Chapter 461: The Cry of the Masses

A month later, when he returned to the capital, the speed car king was released, deliberately avoiding the popular schedule, and the publicity was no worse than that of superheroes.

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The best part about this film is that you think it's going to black a Ferrari, and it turns out that it turns the Ford from head to toe black, and it's so black that it flies.

I had the title in mind for Honest Trailers, and I called it Miles' Wife v. Miles & Shelby v. Ford(s) v. Ferrari。

Candidate for Individual of the Year!

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Sometimes I really admire Hollywood, but in fact, the story of the movie itself can be said to be a typical negative energy case where enthusiasm loses to money and sportsmanship loses to business operations, but I didn't expect it to be so enthusiastic.

I didn't move my eyes for two and a half hours, and I don't feel redundant with all kinds of foreshadowing in front of me, I love Ding Cheng!

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Compared to the bloody Ford vs. Ferrari, it is the battle of human nature, the spirit of racing and the struggle of bureaucratic corporate culture that are the most touching themes.

Behind every man who is as fast as the wind, there is a man who is as heavy as a mountain, Ding Cheng and Bell have achieved each other, especially Ding Cheng, who is more handsome in a racing car!

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Ding Cheng's face-changing subversive performance seems to be endless, and everything he plays is in a new state, which is too good.

Silly is more decent, but there are also good flashpoints and hearts. Uncle Punishment's appearance, styling, and performance are surprises. The plot in the first half is more cliche, but aside from the content, the racing theme and the shell of the cast are also worth enjoying.

After that, it slowly got better, the door bug was novel, and the highlight of the whole film should be Ken's pride on the last lap after accelerating wildly, and he really slowed down and went hand in hand with his colleague drivers, giving people a great emotional impact.

Then the reversal and surprise of the ending are like crushing and crumbling the audience's feelings, and they finish watching the end with surprise and confusion. In the middle of a paragraph, the cute Ford boss raced around, and after stopping, the boss cried, thinking that he was scared and made the audience laugh non-stop.

But then I said: It's a pity that my father didn't experience such results. The smile instantly froze on the audience's face, and I suddenly thought of Filipino's interpretation of the magic of comedy......

Awesome!

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Straight male hot-blooded racing films, don't play false, click is dry. The last part of the dozens of minutes of racing scenes is really addictive, tense and exciting.

The driver's pursuit of speed and excitement is in stark contrast to the gentle conservatism of Ford's top management, which makes these drivers who chase the top of the world surpass ordinary people and become even greater.

Ding Cheng gave another excellent performance, not only lost weight again, but his eyes changed, and after seeing the prototype photos, it was quite similar.

This is the real feeling of passion and speed, bursts of hi!

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I hate him for why didn't he cross the finish line?

Why not live just for yourself?

I found that those who are arrogant are actually the most vulnerable, they seem to be not easy to get along with, but once they open their hearts, they have the strongest empathy and never live up to it, so they are the biggest weakling.

is like a group of soldiers who rushed to the front but did not wear armor, just to use their own blood to inspire the determination of the entire army not to break Loulan and never return it.

As everyone knows, they are also the most difficult and unsociable strong people, but they also have the most sensitive hearts because of selflessness.

And those who are strong because of shamelessness will not have the slightest guilt, and they will pour salt in their hearts again and again, and they will have no fear. They were born to exist to create miracles, to lead humanity, to lead humanity to find faith, to stimulate humanity's better potential, and to broaden the boundaries of human cognition.

But, do we really treat them well?

Not to mention courtesy, have they ever been humiliated, have they ever been chilled?

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The text and car scenes are quite exciting, and they are quite attentive commercial films.

It was originally a scandal, but with Ken and Shelby's team filming it so bloody, exquisite, wonderful and humorous, it is completely a bloody film!

Ferrari became a gentleman, while Ford's top brass became villains, bureaucrats made things difficult at every turn, and racing drivers became the ones who chased their dreams.

The contrasts couldn't be more interesting and retro, completely relaxed. The racing scene should not be too exciting, and it should be perfectly scheduled.

The last half hour is even more hilarious!

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Hidden under the pseudo-framework of Ford vs. Ferrari is a confrontation between the spirit of racing and bureaucracy, but this confrontation is unequal and insincere from the outset, so that the final moment of history seems so ridiculous in the face of the contest on the track and Enzo's hat-off salute.

Whether in terms of concept or shooting, this "Speed King" is better than the "Speed Stream" seven years ago. In addition to praising Ding Cheng's acting skills and Mangold's directorial strength, he is more impressed by the strong strength accumulated in Hollywood for decades.

Whether it is the outline of the script, the characterization, the rhythm control, or the ultimate visual presentation of the speed of the car, it is impeccable.

This is the terrible thing about Hollywood, looking at the world, it seems that there is only one company that can give such a complete commercial film experience stably and consistently.

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One of Ding Cheng's favorite shots: in the first Le Mans race after the team was formed, Shelby led the team to France. Ken was abandoned, drinking from a small cheese-colored enamel jar in the workshop while listening to the game on the radio.

In the middle of the night, the light of the plane outside casts the big shadow of the car on the wall, and slowly moves past, real and illusory, as if it was a projection of the imaginary image in his mind, the car race in the distance that he could not reach.

The car moved, and he didn't move, and a black shadow silently ran over him......

What's more surprising is that the biggest suspense in the end is not whether Ford can win a Ferrari, not how to drive faster, but how to slow down.

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Smooth and not procrastinating, the ending is not cliché, and the characters are plump. The two leading actors perform their own duties and both contribute excellent acting skills.

In the end, the racing scene that lasted for more than half an hour was even more exciting, the real speed and passion, blood, tension, and excitement, which made people too addicted.

What is even more powerful is to expose the selfishness and greed of people, the corruption of the top of Ford and the ugliness of bureaucracy.

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That's the Fast and the Furious!!

The last 30 minutes or more of the racing scene is really exciting!

Pure men's film, blood boiling, no urine spot for 150 minutes in the whole film. Especially in the end, it suddenly but brilliantly disappeared in the sunset, sublimating the character again, not feeling sad, but more like symbolizing that it was given an eternal glory.

Ding Cheng deserves to win awards, win more awards, did the Oscar grandfathers hear it?