The Twelve Heavenly Kings 47: Fundamentals of Painting

Nan Nan was about to urge the big move, but saw that the piece of paper gradually formed a figure in front of Nan Nan, and it was twice the size of a normal person, and the human form of the piece of paper was becoming more and more perfect.

Because this was the starting line, the rest of Shikoku watched the battle from a distance. The star of the Vermilion Bird Kingdom whispered, "'Paper Demon Man', I can't imagine that the ordinary guards of the Blue Dragon Kingdom are quite capable, so let the commander of our Praetorian Guard use a special move." ”

Of course, the Golden Pig Hai Heavenly King heard what she said, and although he was calm on the surface, he was still very worried. He looked in the direction of Sijun, hoping that he would survive this hurdle.

Sijun looked at the scene in front of him, and he couldn't imagine that Nan Nan would use his ultimate move so quickly. Originally, the eyes were now gradually able to catch up with the speed of the paper, and as long as it took one or two more rounds, the body should be able to adapt to the battle with him. But that's okay, at least it shows that Nan Nan recognizes his own strength and will do so. But Sijun didn't want to lose either, and thought about everything carefully.

In fact, the ability to activate qi is not the so-called invincibility, but when it activates qi, it is more manifested qi and improves combat effectiveness. As long as you observe carefully, your eyes and body adapt to the opponent's battle mode, and you can master your own rhythm.

This is Nan Nan's big move, so there is only one chance, but there is no way to let the eyes adapt and then the body adapts, so in an instant, the eyes observe everything and the body must keep up. However, I still don't know what kind of combat ability this paper figure has, so if you want to fully adapt, you must immediately catch these moves.

Eye Catch...... Sijun suddenly thought of the scene when Old Man Jin taught him to paint in the past, at that time, he really couldn't learn and later gave up and was beaten by Old Man Jin. However, I still remember my first encounter with painting.

It was a very boring class, to learn to paint, you must first learn the most basic, the first way the old man Jin taught himself to paint was sketching. Drawing is the foundation of painting, the skeleton of painting, and the most restrained art that requires the assistance of reason. Those who are new to painting must first learn to sketch, and those who draw well will naturally paint well. In the early days, sketches were regarded as the sketches of paintings, for example, to make murals, there was a sketch of the idea, then there was a sketch, and at the same time, there were also precise sketches of the hands and faces. It is customary not to look at the models to sketch murals, but to rely entirely on the sketches prepared in advance and the memories of the painters. Modern sketches have departed from the status of original sketches and studies, and can be appreciated as works of art. The attitude of drawing a sketch not only cultivates the ability to describe, but also cultivates the ability to shape, and in the end, just sketching can be appreciated as a work. Therefore, if you are a beginner in drawing, you should learn to sketch carefully first.

The basis of sketching is actually the technique of line and line. The element of the sketch is the line, but the line does not exist in essence, it only represents the boundary of the object, the color and the plane, and is used as an illusionary representation of the object. It is only in modern times that the line is considered to be a spontaneous element of form and independent of the object depicted. Sketching is the use of lines to form the image of an object, and depicted on a flat surface, that is, the form of lines arouses the viewer's association. For example, an angle formed by the intersection of two lines can be considered as the boundary of a plane, and a third line can create a three-dimensional effect on the picture. Curved lines can symbolize the vault, and intersecting lines can express depth. From the change of lines, people can get an image that can be understood. Therefore, through the means of lines, simple outlines can be developed into delicate sketches.

At that time, this line was practiced for a whole morning, and it was slightly effective. Before the formal drawing, I had to fix the fixed point of the painting, and I was a newcomer at the time, so I needed to rely on other auxiliary tools to place the scale of the painting on the drawing paper. Use the dots to locate the preliminary position of the drawing paper, and then fill it with a line.

And a painting veteran like Old Man Jin doesn't use points at all when positioning paintings, he can directly start painting with lines.

In fact, the situation is the same now, Nan Nan's paper attack, if he is positioned by points and lines in the form of painting, then he can clearly capture all the trajectories of his moves. In this way, you can dodge his attacks, and even find your own counterattack route in these tracks.

Seeing that the paper man was about to take shape, he calmed down, he took a deep breath, stretched his hands flat in front of his eyes, and spread his ten fingers hard. Using the length of his fingers and arms, he began to locate the position of the paper man and Nan Nan, and prepared a drawing paper for them in his mind, and recorded everything in front of him in the form of dots on the paper in his mind. And his eyes were preoccupied with the paper man and Nan Nan, and there was a little trace of wind and grass, he saw it all in his eyes and remembered it in his mind. At this time, his attention was extremely high, even when facing tigers and big bears, he had never paid so much attention.

Nan Nan's "paper demon" has been formed, and I saw it punching, and Sijun's whole body was condensed, and he jumped back a few meters to avoid this punch. A piece of paper suddenly flew out of the fist of the "Paper Demon Man". Since Mi-kun's attention was completely focused, he almost gave up the attack and was engrossed in observation, and every movement of the "Paper Demon Man" was clearly seen from Mi-kun's ten fingers. The piece of paper was peeled off from the demon's hand, and it was clearly visible before it flew out of the mountain. So when the piece of paper came, Sijun had already jumped up lightly, and recorded this series of movements on the paper in his mind.

The pieces of paper are dots in the hands of the "paper devils", and the traces that fly out are threads. Although it is very fast, as long as you look at this, you can know its line, and it seems that it can still dodge. Knowing this, Sijun put his hands down and learned from the state of Old Man Jin when he was painting and drafting...... This time, you don't need to use your hands as a measuring stick, you can observe directly with your eyes!

The ability to observe the opponent is also a basis for the use of qi, which is indispensable in high-level combat. Some are talented, some are cultivated by hard work, no matter what, as long as you observe more carefully than your opponent, you can completely defeat an enemy who is several times stronger than yourself.

The "Paper Demon Man" fanned horizontally with his other hand, and Mijun took a step back to dodge again. This time, the "Paper Demon Man" threw out ten pieces of paper at the same time, and sure enough, there were ten places on its arms that bulged at the same time, which were ten points, and Sijun was ready to dodge. Ten pieces of paper flew out at the same time, and as soon as they left the arm, they found the second point of the ten pieces of paper, connected the first point and the second point, and extended it, which was the line, that is, the position of the attack of the piece of paper. Although it was less than half a second, Sijun did use this observation method to gain this half second, and he had already jumped sideways and high, dodging all the rapid attacks of the ten pieces of paper.