, as if she was very interested, and lowered her head to keep scrutinizing. Snow beads, red like fire, yellow bright, among the collectors, there is indeed a group of female supporters.
Yu Yao didn't want to do much, but remembered that he would want to ask about the small jar of the gourd globe later, so he hesitated, but still pinched his nose and coughed twice.
The man's wife raised her head when she heard the voice, Yu Yao's eyes fluctuated, and she gave a negative meaning.
A trace of doubt crossed the man's mother-in-law's eyes, and then there was a trace of contempt.
Yu Yao smiled indifferently, and said in his heart, I can also help you get here. And these two things, since Yu Yao didn't plan to make a move, he also left the table, and walked to Yang Rui's diagonal back, waiting for him to take down the pen holder.
The man's wife showed contempt, originally suspecting that Yu Yao would not let her make a move, and she took the opportunity to grab it, but as a result, Yu Yao actually withdrew, and her idea was gone.
At the same time, after Yang Rui greeted her, she also observed the two of them a few times, as if this Yang Rui respected this person very much, and thought that he had some eyesight······