The excellent integration of sound and picture at the beginning of the movie has set the tone for this excellent work, and it has also given the audience more expectations.

In the cinema, everyone is looking forward to the development of the story behind, and they are engrossed in it.

In the picture, Chihiro's family of three passes through a dark tunnel to a strange town, attracted by the food in the restaurant, and her parents start to eat and drink on their own despite the strange atmosphere around them and Chihiro's persuasion, while Chihiro runs alone to the bridge and goes out on an adventure, and meets a teenager who warns her to leave quickly.

Whether it is the weirdness revealed by the scenes of the small town that are completely different from the real world, or the strange melodies with exotic flavors in the soundtrack "No One Restaurant", the visual and auditory sense of the audience leads the audience to be nervous. And, blended together is the development of the plot and the shaping of the characters.

For example, the greed of parents to eat meat when they see it and Chihiro's reluctance to join their awkward emotions, and the most beautiful thing in this paragraph is when Chihiro meets the mysterious boy "White Dragon"!

Musically, the soundtrack "Dragon Boy" begins with the piano is the fourth set of keys monosyllabic G minor constantly rotating and repeating, bringing a mysterious and tense feeling to the appearance of the white dragon, and then the soundtrack enters the climax of the cello, and then the compact flute timbre and strings are complementing each other, at this time between the two talking, the picture also began to change abruptly, the night suddenly fell, the calm was instantly broken, and the originally empty street was suddenly brightly lit and ghostly.

Chihiro panicked and ran back to the place where her parents ate to find that her parents had turned into two pigs, and were still greedily gobbling up the messy cups and plates.

"Wow~~!"

The audience was so amazed by this scene that their scalps were numb, goosebumps all over their bodies, and they couldn't help but exclaim, and the screening hall exploded instantly!

It's a feeling that's hard to describe in words, on the one hand, it's tense, mysterious, weird, terrifying, etc., and on the other hand, the picture can be so beautiful that you forget everything in a moment.

However, the show is not over yet, Chihiro by the river finds that his body is gradually becoming transparent and virtual, and at this moment the mysterious boy White Dragon appears again, and the music at this moment instantly calms down, making the audience feel an inexplicable sense of security in him when they see his appearance.

Sure enough, he helped Chihiro in the past, after calming Chihiro and using pills to stop Chihiro's transparent blur, the music slowly rose again, the rhythm was like a heart rate beating, the sound was small but extremely tense, like a silent lurking in the dark waiting for the enemy's attack, and then when he took Chihiro to dodge, the music continued to create a crisis atmosphere, and finally after the two reached a safe place, the song was also peaceful again.

Seeing this, you will have a very hazy feeling that this song does not only seem to advance the storyline with the unparalleled animation, in order to make the audience look enjoyable, but it also makes you think, maybe this song is specially composed for the story of the life of this mysterious character who has just appeared Bai Long, because you seem to have countless reveries in an instant through this song for this obviously important mysterious character.

If the first paragraph is not enough to make you firmly believe that this will be an excellent animated movie, then after watching this whole paragraph, you will no longer have any doubts, animation, music, character plot, is simply ingenious, natural, trinity spiraling and constantly supersuper, who can stand this kind of stimulation?

"It's really a masterpiece!"

"DreamWorks, which represents the highest level of animation in Japan, is really ...... It's a bad temper!"

In the screening hall, film critics, musicians, and media reporters were all amazed and praised!

In fact, if you only see this in the movie, the masterpiece is still far from being said.

An animation work may be a masterpiece if it has excellent art and music, but to become a masterpiece, it needs more than these, it must also have moving content and profound ideological themes.

For example, Su Luo's domestic animated film "Big Fish and Begonia" in the previous time and space, its art picture, whether it is composition or color, is the best in domestic two-dimensional animated films at this stage, and the soundtrack, interlude, and theme song A series of music are also enough to blow up fans who have been looking forward to the emergence of excellent works in domestic animation for a long time.

Even from a purely artistic point of view, after all, the two animation works have been separated by more than ten years, and there is nothing wrong with saying that the picture of "Big Fish and Begonia" is more beautiful than that of "Spirited Away", but if you compare the two animated film works as a whole, "Spirited Away" is the complete explosion of "Big Fish and Begonia".

This work reflects that in fact, the hard level of domestic animation production is really not worse than Japan.,It's better in minutes.,It's just that in some aspects it's not as good as the more mature Japan.。

And this is also the biggest regret of "Big Fish and Begonia", it is not a problem that the world view is too large, but it is a pity that the director's control over the plot is insufficient, maybe he wants to express life, freedom and love through the emotions of the protagonist and the villagers, but throughout the play, the director's choreographer is overly focused on the emotions of the protagonist, which makes the worldview of the whole story separated from the emotions of the protagonist.

Under the solemn and Hongda tone of the whole story's view of life and death, the love scenes of life and death parting in the play seem too light, making people feel like picking up sesame seeds and losing watermelons.

To put it simply, it means that a person has a beautiful appearance and a charming voice, but does not have a soul to match, and it is like a gorgeous poem piled up with words, looking at the sentences that are beautiful but too empty to be obviously infectious.

If you don't have enough experience, you have to spend more time polishing, maybe as the director of "Big Fish and Begonia" said, give him a little more time, and he can make this movie better, instead of leaving all kinds of regrets. This is a painful process,But it's also a pain that must be experienced before transformation,Domestic animation fans are not brainless to spray,It's better to continue to look forward to it,I believe our domestic animation can do better。

(Ahem, a mentally retarded writer named Xiao Su also often said this, if I was given a little more time to watch it, I think I could write better, not like this.) When I comment and appreciate other people's works, I also find my own shortcomings in analogies to improve, in short, I hope to write better, and thank you for your continued support. ）

On the other hand, the reason why "Spirited Away" is regarded as a masterpiece is that it has reached a kind of back-to-basics in the expression of the theme and ideas.

Aside from the feelings that people don't exist in this time and space, this transformed "Spirited Away" is even better than the original, the continuous progress of animation production technology brings more exquisite rendering and better picture quality, the monster shapes in "Spirited Away" do not need to copy the original, what whimsical creatures do we want in our "Classic of Mountains and Seas"?

In the movie, the prologue of the story begins, Chihiro, who breaks into a mysterious and fantasy world, begins her own adventure in order to save her parents, and the themes of growth, self-discovery and self-redemption are gradually emerging, and then inadvertently touching the heart.

As in the movie, I don't know where I'm going, but I'm on my way.

The more the audience looked down, the more they were fascinated and couldn't help themselves......

......

。 Nine Heavenly God Emperors