Have you noticed that this work is called Double Swallow...... That's the name, right?"

An old man asked, and after Bai Ye nodded yes, he continued to comment: "But this painting, when you look at it, the first thing that catches your eye is the unique white-walled building of the small village in the south of the Yangtze River, followed by the bank next to the river, and finally a tree that is not too old and a lake that reflects the trees and houses. ”

"If it weren't for him saying that the name of the painting was Shuangyan, I'm afraid some people would have easily ignored the two swallows on the branches and walls of the building. After all, these two swallows seem to be painted with one stroke. I'm so dizzy that I need a magnifying glass to see clearly. ”

The old man smiled: "One stroke and one swallow, it saves paint." ”

"Seeing the big from the small is the real skill. ”

Another person next to him suddenly laughed and said: "This reminds me of the Northern Song Dynasty, when there was a question in the exam of the Xuanhe Painting Academy, and the ancient poem fished alone in the cold river and snow......"

Hearing this, some people are ignorant, and some people are enlightened.

A group of painters painted with the theme of fishing alone in the cold river and snow, and among them, the amazing work that stood out was a painter, on a blank piece of drawing paper, painting an old man fishing.

In addition, there is no ink on the vast white paper.

But the image of a lonely and lonely heaven and earth immediately became prominent.

Such ingenuity, exquisite artistic conception.

Naturally, it is amazing.

Under the old man's nodding, others suddenly realized that their perception of oil painting works was deeper.

They will not suspect that this is a misinterpretation.

Because the name of the white leaf is a hint. Otherwise, he named the picture Moonlight Lake, and no one could fault it. But he just said that this is called Shuangyan.

Obviously, this is closely related to the theme, pointing out the direction for the appreciation of the painting.

Ginger is still old and spicy.

A group of young painters lamented that they didn't care about the name of the painting and the connection between it and the artistic conception of the painting.

A few bigwigs came over, and after watching for a while, they hit the nail on the head and explored the connotation.

This is the gap, and if you don't accept it, you can't do it.

When everyone sighed, Bai Ye also walked back from outside. After all, Wang Jingzheng asked him just now if he had any sketch manuscripts, and he really brought the manuscripts over, just outside in the car.

went out for a few minutes, and when he came back again, Bai Ye had an extra picture book in his hand.

He handed the painting book to Wang Jingzheng, and at the same time said: "This is my sketch before I officially started to create oil paintings, which are basically some simple compositions. The drawing is very casual, and I hope the president will not laugh at it. ”

Wang Jingzheng took the painting book, opened it, and couldn't help but feel, "If this is a joke, then there is no serious painting in the world." ”

The others couldn't help but lean over and watch.

The main thing is that a group of bigwigs are watching, and the other people can't wait to have their eyes on the top of their heads, so that they can see more clearly.

Those who read the sketch naturally understand the reason why Wang Jingzheng sighed. After all, the sketch of white leaves in the painting book and the ready-made oil painting, although they are the same theme, but the specifics have changed.

Although it is also a scene of lake water with white walls and eaves, there are more steps under the trees.

There are also people who are washing things in Huan.

There are no double swallows on the wall, but under the pen of Bai Ye, the ripples of the lake are very meaningful. The lines in a circle seem to be very messy, but they hide a pattern.

At first glance, there is a strong sense of déjà vu, as if people seem to see that the real lake should be like this when there are waves.

You know, this is a sketch, a simple charcoal sketch, to create a picture that is like substance.

Lifelike, very vivid, jumping on the paper.

In particular, the painting is bounded by the class by the lake, and the white-walled buildings are simple and monotonous. And below, there is the scene of the lake waves. Movement and stillness, natural and natural, constitute a perfect balance.

Seeing the subtle knowledge, such a composition can be called perfect.

A group of bigwigs saw it, and someone couldn't help but whisper: "Even if we come to paint, it's just that." At most, it's more concise. ”

"Hmm!"

Some bowed slightly.

For them, penmanship can be practiced.

The point is, composition and imagery are talent.

This is the painter's aesthetics, the interpretation of art, and the core quality. The future of a painter, and how high the ceiling is, is basically reflected through these basic elements.

Obviously, through oil paintings, as well as these sketches.

White leaves deserve a bright future.

A picture book has about 100 pages, and Bai Ye definitely hasn't finished it. But there are also twenty or thirty drawings, each of which is a subject but has its own variation.

Or the change of the lake waves, or the change of the building, or the change of the trees.

Even if it is different, the essence of it remains the same.

Lines and planes, geometric divisions, and blank spaces in traditional Chinese paintings, these elements that make up the water towns in the south of the Yangtze River are always implemented in the sketches, constantly deepening their impressions.

Seeing the end, an old man couldn't help but turn his head and ask, "Bai Ye, where is that moonlight lake?"

"Haha, that's what I want to ask ......"

The old man next to him smiled: "I am also thinking about it now, and I plan to take a look." If it's that good, why don't you draw it......"

"Haha, you're having itchy hands. ”

Some people made fun of it, but the meaning revealed also surprised some people.

They are the organizers, the staff of Suzhou.

As attendees, they naturally know the influence of these bigwigs in the industry.

Suzhou spent a lot of money and used a lot of connections to finally grab the right to hold the event. Isn't the purpose to increase the heritage and improve the cultural influence?

Art exhibitions or something, it's just accumulation. The quickest way, in addition to this art exhibition, is naturally that these bigwigs leave ink treasures, so that they can take the opportunity to publicize a wave.

Unexpectedly, this ultimate goal was easily achieved.

At least the big guy has this intention, then the organizer must find a way to implement it.

Of course, there are some people who suddenly think of Shen Zhuang......

From Shuangqiao to Shuangyan, a familiar scene.

Could it be that history is going to repeat itself again, a painting drives a place and becomes famous.

Some people muttered in their hearts, in different moods, either calm or lost. Because they basically know in their hearts that this national exhibition, even if it has not officially started, has already settled.

It is expected that the person who will be in the limelight and become the brightest star in the audience is not himself.

It's a blow that inevitably makes people sad.

But there are also people who accept it all calmly. They were not discouraged, but they were firm in their convictions. Only when you know the gap can you catch up.

On the road of art, a momentary lead does not mean anything.

Accumulating thick and thin, overtaking in corners, is not a dream......