Sure enough, the blue is better than the blue, but Brother Zi'an's attribute seems to be a recessive gene......

Worried that Lu Zi'an had finished drinking the water, Shen Mango went up for a trip.

As a result, when I opened the cup, I saw that it was not at all, and Brother Zi'an was afraid that it was not stained.

She couldn't help but look at the wood in Lu Zi'an's hand, under the bright light, that piece of wood had been carved into an arc of the wood at the defect of the tower base.

The pattern on it is very detailed, and it is rare that there is a single wood texture and tone, and Lu Zi'an actually makes it show many layers and colors.

The thin part is light in color, and the thick part is slowly cut by Lu Zi'an with a thin knife, from the outside to the inside, step by step by subtracting the waste, gradually excavating the shape to reveal it, and the final effect is very spacious.

The more Shen Mange looked at it, the more he felt that this technique was very familiar.

Like what?

She recalled it carefully, and a flash of inspiration flashed in her mind, thinking of the "five colors of ink" that the master had told her this time.

This is the name of the Chinese painting technique, which refers to the use of water to adjust the multi-level shade of ink color, dry and wet.

Zhang Yanyuan of the Tang Dynasty "Famous Paintings of the Past Dynasties": "Ink and five-color tools. ”

"Ink is divided into five colors", and the ink color has five kinds of "dry, wet, thick, light, and burnt", and if you add "white", it is "six colors".

In fact, it refers to the various rich variations of ink with a single tone and the use of various shades of hue.

In the Qing Dynasty, Lin Shu used to use the same amount of ink, placed in five bowls, and added an unequal amount of water to distinguish the shade in painting, which is actually a misunderstanding.

The real ink is divided into five colors, and the best used is Kangxi blue and white.

This kind of blue and white has changed the monotonous painting style of the traditional flat painting of blue and white in the Yuan and Ming dynasties, so that the blue and white hair color is different, just like the "ink five colors" in the painting, so Kangxi blue and white has "five colors" or "blue and white five colors".

In fact, this kind of blue and white can have such a big reputation, more because of the Yunnan "pearl material" used in the middle of the Kangxi period.

This kind of cobalt material, its color change has five levels of color gradation, the green material used has "the first thick, the thick, the second thick, the light, the shadow light";

In addition, the blue and white painting techniques in the middle of the Kangxi Dynasty had a lot of reforms and innovations, which changed the traditional method of single-line flat painting of blue and white in the Ming Dynasty, but adopted the technique of rendering, that is, "dividing the water", and borrowed the focus perspective technique of Western painting, which is thick, elegant and distinct, and depicts the distant mountains and near the water, the feathered beasts, flowers and trees, and the characters and immortals are depicted very expressively.

Painting on porcelain blanks, one color can express a variety of hues, which is the great achievement of "ink five colors".

However, Lu Zi'an didn't borrow any paint at all, and she had indeed seen this wood at that time, just a whole piece.

Even if there is a change in the color of the wood, it is also a whole piece, and it will never be as uniform as the tone shown at this time, when it should be thick, when it should be light.

The more Shen Mange looked at it, the more strange it became, and he couldn't help but lean over and watch it carefully.

It just so happened that Lu Zi'an had already carved to the end, and was reaching out to change the thin knife to prepare for the final trimming, when suddenly a head popped out next to him, and he couldn't help but startle, and looked at her with raised eyebrows: "What are you doing?"

"Hehe, I'll ...... Take a look, I'll see. Shen Mange was a little embarrassed.

Lu Zi'an glanced at her and said indifferently: "I want to see it and show you when it's done, don't jump over like this, be careful that the knife stabs you." ”

"Oh oh!

【…… A mouth full of dog food, my heart hurts. 】

[Master, when I watched your live broadcast two years ago, I was single, and two years later I watched your live broadcast...... I'm still a single dog. 】

[Good news for you!It's snowing!You're not a single dog anymore!]

【……？？？】

[You've been honorably upgraded to a sled dog, hahahaha!]

The crowd dragged the man out in frenzy and scolded him for ten full minutes, until he confessed his mistake.

When Lu Zi'an finally put down the carving knife, in addition to the big piece of wood at the base of the tower, which was the most damaged, he also carved a few small patches next to him.

He stood up and moved his wrist, Shen Mange looked up at him, "Do you want me to press it for you?"

"No, I don't. Lu Zi'an slowly moved his fingers and glanced at her: "I'm going to adjust the adhesive, don't you just want to see it?" ”

Shen Mange dragged the chair over a little with great interest: "Oh! Okay!"

[Beautiful young lady!Ahhh

[Ah, it's the anchor's little sister!I love watching you play games!]

[I understand that I want to play with the game, but what I don't understand is that what does it mean to engage in carving and get a beautiful woman to accompany me?]

[That's it, little beauty, can you understand this?]

Shen Mange glanced at the screen, his big eyes flashed with happy light, wiped his hands and happily took the wood and looked at it carefully: "I can understand, look, this carving is simple and rough, but the lines are very delicate, do you know why? Because this is the characteristic of Qing Dynasty carving." ”

She won't tell others that after she finished painting the embroidery sample, she had checked the information about the Huanghuali carved pagoda palace lamp.

Hehe, it's just the right time to shock them!

"What are the characteristics of Qing Dynasty carving? Their carvings are relatively detailed, and multi-layer openwork, round carving and mixed carving methods have become the mainstream, with accurate modeling and vivid images. She picked up the patch carved by Lu Zi'an and shook it in front of the screen: "Like this patch, you can clearly see that the wood carving of the Qing Dynasty pays attention to absorbing the expressive techniques of the Xin'an School of painting in the composition and layout, pays attention to artistic beauty, and absorbs the characteristics of the line modeling of the Hui School printmaking in the carving technique, which can strengthen the sense of space in the picture and make it more layered." ”

【…… I know all these words, but I don't understand a single word when you even say it. 】

[I don't know how to feel it, sure enough, the master's female pot friend is not a vegetarian. 】

Shen Mange didn't expect them to say this, the three words of the female friend melted in her heart like honey, and she couldn't help but have a smile on her face, her face was full of crimson, and she couldn't say a word.

While I was looking at it, a connection request popped up on the screen.

Hey, who's this?

Shen Mange looked at it carefully and frowned slightly: "Hmm...... Chaozhou Tan carpenter?"

Chaozhou wood carving she heard her father talk about, after all, it is one of the four major wood carvings, but who is this Tan carpenter?

Is it someone Zi'ange knows?

Thinking so, she raised her voice and asked, "Brother Zi'an, there is a Chaozhou Tan carpenter here who wants to connect with you, do you know him?"

I haven't heard of Chaozhou's surname Tan.

Lu Zi'an was stunned, and walked over with gloves on: "I don't know, you can connect and take a look." ”

"Oh, okay. Shen Mange moved the mouse and clicked the connection.