In the middle of the long table is a piece of porcelain.

The pastel "Magu Xianshou" deer head is one and a half feet high, and the abdominal diameter is close to one foot.

On the picture, in addition to the main characters, there are auspicious clouds and turquoise stones next to them. In both ears, it is a brown deer head.

The circle mouth is painted with gold, and it falls off slightly.

On the exposed inner wall, you can see green color. This is a common technique of pastel ware in the Qianlong Dynasty, and the bottom is often green, commonly known as "green in green and green bottom".

The craftsmanship of this deer head is very fine, but in Yu Yao's opinion, it is a folk kiln at a glance, because the secular taste is too heavy. This is not because of the content of the picture, but because of the various details, and then to the overall feeling.

This is a fine product of Qianlong's kiln.

However, Yu Yao is not very interested, and if he looks at the price again, he doesn't have to continue to look at it.

Although Yu Yao was not interested, as soon as this pastel deer head came up, it attracted the attention of most people, and the middle of the long table suddenly became a little crowded.

Some people are still muttering about the six-character seal book while reading it - this person has poor eyesight, and if he doesn't look at the bottom, he can't decide whether it is an official kiln or a private kiln.

Yu Yao smiled indifferently and pulled to the side.

Yang Rui originally felt like a folk kiln, but when he saw Yu Yao like this, he didn't look at it anymore. First, the price is too high, 300,000 yuan, and he doesn't like pictures very much, he is a bit rigid in nature, and the tone of this deer head painting is feminine.

What Yu Yao looked at next was a birdcage.

Ivory bird cage.

This thing Yu Yao can see faster, the material must be fine, the year and craftsmanship are also easy to identify, and the late Qing Dynasty is widely made.

The term Guangzuo is quite interesting, it is a word in itself, but it actually refers to the furniture and handicrafts produced in Guangzhou in the Ming and Qing dynasties, especially in the Qing Dynasty.

Originally, in the Ming Dynasty, Suzuo furniture was the most famous, but in the Qing Dynasty, Guangzuo jumped up and became the boss.

Because of the favor of the Manchu royal family.

After the Manchu Qing Dynasty entered the Central Plains, it gradually became sinicized, but the royal family has always disliked the style of Ming-style furniture. If Ming-style furniture is simply summarized in one word, "Xiuya" is more appropriate. But the Manchu royal family liked to be condensed and even magnificent.

Hirosaku furniture caters to this taste. Therefore, the identification distinguishes between the furniture of the Ming Dynasty and the Qing Dynasty, which is also a key point in style.

Guangzuo furniture, the materials are often very luxurious, generally not mixed, pear is all pear, red sandalwood is all red sandalwood.

At that time, the Qing Palace Office shook the figure of many Guangzhou people, and later set up a special "Guangmu work".

Ivory is also a luxury, the Qing Dynasty ivory mostly relied on imports, Guangzhou is a very important port, near the water, the wide ivory carving has also become a typical representative.

There were far more ivory handicrafts in the Qing Dynasty than in any previous dynasty, of which Guangzuo accounted for a considerable part.

During the Yongzheng Dynasty, Guangzhou also presented an ivory mat.

I don't know what it tastes like if I haven't used it, but it is said to be very cool and much more comfortable than other mattresses.

To make a mattress with ivory, the process is very complicated at first, you have to soak it in a special potion, and then split it into thin strips and slices before you can weave it. Secondly, the amount of ivory consumed is too large, a mattress mat has to use dozens of tusks, and a lot of manpower is also required.

Ivory is inherently precious, and such a mattress is a luxury. After Yongzheng saw this, he ordered no more offerings! After Qianlong ascended the throne, he didn't care so much, comfort came first, and the ivory mat began to be offered again.

This ivory birdcage is naturally far inferior to the ivory mat, because there are many gaps, but in fact, it does not consume much material. However, the process is still more complicated.

It has been a hundred years since the end of the Qing Dynasty, and it is still relatively well preserved, which is indeed not easy.

But this thing, not only Yu Yao didn't want to buy it, but most people were not interested. There were three or four people looking at it, but it was clear that they weren't interested in the other two, and this thing was rare, so I just took the opportunity to take a good look.

This ivory bird cage can't be used to really raise birds, and it's not easy to preserve, and it's not easy to play. If you want to talk about the ornamental value, you can't say that there is none, but there are not many people who have this kind of vision preference.

At the same time, this ivory birdcage has a high price tag, 200,000. Combined with the market of ivory products in the late Qing Dynasty, and then add creative fees and process fees to it, in fact, 100,000 yuan is considered high.

Yu Yao thought to himself, this thing, the boss probably expected that it would be difficult to make a move on the flowing water seat, and it might be a show of strength. At the same time, it is also equivalent to advertising, if it is spread out, if there is interest in the circle, you can contact again.

Judging from the things that appeared on the flowing water seat, there were real and false, and the things were not finished, but a rough calculation, the book is really not low. Afterwards, Yu Yao asked Yang Rui to know that a large courtyard of the boss's house had been demolished and a large sum of money had been obtained, and this was the key.

Yu Yao and Yang Rui walked to the last thing they didn't see at almost the same time.

I didn't even look at this thing. It's not that no one went to see it, it's that they didn't linger after seeing it, and they stared at the other two in a blink of an eye.

This is a bronze Buddha statue of the Qing Dynasty, the volume is quite large, but a look at the characteristics of the process, especially the pair of "beckoning ears", a little bit of knowledge, you know, this is "skin work".

The so-called Mongolian skin work is to explain that the Qing Dynasty and Mongolia made a kind of Buddha statue, not casting, is formed after beating and hammering, the inside is empty, just a layer of copper skin.

The level of this bronze statue can be imagined. And the ears often have to be done separately and then fixed, which is easy to make "attractive ears".

There are also historical reasons for this, nomads, the residence is not fixed, such Buddha statues are relatively light, easy to carry and move.

Of course, the material is saved, the process is simple, and the money for inviting Buddha statues is also less.

From the Ming and Qing dynasties to the present, the work of making skin has always been worthless. It's not that all the Buddha statues made in Mongolia are like this, and there are also those with exquisite casting techniques, but it's just that the leather work is like this.

Although the year is the Qing Dynasty, and it looks like it can reach the middle of the Qing Dynasty, the price is very low, only a few thousand yuan.

Even with such a price, no one is interested. Therefore, there is indeed a gap in eyesight for those who come to eat flowing water seats, but there is no mallet to play blindly.

"Well, this round is off early. Yang Rui pouted.

And Yu Yao kept staring at Bai Hao of the Buddha statue, after the Buddha statue was flattened, Yu Yao poked his head and was still looking.

The so-called white hao refers to the round or hairy body between the two eyebrows of the Buddha statue, which is simply the "point" in the center of the eyebrows.

Baihao is also called Baihao light, Baihao phase light, and it is also one of the 32 phases stipulated by Buddhist statues. In addition to the "white hair between the eyebrows", there are also "hands over the knees", "top high bun phase", and so on.

The white hair between the eyebrows of this Buddha statue is not hammered or carved, but inlaid with a bead, and it is really shining.

What Yu Yao saw was this "white light".