"You think you've had a good discussion, so you can write well. In fact, in the end, it turned out that it would only write very little. Because your brain is already self-satisfied in the discussion, there are no extra hormones left for you to write.

Stimulated by pressure and expressiveness, it is very happy and easy to be intoxicated to tell a story and have a discussion, especially when we directly discuss with someone a new plot or point of view that we have not thought about and written, in fact, it will not arouse your passion and inspiration.

Rather, on the other hand, you are eager to express because of the activity of your mind, and it is easier to have the urge to share and discuss with others. It's easiest to create for the first time in a "state of excitement", which is a rare and valuable state, and it's a big loss to waste it in discussions.

Everyone should talk about scientific reasoning, not feelings. Our scientific advice is that you should always save the "first" of a certain plot for the time when you are writing it seriously, or when you have a desire to discuss or other behaviors that revolve around the plot.

Pick up the pen and write. Otherwise, it's a serious waste of your own creativity. Many of our writers are always exhausted in chattering and arguing and showmanship, and after feeling tired mentally and physically, their willpower will also decline significantly.

It is manifested in the fact that you will reinforce the suggestion to yourself, "Today is actually very rewarding, there is no need to continue", and so on.

Actually, you haven't done anything yet, it's useless to just know that, you need to really learn the lesson, and if you have the urge to concretize a story in detail, it means that the product of this thought is ripe in your mind, and you should write it down immediately and formally.

This kind of opportunity is sometimes fleeting, you will soon be disturbed by other things in life, or your inspiration is not enough to support your excitement for too long, and the state is consumed when you ponder the details of the language, 500 in 10 minutes, start the creative state, and quickly enter the text narrative, this is why you practice every day, repeatedly.

Writing, really writing a novel, is not for you to write an outline, not for you to write a background setting, not for you to be a character design, to use those easier sentences, to summarize inductive things, to replace real creation, that is just infinitely delaying your writing, just in YY himself is a writer, YY himself will be how good his own works will look when they are written.

I know that there are still many students who complain that so far 500 in 10 minutes can't be completed, some people don't write at all, and they don't care when they don't force it, but some people tell the truth, they can't be done, and there is nothing, if you are a second ancestor of gold, life is not a problem, but so much money is useless,

Xiangche Beauty is not the life you want, you just want to write.

Then you can't finish 500 in 10 minutes, then you can't finish it. Because you have enough time in your life, standing at a very leisurely, detached height, to do this kind of writing, maybe in the end you will still become a great writer, because you have the time and energy to procrastinate, just write a book in this life.

But if you are still renting a house, if you are still gnawing on your parents, or if you are renting a house, eating instant noodles and ordering takeaway for less than 20 yuan, thinking about whether you should find a job, or you are very painful that you are not doing the job you want, the boss is all scum.

Dear, the speed of startup when you enter the creative state is very important to you. You have to be able to narrate the text at any time, not only to make the most of your fragmented time, but also to help you capture the creative inspiration that is most important to an author.

Our writers don't know how many good ideas have flashed in their lives, if everyone has the ability to write them, surely the world has long been blinded, most of the inspiration has disappeared, wasted, and I don't know where it came from and where it went. If you don't have the ability to enter the state of the narrative text at any time, and you can't smoothly be in the scene you imagined, then you will waste it.

In the previous class, we taught you how to write an outline in detail, but as we also said, a concise outline is actually more popular with editors. In this lesson, I routinely made it clear to you that if no one asks you to submit a complete and detailed outline, then you should never take the initiative to write a complete and detailed outline.

How on earth do we make ourselves able to overcome all kinds of strange hijackings and write as much as we want? It's about writing right away.

Wait, before I start writing, let me say that this time the homework is not written in the notebook, but written on your mobile phone, scan the QR code on the big screen, and then start writing, and now everyone will start to describe and write the first sentence in your next text. Immediately, immediately, and please hold on for 5 minutes! and send it to the corresponding assignment

Formal Narrative 1. This time, Jiuli only left ten minutes for everyone, and when the time came, Jiuli immediately asked the students to put down their homework and continued:

"I know that in fact, this kind of instantaneous forced outburst to run the text is a very cool thing for the author, but usually everyone does not have such a strong internal drive to push themselves to do this kind of thing.

What is the greatest internal motivation for us to write? is the pleasure of unleashing the imagination. The further pleasure is the satisfaction of the individual's aesthetics. No textbook can help you, no "other people's experience", "great god's experience" can help you in this process, you have to keep the kind of "good", "beautiful", "cool", "spectacular" that only you can feel, and everything you want to show to the reader without loss.

If you think, "Wow, that makes sense, it helps," then you pick up a pen and write for 5 minutes. The essence of writing is to unleash your imagination, if you just master some vocabulary, understand some truths, copy a lot of masterpieces, and learn a lot of bridges, these are not enough to make you really an author, you are just an imitator.

If your willpower is a little worse, your character is a little worse. You can easily become a plagiarist. Your own mind, only you can figure out what is the best way to release, you need to repeatedly force yourself to reproduce the scene in your mind, find the angle that you feel is the most fluid to cut into the description, find your favorite panning rhythm, grasp the details that you think feel the most, Next, let's do it again. Continuing with what I just wrote

The second exercise in this lesson, officially enter the narrative 2, go write, write for five minutes, the position of the class assignment has not changed, you may refresh it and come out.

Okay, let's move on. Just after five minutes, Jiuli interrupted all the authors' train of thought, and continued:

"I just let everyone practice the instantaneous explosion, in fact, it is to force everyone to touch the feeling that the scene in the mind is forcibly transformed into words, we write, just talk about the slow hand, the slow hand is actually there multiple reasons.

In addition to laziness, dragging, there is indeed a problem with Carvin, that is, there is no plot to write, but these are actually easy to solve, if you are lazy, you will smoke yourself, and you only need to be correctly aware that you are dragging.

If we have a plot, we taught the simple and rough breakthrough plot in the previous course, and if there is a plot to write, or slow, this is the real big problem.

This question is no longer about those superficial skills, but our core ability as an original creator, which is your narration ability. If you want to search on the Internet, you can find a lot of writing tutorials that are very straightforward, and our editors have small classes, and we invite the great gods to give lectures.

You can also hear a lot of skills and experiences, and what I'm going to talk about in this class, which I have already experienced for you in the first half of the class, is to let you see how useless the big truth is. One second you understood everything, and the next second you started writing, do you remember those things?

Or according to the habit of imitating other people's works, with the kind of narrative thinking that you have developed to start narrating, originality is here, if we want to concoct a book that completely conforms to the laws of the market, it is actually quite easy.

But maybe you don't like it yourself after you finish it. Well, of course, this market law is actually doubtful.

Everyone knows that the field of writing is also a field with a high outbreak of black swan events.

The reason why the field of writing is so tempting is that even after the development of light and shadow technology, words have not been replaced by sound and image - that is, because each author has his own unique way of expression.

You are an original creator, and your words express your unique aesthetic taste and show your unique thinking world

If you can't smoothly realize those scenes and feelings that belong to you without diminishing the color of words, and lack such ability, you may still be able to concoct a novel that seems to be good by imitating and borrowing from various seemingly correct experiences and regulations, and you can't be regarded as the real original creator.

The difference here, to be honest, is not that big, it's just that there is no real pleasure.

And pleasure is often the thing that can really support us writers on the arduous road of writing.

There are only two kinds of things in the world that can make a person successful, and in essence, they can bring enough internal drive, one is the self-satisfaction required by talent, such as the internal drive of writing and the pleasure of imagination.

One is the most direct motivation brought about by the existential crisis, such as I have no diploma and no job, so I have to write a book.

All walks of life have their own internal drive, how far can people in this industry go, whether they are happy, this is really a look at talent, writing, everyone also says that this requires talent, and the pleasure of writing is not something that everyone can experience.

So let's think about whether you can really experience the pleasure of making up a story. Think about whether you can feel self-absorbed in the process of writing a paragraph, whether you can't help but read it repeatedly, or if you always want to change it for the better. ”