The constant influx of people from small places into big cities does not necessarily benefit the former. The increase in the number of people will inevitably lead to the congestion of urban space.

As a result, it will further push up house prices, especially rents. Rising rents will have a ripple effect, and there is a high probability that prices will rise.

If wages do not rise much, they will inevitably increase their expenses, and their actual life will deteriorate. Those who cut back on food and clothing will squeeze out the rent money first.

The ancestors in the big cities felt that the influx of outsiders had robbed them of their jobs. In addition, the first priority of outsiders is to survive, and there will be a situation where they take the initiative to reduce their hourly wages in order to get a job, which further encroaches on the interests of the ancestors.

The contradictions and conflicts between outsiders and ancestors have created a situation that is impossible to resolve. After living in a big city for several years, outsiders often can't afford to go back to their hometowns.

This is a pressure to stay in the big city, after all, the cost of living is too high, and a rent can account for half of your monthly income, or even more.

The place where you live will be moved more and more because of the decrease in work income or the increase in rent, and the smaller and worse you live, the worse you live.

Buying a house? I can't afford it at all. Even a down payment can hardly be saved. Even with a down payment, you still have to pay a monthly mortgage.

That's 35 years. The house I bought was just an ordinary house of 20 or 30 square meters, 30 or 50 square meters.

In addition, during this period, I can't get sick, let alone get seriously ill. If you are unemployed or something, it is undoubtedly a bolt from the blue, and you can directly force people to death. Everything has to go relatively smoothly.

When Masayoshi Kishimoto thought of this, he couldn't help but think of the most classic line content in "Breaking Bad".

I was worried about this, I was afraid of that, and I lived for 50 years, and suddenly one day I was diagnosed with cancer, but I was down-to-earth. I don't have insomnia, and I sleep until dawn every day.

It can be seen from this that the pressure of ordinary people's lives is and how difficult life is. This is the sadness of being an ordinary person!

"I remember you were from Tokyo! You were born in Kita-ku, Tokyo, Japan. Masayoshi Kishimoto suddenly remembered something.

"You know so much about me. Kyoko Fukada said with a laugh.

"I stumbled across a magazine. "It's impossible for Kishimoto to say anything about his previous life.

"What is Kita-ku, Tokyo? It's sandwiched between Itabashi and Adachi Wards, and it's bordered by Arakawa Ward. Kyoko Fukada said that she was an outsider, not just a lie.

Even if she was born in Kita-ku, Tokyo, it doesn't mean that she is a local, after all, these marginalized areas are generally inhabited by outsiders.

"You also said that two districts are bordered by the northern district. One is Toshima Ward and the other is Bunkyo Ward. You were also born in the 23rd ward of Tokyo.

If I have to say that it is an alien population, I am. I was born in Kochi Prefecture, Shikoku, a typical rural area. Kishimoto added with a smile.

"If you're rich, you don't care what kind of person you are. Kyoko Fukada didn't mean to compliment, but just stated an objective fact.

"If you're a female star, you don't care where you're from. "Kishimoto Masayoshi learned that her sentence pattern is to draw the scoop road according to the gourd.

"You're wrong. The Japanese entertainment industry is still very particular about origin. No matter how you pack and dress up fashionably, some people will still think that you are a rustic bun when they look at your background. Kyoko Fukada's right index finger shook left and right towards him.

"No, what era is it, and you still pay attention to blood, can't you?" Kishimoto blurted out.

"That's a strange thing you say. Even today's Japan is heavily influenced by the theory of descent. There are some people in the entertainment industry who not only have artists among their parents, but also among their grandparents.

This can be said to be a family heirloom. The director will also take this aspect into account in the employment of people. A drama is not just a play, but it also involves many interests and connections.

According to our jargon, before the filming of any drama starts, there will be a process of yarding. Kyoko Fukada has a saying.

Although it wasn't the first time that Kishimoto had heard it, it was still strange and fresh to say it through her mouth. Hard Gold Group's subsidiary is a company involved in entertainment industry-related business, Hard Gold Media.

For the roles in a play, the director is not casually employing people. First of all, it depends on which company the director is from.

Secondly, what obvious benefits will the star he use bring to the crew or the whole play. Behind the popular stars, there are a large number of fans and followers.

Even if the popular star himself plays badly, there will still be people who say it is good and rush to pay for it. As long as investors and investment companies make money, everything is easy to say.

They don't value art or anything, they value it most, they value whether they can make money. It's called the fan economy. No company or drama will ignore it.

Again, although the old drama bones are not very famous, they can ensure the quality of a drama from the side. If the filming is really too bad, even the director will feel that his face is dull, and it will affect his future career prospects.

No director wants to be famous, and when a bad movie is mentioned, his name will come to mind directly. If you still lose money, or even a huge loss, it is extremely likely to bury a director's career.

After all, this is the beginning when even a big director like Akira Kurosawa made a bad film that was not recognized by the market, and he still couldn't attract investment in making new films.

Finally, there is fierce competition in the entertainment industry, with all kinds of open and secret battles, and all kinds of pitfalls...... Everybody wants to be in the spot, everybody wants star-studded, everybody wants to endure.

"I'm so stupid. How can I tell you this. You're one of my bosses. Kyoko Fukada only remembered that Masayoshi Kishimoto still holds 10% of the outstanding shares of HORIPRO. Not only that, but Hard Gold Media, a subsidiary of his Hard Gold Group, also has an absolute controlling stake in TV Tokyo.

"I just want to hear you, an insider, talk about all kinds of things in your entertainment industry. Masayoshi Kishimoto said with interest.

"Say no more. We agreed to play online games together, how did we sit and chat?" Kyoko Fukada didn't want to say in front of him that the entertainment industry is glamorous on the surface, but in fact it is a mess.

If she really did that, wouldn't it negatively affect her good impression in his mind? Even if she didn't participate in it, it was hard to guarantee that the other party wouldn't think much about it.