Qu Duo Duo still didn't lose his breath, and snorted: "He's just living too comfortably these days, and he always wants to toss something, hehe, I'll accompany him to the end! Okay, you go in quickly!"

Shen Mange was indeed quite cold, shivering from the cold, and hurriedly answered and hung up the phone and went in.

The room was very warm, and after Shen Mange waited for his body to gradually warm up, he hesitated and turned into the kitchen.

The casserole slowly boiled, and the aroma of the porridge rose gently and gently.

The door of the study was always closed, and Shen Mange looked up from time to time while playing games.

When Lu Zi'an was playing with porcelain washing and looking for inspiration, time seemed to have been precipitated.

He even forgot about his surroundings and was completely immersed in his own thoughts.

Suddenly, he sat up straight, put the porcelain wash in his hand on the table, and reached out to pick up the pen.

Inside the pen wash on the side, there is a clear water.

He didn't look at it, and the tip of the pen was touching off the water.

The paper is flickering, beautiful pictures appear, and then disappear.

As the nib of the pen has less and less water, it disappears faster and faster.

At the end of the painting, Lu Zi'an was no longer even painting on paper.

A light boat floats between the mountains and rivers, which seems far-reaching and quiet.

The shore stones at the water's edge are vigorous with a pen, and the distant mountains are few with a few brushes.

Even if it is just a sketch, Lu Zi'an also painted a distant and ethereal artistic conception.

If someone is in front of you at this time, I am afraid that they will be extremely sorry for this scene!

But Lu Zi'an didn't feel pity, he did it in one go, and immediately lifted the knife after putting down the pen!

The tip of the knife gently pressed against the enamel, slowly and heavily, and the tip of the knife slowly carved a light scratch on the glaze.

Many people are accustomed to composing their pictures with pen and ink on porcelain, and then engrave them with a carving knife.

But this is actually a bit rigid, Lu Zi'an held his breath, moved the knife like a pen, soft but not losing his strength on the glaze to gently outline the landscape in his heart.

A variety of knife methods, such as knife arrangement, twisting, and pointing, are easy to come by in the hands of Lu Zi'an.

The more knife techniques you use, the richer and more delicate the picture will be.

A leaf light boat, on the paper can only feel its lightness and delicacy, but under Lu Zi'an's carving knife, but the use of engraving, chiseling and engraving chiseling to give the combination of the technique, made a bas-relief.

The glaze is extremely thin, and this thinness is not only reflected in the glaze layer, but also in the layers carved by the tip of the knife.

Do not touch the porcelain blank to avoid exposing the bottom.

Not too dark or too light to avoid uneven color.

The key lies in the degree of this engraved porcelain.

There was silence, only the slightest sound of the tip of the knife scraping or chiseling on the glaze.

The glaze is layered and slowly peeled off.

Sometimes the tip of the knife is even stained with a thin piece of translucent glaze.

That kind of crystal clear, brilliant feeling, just one glance, makes people's hearts palpitate.

Even Lu Zi'an couldn't help but pause for its beauty at this moment.

But the next moment, he still lightly picked the tip of the knife and smeared the scraped porcelain enamel on the soft cloth on the side.

Why was carved porcelain called jade peeling in ancient times?

It is because of this that the glaze is peeled off layer by layer, like the feeling of carving Yingrun jade.

It was not until the glaze no longer floated on the surface that Lu Zi'an gathered his breath and slowly carved out the hull of the ship, and then carved out the wooden lines.

A boat, just like this, jumped lightly on the porcelain surface.

When viewed from a distance, you can even see the shadows around it, as if it were a model that had been inadvertently left in a porcelain wash.

Lu Zi'an raised it up and looked at the light, took a brush to gently brush off the debris, took a light breath, and began to portray the landscape.

He uses the Scattered Fronts method to depict majestic peaks and deep secluded waters.

Quiet, remote, ethereal, vivid pictures are easily sketched by him.

Mountains are mountains.

Water is water.

Rarely, he didn't stop there.

With a twist of the tip of the knife, he sketched a little water in a hidden mountain stream on the side.

The luster of Jun porcelain was used by him exquisitely.

The mist washed up by the waterfall is clearly a scene that is difficult to depict, but in Lu Zi'an's hands, it seems to have become easy.

At this point, it is easy to feel the wonder of Jun porcelain.

The difference between Jun porcelain and other porcelain crafts lies in its milky state.

This kind of impermeable and hazy feeling is the most suitable for carving the ethereal Lan fog.

Lu Zi'an was completely immersed in this wonderful carving, and the glaze was completely different from wood and jade, but it gave him more challenges.

The force must always be even, too large will crack, too small will not be carved.

Under his knife, the landscapes that were previously painted on paper finally slowly reappeared in the world.

Mountains are not mountains.

Water is not water.

When they float on paper, they are still and untouchable.

I can feel its artistic conception, but I can't appreciate the shock it gives people.

But on porcelain washes, they are dynamic.

After all the engravings were completed, Lu Zi'an finally picked up the pen.

He blends the simple brushwork with the strange colors, so that the thousands of rivers and mountains turn into a cloud of color.

The picture is clearer and more three-dimensional, but the color is a little brighter.

Lu Zi'an didn't care, and after all the coloring was completed, he gently picked up the fine sandpaper.

Even if it is coarsely grinded, it is extraordinarily delicate.

Polished over and over again, the previously bright colors faded layer by layer.

When Lu Zi'an stopped, what finally appeared in front of him was already a complete landscape painting.

I saw that in the azure porcelain wash, there was a light boat floating.

It seems to be still, but the vigorous mist next to it seems to be pushing it forward.

A good landscape work must be "as for the landscape, the quality is interesting and spiritual".

The landscape under Lu Zi'an's knife seems to have all the magnificent, broad and profound vitality in nature into this porcelain wash.

In particular, the mist shrouded the distant mountains, as if there was still a large area of scenery obscured, and people couldn't help but feel unfinished.

After completing the details, Lu Zi'an breathed a sigh of relief.

Playing with this porcelain wash, an indescribable joy surged in his heart.

Beauty.

No matter where you put it, it will grab all the attention the first time.

It is uniquely beautiful, quiet and domineering.

When it comes into view, nothing else can be seen at all.

Lu Zi'an rubbed his fingertips lightly, and whispered: "The color is still too bright, it will take a long time, the ink will slowly penetrate, and the color will gradually darken......"

How wonderful would it be to make the most beautiful changes in the most natural form?

At this time, a quiet fragrance lingered on the tip of his nose, and Lu Zi'an finally came back to his senses.

When I looked up at the window, I realized that it was dawn.

He thought about it, reluctantly put down the porcelain wash, and after washing it, he walked out along the fragrance.