The next day, when Zhou Jin woke up, he felt a sore throat, a blocked nose, and a little pain in his head.

In the end, I still have a cold.

But Chen Yang was jumping around, and there was no.

Sister Lu laughed at him for being too weak and asked him to buy medicine, but Zhou Jin was too lazy to go.

After lunch, I got into bed, turned on the air conditioner, covered with a quilt, and although I wasn't sleepy, I just didn't want to move.

Chen Yang rushed in and asked him for money, saying that he was going to buy medicine for him, and Sister Lu arranged it.

Zhou Jin threw over a hundred, and then took a small notebook and wrote it down.

Before and after, it is estimated that there are more than 5,000 yuan spent on this kid, round it up, even if it is 10,000, let him return it ten times in the future.

After Chen Yang left, Zhou Jin fell into emptiness and loneliness again, there was nothing fun about the mobile phone, and the computer was too lazy to look at it.

Why don't you take a look at the book, Song Yang gave him a book of actor's self-cultivation before, but he hasn't finished reading it yet.

After this book became the king of comedy in Xingye, it became a holy object, and the group performers in Hengdian basically bought a copy if they still had ideas about the future.

But it's hard to say what to do after buying it, according to Zhou Jin's observation, there are two kinds of most uses: one is to press instant noodles, and the other is to press the bottom of the box.

Zi said: I bought a lot of books, although I didn't read a single one, but aren't you just as happy as reading them?

It's about people like Zhou Jin.

In fact, it's no wonder that this is the case, the self-cultivation of this actor is indeed boring enough.

Stannis probably thinks that the performance theory is too boring, so he imitates the dialogue of the characters in the novel, and expresses his own performance theory in the dialogue between the teacher and the students.

Well, it's actually more boring.

Zhou Jin flipped through the table of contents and found a random chapter to read, but he didn't read a few pages, and he wanted to sleep.

He knew all those words, but he didn't understand them when he put them together, and he finally understood a few lines: what actor must have imagination and a sense of humor, and what he said is the same as if he didn't say it.

Zhou Jin was bored flipping through the pages, and suddenly dropped a page.

Hey, what is it?

When I picked it up, it said about dramatic art, about actors, on the contradictions of actors, and so on, and it seemed to be the title of the book.

Zhou Jin thought about it, as if he remembered that Song Yang had opened a book list before, saying that it was a crooked way of expressionism, and asked him not to read it.

But Zhou Jin didn't like to read either, if Song Yang didn't say it, he probably wouldn't have read these books in his life.

But Song Yang said that he must not watch it, but Zhou Jin became a little curious.

It's like when he was in school, the teacher said that he must not read books like the girl Ah Bai and the boy Ah Bin, but he had to see what was going on.

The more forbidden it is, the more unbearable it becomes.

Why don't you get a copy and take a look?

In the Great Heavenly Empire, you naturally don't need to buy physical ones to read books, and there are mostly electronic versions on the Internet.

Turn on the computer, check the Internet, and it, it turns out that the Sunflower Treasure Book and the Double Cultivation Dafa really can't be practiced together.

What Song Yang has been talking to him about the experiential school and the method school is actually the system of Stannis, but the expressionist school is unique, and it is a completely different performance theory.

This immediately attracted Zhou Jin.

To put it simply, experiential is the actor's complete dedication to the role from body to soul.

For example, to play a sad emotion, the experiential school is to completely let go of the body and mind, feel the emotions of the character, and then cry.

The most typical ones are Gong Li and Zhang Ziyi.

This method is quick to enter the play, but it is difficult to get out of the play, and it hurts the actors a lot.

So on top of this, a new theory, that is, methodology, is added to help actors get into the role.

When playing a sad emotion, you can think of something else sad and use this emotion to replace the character's emotion.

If an actor is experienced enough, he can store enough emotions to be competent for most roles.

Some excellent domestic actors, such as Xu Zhen, Huang Bo, and Da Meimei, are basically this way.

The expressionists are more hanging, and this school believes that the essence of performance lies in performance, not unity.

Therefore, actors do not need to substitute their own emotions, but to observe and imitate, and improve their acting skills through a lot of training.

When playing sadness, the actor's face may be sad, but not only does his heart not fluctuate, but he even wants to laugh.

In the eyes of the older generation of performing artists, isn't this just fooling people.

What they are more about not being crazy and not surviving, they really have to cry when they say they cry.

Even the substitution mood of the methodist school is not well received, let alone the expressionist one.

Therefore, the expressionists have become a crooked way in China.

And the performanceists have to train for many years, so there are very few people who practice.

In China, Feng Yuanzheng is the only one.

When Zhou Jin read this, he felt infinite emotion in his heart, and when the words came to his mouth, there was only one sentence left,.

He suddenly found that when he first crossed over, he didn't know how to act at all, and Lao Zheng Tou instructed him to observe more.

So he learned to observe and imitate without a teacher.

Before performing, think about your movements and expressions, and then just do them when you act.

But because of lack of experience and insufficient control over body and facial expressions, everything is empty.

Later, when he played Chang Yin, because he had mixed up with Song Yang a lot, he always said that he wanted to put into the role.

So Zhou Jin was once again self-taught and learned to replace emotions.

I can't understand Chang Yin's emotions, so I'll replace the head office with my own emotions.

It's better to think about your expressions and actions first, and when you encounter more intense emotions, find the corresponding experience instead.

At that time, his acting skills finally fell from the air to the ground.

Just when Zhou Jin began to be complacent, he met the bullfight again.

Huang Bo's performance made him realize one thing:

If you want to replace Niu Er's emotions with your own emotions, then wouldn't he have to be as miserable as Niu Er?

Otherwise, how would he perform that kind of sad feeling?

At this time, his thoughts and experiences suddenly lost their effect.

"Ahh~" He sneezed loudly, snot snorting in his nostrils.

Zhou Jin took a tissue and blew it, feeling that he might be sad.

Almost all of the outstanding domestic actors are experiential, or transition from experiential to methodical.

I didn't say that I was an expressionist at first, and then I switched to a method school.

Except, of course, for the later little fresh meat.

But Zhou Jin doesn't plan to go through the fresh meat stream.

"Brother Jin, I'm in. ”

When Zhou Jin was thinking blindly, Chen Yang pushed the door in and brought over a bunch of medicine and a bottle of hot water.

"Sister Lu asked you to take the medicine on time, you remember to take it. ”

Chen Yang saw that Zhou Jin was open, motionless, and decided to leave after greeting him.

"Stop," Zhou Jin called out to him from behind.

"Do you remember how you felt when you knelt in front of your mother's grave the other day?"

Chen Yang was stunned for a moment, his eyes went out instantly, "What's wrong?"

He thought Zhou Jin had something to say to him.

Zhou Jin sat up solemnly, looked at his eyes carefully, and asked, "How did you do it?"

"What and how?" Chen Yang was a little scared.

"That's it, the look in your eyes just now," Zhou Jin said with a gesture, "Suddenly it went dark, how did you do this?"

Chen Yang was stunned, "That's it." ”

"So this is a natural reaction?"

"I don't know. Chen Yang looked confused.

"That, brother, I'll go first. ”

Chen Yang didn't know what Zhou Jin was like, but he was afraid that he would expose his scars again, so he fled quickly.

"Is this a natural reaction?" Zhou Jin looked at Chen Yang's back, thoughtful.

"Ahh

"Hey, how did I get this sneeze?"

Zhou Jin fell into deep thinking, and two snots flowed, and he didn't realize it.