"You're really a good actor!"

Xu Anhua sighed that acting skills are only part of it, and more importantly, he has a sensitive heart and can perceive everything around him.

I am afraid of society, I am afraid of the crowd, I don't want to be influenced by the outside world, I always want to make a maverick posture, but I will also secretly speculate about the opinions of others.

Seeing the scolding person, while expressing disdain for thinking that you are old, you are too lazy to scold, and on the other hand, it seems that you have suffered a little internal injury silently.

"It's all about making literary films, I'm fundamentally different from Wong Kar-wai, he can make a movie for several years, and every scene and every shot must be meticulously carved, and the rhythm is unhurried. ”

"I'm the complete opposite, I'm always in a hurry, anxious to find a script, anxious to prepare, anxious to shoot, and anxious to prepare for the next ...... before the release after filming."

"Even if a film is filmed for three years, he is always in a state of anxiety, not as calm and relaxed as him at all. ”

"Hey, no way!"

Ding Cheng listened attentively, it seemed to be small talk, but it was actually very important, and it was related to how to communicate and get along with the director in the future.

I have worked with seven or eight directors with different styles, and my works are actually to convey their personalities and views on life in the world.

Xu Yinghua is the most rational and logical; Xu Wenzheng is very smart and has a very sensitive sense of business; Guan Hu and Ding Sheng have blood in their bones and always want to express something different.

Wang Tian is self-aware, knows what he wants, and is lucky, so he can get to where he is today.

Xu Anhua is not stupid, he secretly observed Ding Cheng's state, and the more he looked, the more he appreciated it. Young people are smart, not clever, but spiritual.

The director is not afraid to teach the actors by hand, after all, not everyone can understand the spirit, but the cost of communication is high and low, you can get started with a few words, and you can find the feeling by shooting a few lines.

It's not good to toss for half a day, not only the director himself, but the whole team has to drag his feet, who to reason with?

Although it was the first time we met, Ding Cheng was far better than in the work, with a sincere smile and clean eyes, which made people feel very comfortable and friendly.

No wonder it can be appreciated by Liu Tianwang!

In Ding Cheng's view, Xu Anhua's persistent pursuit of movies is undoubted, but it is also a fact that her quality is unstable.

In addition to the above-mentioned rush, there are also some obvious production flaws from time to time, sometimes due to production budget or time constraints, sometimes the script is not completed and shooting, and sometimes the post-production is rushed......

In the end, it's all due to her lack of insistence on the quality of her work.

Because she has never been an artist like Wong Kar-wai and a director who has a perfectionist pursuit of her works.

Instead, they are accustomed to taking care of non-artistic considerations such as bosses' investments, staff welfare, and interpersonal relationships.

Once an artistic compromise has been made......

I care too much about other people's opinions, I don't want to offend people, I don't want to owe favors, so many times I can only compromise.

In fact, a pure artist sometimes has to be unkind, self-respecting, and successful!

Yesterday, Yao Zai did her homework and found a copy of her former autobiography, good guy, which can be called unabashedly energetic.

Scold yourself for not paying attention to details...... The picture lacks a sense of cinematic...... The tempo control is also not too strong......

And I can't write a script, I always rely on the screenwriter, and when I encounter a script, I will be out of line.

is almost all picky, even those works that have won various awards and are praised by everyone, but in her eyes they are a bunch of shortcomings.

Directors generally treat their works as their own children, and they can't love them, especially some directors nowadays, when others say a bad word, they even want to tear it up in person.

Compared to them, she is so strange, it is tantamount to her own complaining about herself.

The film debut, which is also the pioneering work of the new wave of Hong Kong Island films, "Crazy Robbery" complained: In the later stage of filming, Zhang Aijia and Lin Zixiang investigated the scenes, and suddenly lost their feelings, and they didn't know what they were filming.

The first adaptation of Zhang Ailing's "Love in a Fallen City" - of course this set failed, the art was not meticulous enough, and I didn't capture the drama of the two protagonists well, so there was nothing to see.

"Magic City Holiday", which temporarily replaced Bai Jingrui's directorship - I didn't put my personal opinion into it, so I didn't expect it. For me, this set of plays is a waste of manpower and material resources.

"Ah Jin", which tells the life of an action movie martial artist, was filmed in a hurry, and for various reasons, he was limited to seven months to finish the filming, so he kept urging and urging at the same time, and at the same time added chaos.

Adapted from Haiyan, the most popular "Jade Guanyin" in the mainland that year - the process was particularly bad, I led the team by myself, and this time I was just a hired director, so I had to listen to others in everything and strictly follow the rules of the mainland.

One of the bosses proposed to use another actor to play Mao Jie, a friend he knew, and he told me this before filming started, and it was already decided to use Nicholas at that time, sandwiched in the middle, it was difficult to do, and it was very annoying every day!

Even Liu Tianwang, although she discovered it single-handedly, still starred in "Extreme Tracking" back then, and directly said: "I don't like Liu Kaihua very much, I think he is unconvincing and a little inappropriate, but I can't tell what is inappropriate." ”

The criticism of Shu Qi is more specific, starring in "Ghost World" said afterwards: "I am very disappointed in her, the role was originally the best in the play, but she was in a very poor filming state, probably because she was too busy, and she didn't seem to wake up all day long during filming."

I wanted to talk to her, but in the end I endured it, and I felt that there was no need to quarrel with her, otherwise after the quarrel, in her state, it was very likely that she would be missing.

Even the little brother in "Auntie's Postmodern Life": I have some hesitation about him, because I'm not sure if it's too exaggerated?

Even after Siqin Gaowa won the Xiangjin Statue for this film, she didn't think the performance was perfect: I think it could be done better, because the part of the scene between her and the child was a little too nervous, and she should relax. ”

Such memes abound......

I was shocked after reading it myself!

I didn't understand it at the time, I was always in a hurry when I was shooting, I was always compromised, I always let it go easily, and then I felt that it was all a problem after filming?

Since you are nitpicking after the fact, why didn't you be careful in the first place?

It wasn't until we met and chatted that I understood a little bit, this is her character, like her person, if one day she is persistent in this regard, maybe the consistent humanistic care and tolerance will also disappear, and the gains outweigh the losses.

Because she is a tolerant person, tolerance is not only reflected in the connotation of the work, but also in the process of filming, which is two sides of the same coin, there are gains and losses.

As for the fact that she likes to pick thorns in the work and point out the problems of the actors, it does not mean that she is intolerant, because after she picks the thorns, she will always take all the problems on her own head, and the responsibility is borne by herself.

Even the outside world generally praised the advantages of being good at training actors, but she also denied herself, she was so cheap!