"That's right. Liu Wanning put down the work in her hand, fanned it lightly with a fan, and sighed: "No wonder Sister Hua likes Brother Cheng, she has good acting skills, good character, and has never had gossip scandals, and I also support this kind of person!"

Su Yao smiled, leaned back on the sofa, and said comfortably: "Fortunately, his agent is Sister Hua, and we are just assistants, otherwise the bastards in the company can let go of this piece of fat?"

"Hmph, be angry with those eight women!" Speaking of this, Liu Wanning seemed to remember something, and said excitedly: "Do you remember Linda, who used to bully me?"

"Yesterday I went back to the company, and that bastard pulled me to slap me wildly, what lipstick is so beautiful, how to draw eyeliner, and the clothes are really trendy......"

"Listen to my goosebumps falling to the ground!"

Su Yao couldn't help but just want to laugh, remembering the mask on her face, she quickly held back and said, "Now you know what ...... is"

"One person has attained the Tao and the chicken dog ascends to heaven!"

"Of course I didn't mean that, in short, the old cadres are good, and we can be good. The more popular the old cadres, the more nourishing our days will be. ”

"Come on, old cadre!" Liu Wanning jumped up suddenly, raised her hands, and laughed loudly: "Miss Ben's second half of her life ......"

"It's all up to you!"

Two days later, Ding Cheng went to visit the class for the first time, after all, he promised Sister Hua, by the way, to see if the three newcomers were adaptable?

Meet with the choreographer first, and simply communicate the filming process, in fact, it's nothing, just as a mentor to care for and condole, and show the importance of the newcomer.

"This time should be Teacher Tianchi in class. The choreographer explained: "The first stage is the physical assessment, and the classes are reassigned according to the grades. ”

Ding Cheng nodded, if the four homework of cross talk is to learn to sing, then the actor is the voice of the platform, and the four years of college are just to lay a solid foundation.

When I came to the rehearsal room of Class A, I looked inside through the glass, and a middle-aged woman in her early forties was giving a lesson to the students.

"Imagine yourself as a puppet suspended by a thin thread, all standing on tiptoe, yes, there seems to be a thread on the top of the head, from the head, neck, shoulders, arms......"

"All the way down, one by one, relax. In order to achieve a state of complete relaxation, and then enter the characters and scenes according to the words of the mentor. ”

"Okay, close your eyes, I don't say that no one is allowed to peek when you open your eyes!"

"Hand in hand blind walking, yes, don't be afraid, be brave enough to believe in the people around you, and feel your surroundings with your heart!"

"Okay, stop, don't open your eyes. Now start listening to music, whatever is playing, do your own instincts, anything. ”

"Yes, get moving!"

"Don't stop...... It doesn't matter what you dance......"

Ding Cheng looked at the eight students who danced, and the best performance was Su Zelin, after all, he was a dance professional, his gestures were very elegant, and all kinds of movements were free.

Zhao Tianchi, a senior teacher of Chinese opera, debuted at the peak, played the eldest daughter of Ge You and Gong Li in the life of Lao Mouzi, and later studied in the island country to study stage plays, and brought many star students.

The fire is because he participated in an acting show, and he also earned a lot of attention as an acting mentor.

What is being done now is the liberation of nature, the first lesson of all professional schools. Through performances, they drill each other's crotch, play clowns, play orangutans, play games, etc. Open the confined child, relax and harmonize the body.

Finally, you can do what you couldn't do before, and get an experience like never before. The liberating nature originated from Stanislav's performance teaching system, which was developed with comprehensive reference to Freud's psychoanalysis and Kedelbinder's psychological dance teaching theory of Kedelbinder, an early German performance teacher, combined with his own experience.

Ding Cheng himself had trained in school, but now he has a deeper understanding. The essence of the so-called liberation of nature is actually how to discover the subconscious mind that is blocked in the heart, and open up the harmonious relationship with the behavior of the body.

In the final analysis, it is a process of constantly going into the inner self to discover oneself, not a simple process that can be achieved by playing tricks, going crazy, and imitating animals, otherwise it is more appropriate to directly find shrews, drunkards, and gorillas to be actors.

I once read a report that when Ang Lee talked about Sula, the actor of the Youth School, he said that after a long time of selection, they found him among the 3,000 teenagers, and it was basically a blank slate.

Then he went to three months of acting class training, physical endurance and strength, etc., and in terms of performance, he invited a yoga teacher, using meditation training to let Sula find the hidden part of himself after a period of self-doubt.

Nowadays, many actors like to meditate, such as Li Chengjie, who has to meditate and meditate when he is free to film, so as to tap his inner potential.

Because since the birth of human beings, there have been all kinds of shackles superimposed on our bodies and minds, and we have not known that fire will burn, water will choke people, we don't know that vicious dogs will bite, and we don't know that climbing on the table to the boundary will fall......

They are all about correcting the boundaries of their lives and themselves in various crises, and when they reach a certain age, their bodies are aware of all kinds of dangers and become subconscious, and they have learned countless ways to seek advantages and avoid disadvantages.

For example, we gradually learn that we can't talk casually in class, we can't be geniuses, we can't fly, we can't confess when we see someone we like, we can't easily say our dreams or they will be ridiculed, and so on.

In these processes, we find the shell of self-preservation, and at the same time imprison the mind, which is the biggest obstacle to performance for actors.

Actors need to believe that because they have to play different lives and roles, they need to constantly let go of themselves and break through their own blockade. This requires going deep into the heart, unearthing the imprisoned subconscious, to make oneself believe.

Any training method is actually some kind of ritual, if a person wants to learn to ride a bicycle, he finds that every time he drinks a cup of tea, he can learn it by wearing blue, and over time, he will choose to drink a cup of tea and wear blue clothes before every cycling.

Even all the descendants of his disciples and grandchildren will gradually have to perform the ritual of drinking a cup of tea and wearing blue clothes before riding a bicycle for any reason, which is the power of believing.

Many two-knife acting class teachers only teach some basic methods of liberating nature, and mistakenly teach students that this is an introductory acting class and teach you how to let go.

Actually, it doesn't work!

In Ding Cheng's view, actors who have really undergone repeated inward training have a kind of quiet power. The real master comedians, whether Chaplin, Delman, Stephen Chow, Ge You, are actually silent people in private.

Guo Degang once said:

To come to power is a madman,

Stepping down or madman,

That's a madman!