"You stand for me!"

"Don't run!"

After a few days of watching, he finally found a suspicious man in black, Ding Cheng and his apprentices chased wildly and came to an abandoned factory, and when they were immediately caught, a scream sounded behind them.

The apprentice actually fell from a height!

"Liu'er!"

Ding Cheng looked at the apprentice who was struggling painfully on the ground, looked up and looked at the man in black who was constantly moving away, his heart was extremely struggling, and finally gritted his teeth, turned around and continued to chase.

After a fierce fight, he still let the other party run, leaving only one shoe, a size forty-one sneaker.

"People can't do it!"

"If I can send it sooner, I guess there will be a ...... of salvation"

"It's a shame to be so young!"

Ding Cheng looked at the corpse of his apprentice, stunned, tears silently running down his cheeks......

The whole person was completely stunned, looking at everyone like a murderer, holding sneakers every day, just like the prince looking for Cinderella with a crystal slipper.

Jiang Yunyan's characters are like the kind of people they often meet when they were children, they don't know where they come from, they don't know where they are going, they are like fairies in the sky, and they seem to be always wandering, and they don't know where to return.

The big city is not only her heart's yearning, but also a paradise. It seems that there are her life dreams and her emotional sustenance.

In this role, he is unrestrained and enthusiastic, full of vitality. From her face, you can't see the depression and desolation on Yu Guowei, but a youthful vitality and mature charm.

Unexpectedly, in the whole oppressive environment, it was she who brought a ray of colorful dawn.

"I'll open you a hair salon......"

"It's right down the street!"

Ding Cheng handed Yanzi the passbook of all his belongings, and looked at the other party with joy, with mixed feelings in his heart.

Since I can't catch you?

Then lead you out!

"Let's try to shoot with natural light!" Liu Yingjian insisted: "Only when the light looks natural and real will it have a sense of realism in the atmosphere, and the audience can gradually ignore the assumptions of the drama and look as if it is real, so that they can be substituted by the sincere performance of the actors, and put themselves in the time, space and atmosphere created by the film." ”

"The hair salon uses scattered natural light from outside the door, and the lighting is installed on the balcony on the second floor, and four M90s are placed to try ......"

"Go to the opposite wall and spread a 12*12 white cotton cloth to make a reflection and astigmatism ......"

"Use a large area of black cloth or butterfly cloth between the two roofs of the street to adjust the brightness of the street outside the door......"

Ding Cheng watched Liu Yingjian and the lighting team busy in full swing, and sighed that he was not the only one who made progress.

This time, unlike Shadow Chasing, the process of using the new LUT is most directly reflected in the fact that there is no need to do more fill light, and the advantage is to retain a lot of faint reflection light from real scenes as much as possible.

Because there is no excessive lighting, the light perception is natural and the authenticity of the restored environment is retained. Most of them are just scattered light outside the window, and the gaffers and camera assistants are working with light meters throughout the shoot, and the light ratio and exposure are strictly controlled.

The props team is not idle, all the rain scenes are not made with ordinary sprinkler sprinkler heads, the equipment is their own large rain racks and small rain devices that are easy to move.

In the case of a large area, the entire equipment is lifted by a crane, and the small one is directly erected at the edge of the picture and the roof, and then connected to the sprinkler truck through the water pipe to deliver water under pressure.

When shooting, adjust the position of each device, the amount of water, the density of the water, the size of the particles, or adjust the model of the nozzle according to the effect in the picture......

Chasing scenes in the rain, first look for the accuracy of the camera position and fixed perspective. According to the description of the script, start from the concept, survey and observe the scene many times, and then combine the main line and tasks of the script to refine.

As for the action design in the scene, the camera position, angle, scene, rain maneuverability and other details were discussed repeatedly......

Especially the part where Yu Guowei was looking for the suspect, he finished the required shots on the first day. The second day was mainly filmed with the part of the fight with the suspect.

In the play, I drilled a railroad track, which was actually convenient to operate in the rain, but in fact, I just borrowed the position and filmed the whole scene in one passage.

The rain equipment is erected on two train cars, and the rain device in the background is erased in the background of the panoramic shot.

The part where the two people scuffled on the ground was filmed in a place where there was a train car on only one side, so that the machine had enough space to work.

There was a lot of yellow styrofoam at the joints of the iron doors on the carriage, and the props were sprayed black with self-spray paint to make the whole more uniform.

The black metal carriage that was wet by the rain on the screen was very thick, because of the continuous rain, there would be more and more water on the ground, and the venue should keep draining to ensure that the ground has water suitable for the show.

All in all, filmmaking is a process of collective intelligence, talent, and manual labor, and in the end, it is presented by audio-visual, and all participants feel honor and pressure.

When the plot came to Yanzi and inadvertently learned that Yu Guowei was just using her to solve the case, the frustration and sense of loss in her heart, a kind of disappointment of being abandoned and used spontaneously arose.

Her daring to love and hate, her desperation, are the most striking characteristics of this character.

Her love is like lightning, like a burning flame, to burn Yu Guowei and herself.

Therefore, only by jumping on the flyover is no longer nostalgic for the real world.

She is an optimistic and unrestrained person, a chic and elegant person, like a hero in martial arts, who plays the role of embellishment and promotion of the plot in the movie.

I am also lamenting the impermanence of fate, the ruthlessness of the years, and the trickery of life. The last conversation between the two on the flyover, with a dark background and a dark and dull background, is like a black humor and a future-oriented dialogue.

In Ding Cheng's view, the role of Yanzi and Yu Guowei's role are actually two sides of the same coin, which complement him and complement each other, showing the theme of the film together.

Blizzard, just so quietly, came to everyone's surprise.

It was like her jumping, without any warning before, and suddenly it happened.

At the moment when the swallow jumped, Ding Cheng's entire world completely collapsed!

The apprentice is gone,

The lover is gone, too,

Leave yourself alone.

At this moment, he went completely insane.

picked up the hammer, approached the so-called murderer he thought step by step, and numbly watched the other party continue to explain and beg for mercy......

one time

Twice,

Three times ......

Until the flesh is blurred......

Sitting in Lao Zhang's police car, handcuffed, speechless, even Ding Cheng himself didn't know what it was like, empty, the whole person was hollowed out, as if his soul was gone.