As the name suggests, Huai'an's entire skirt is white, and this white Hanfu can't be talked about together at all with the cheap white props Hanfu that Liu Yan wore when she met Xiao Keer.

This is the real Chinese costume, its white is very positive, it is the white of cotton and linen, not the pure white of modern fabric, look carefully, you can see the position of the placket and skirt, embroidered with silk one by one locust petals, very realistic, more beautiful is that when the light hits these locust petals, the petals will become very light and light green.

Green and white are both soothing colors, which may be why the designer named it "Huai'an".

Liu Yan changed her clothes, and Tao Zhiyao clapped her hands and praised, "The goddess of Hanfu has appeared again." ”

"White as standard," Li Xiaoru said with a smile.

At the beginning, didn't Liu Yan become popular by wearing a white Hanfu?

However, in this place, Shen Mozhen is the protagonist, Liu Yan is a supporting role, and the clothes are already very stylish, so Miao Xiaomei diluted Liu Yan's makeup, and only applied foundation and blush that matched her skin tone, so that her face looked more even in the spotlight. Miao Xiaomei's combed Liu Yan's hair is also a relatively simple bun, not as complicated as last time.

By the time Miao Xiaomei has modeled Liu Yan, Shen Mozhen and Wen Fangfei's performances have already begun.

The two of them performed the guzheng duet, "Sauvignon Blanc".

This song is a freehand of Bai Juyi's noun "Sauvignon Blanc": "Bianshui flows, Surabaya flows, flows to Guazhou Gudutou, and Wushan is a little sad." Thinking about it, hating it, hating it until it is time to return, and the moonlight people lean on the building. ”

Wen Fangfei started the beginning, and the first half was played by her solo.

Thanks to Professor Su's high-pressure education method, Liu Yan not only knew the life of Bai Juyi, but also had just memorized the song, but she still hadn't heard the song.

Since Wen Fangfei is Shen Mozhen's younger sister, her guzheng level is so high, there is no doubt that Liu Yan has already learned it when she rehearsed.

From the sound of Wen Fangfei's piano, Liu Yan can feel that sadness and longing, probably this piece is the same as its words, expressing deep resentment.

Wen Fangfei was responsible for the end of the first section, and the next section was played by Shen Mozhen solo, when Shen Mozhen's piano sounded, Liu Yan's eyes suddenly lit up.

Because she felt the distinct difference. The resentment is still the same resentment, but no matter how affectionate, how lonely, no matter how much sadness and parting, it will eventually return to the clouds.

Shen Mozhen's realm is much higher than Wen Fangfei!

Perhaps this is the reason why Shen Mozhen is called the goddess of folk music, her talent and understanding are indeed difficult for others to match.

At the end of the song, there was another round of applause.

Shen Mozhen and Wen Fangfei got up at the same time and greeted the audience.

Wen Fangfei left the stage from the left side, while Shen Mozhen looked to the right, a smile on his face, and made a gesture of invitation.

At this time, the screen showed the last track of tonight "Mountains and Flowing Water", Guzheng: Shen Mozhen, Guqin: Liu Yan.

The audience, which had always been solemn and without any noise, had a low voice of surprise and discussion at this moment.

Everyone is talking to each other, is Liu Yan the same Liu Yan?

Capital Conservatory of Music, how many Liu Yan are there?

When Liu Yan appeared from behind the scenes and walked to Shen Mozhen's side, the audience was stunned.

It's really that Liu Yan!

Liu Yan, who can play the guqin, is the only one.

But aren't they rivals in love? Shen Mozhen was actually willing to invite her to the same stage! Everyone was very surprised.

Most of the audience have heard Liu Yan's guqin performance of "Liang Zhu", and they are deeply impressed by her, and they also have expectations for this "Mountains and Flowing Water".

And offstage, Wei Wanru, who has been feeling sick and sick these days, suddenly became energetic, sat up straight, and leaned forward slightly, seemingly a little excited. Beside her, Shen Mozhen's father, the famous composer Shen Heng asked her curiously, "Who is this child?" ”

Shen Mozhen's mother, the famous dulcimer player Yun Sa, is also puzzled, they are all elegant musicians, and they rarely pay attention to things on the Internet. However, Shen Mozhen had already told them that she and Tang Tu had broken up, but did not mention Liu Yan.

"She's a genius comparable to your daughter," Wei Wanru smiled mysteriously, "You'll hear her 'Mountains and Flowing Water' later." ”

Shen Heng and Yun Sa were very surprised, Wei Wanru cherished words like gold, was strict and rigorous as a teacher, and rarely had such a high evaluation of their daughter, how good was this girl to make Wei Wanru value it so much?

Shen Mozhen only changed her clothes twice in the middle of the game, once before the collective ensemble, and once before playing with Wen Fangfei.

Her Hanfu is white on the top and light orange on the bottom, which is very in line with her gentle and gentle temperament, and the professional stylist also made a retro Han Dynasty hair bun for her, and put on the delicate makeup that Miao Xiaomei can't look at.

The two girls stood on the same stage, both dressed in gorgeous Hanfu, both young and beautiful, both classical and elegant, and their styles seemed to be similar, but in fact their temperaments were very different.

Shen Mozhen's temperament is purer, she is a professional and refined artist, and Liu Yan's temperament is unpredictable, she has a sense of literature and art, literature and art are usually associated with small freshness, but her literature and art can be equated with the atmosphere and generosity.

The two sat down in front of their respective instruments.

Shen Mozhen's fingers moved, and he played first.

They had rehearsed in advance, with a clear division of labor, with Shen Mozhen in charge of the main theme and Liu Yan performing the variations.

"Mountains and Flowing Water" is a must-play repertoire for all students who learn guzheng, but few people can play the essence of the song.

Shen Mozhen has played "Mountains and Flowing Water" many times before, and her version has been highly praised by teachers, parents and classmates, and now she just performs it again.

But her state is actually not good, Shen Mozhen is only 22 years old, this is the first recital in her life, the first time to perform for a long time without interruption, she can't hold the audience completely.

After playing for an hour and a half in a row, it is not like before, where you only need to play one or two tracks, and you can leave the stage with a perfect scenery. This is also completely different from the usual rehearsals, she is facing thousands of audiences, some of these audiences are also holding mobile phones to broadcast live in real time, she is actually under a lot of pressure, requiring a high degree of mental concentration, not to mention that playing an instrument itself is a physical work, normal people, will be tired.

When playing with Wen Fangfei, Shen Mozhen was already holding on to the end, reaching the limit, and almost couldn't hold on.

At this time, playing with Liu Yan again, her expression was occasionally a little trance, and she accidentally played one or two wrong notes, but she quickly realized the problem and immediately corrected it, and ordinary people couldn't hear her mistake at all.

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