Chapter 468: Brain Hole is Productivity
Ding Cheng enjoys the brainstorming brought by a good script, although he is the leading actor, there are still many details worth scrutinizing if he really jumps out of the role.
The director put forward an absolutely scientific forward-looking idea, the source code system, and the entire script revolves around this question and constantly puts the suspense on the audience higher and higher, and begins to simply let the audience experience an 8-minute time and space travel journey from the perspective of the protagonist.
The space capsule itself is just a container created by the brain. The container gradually grew larger as it entered the world of the deceased Sean's 8 minutes.
This enlarged space capsule, under the director's setting, is an image representing the womb. Every time you go from this womb to the 8-minute world, you create countless parallel planes and planes.
According to the theory of parallel space-time, anything you do in any one space-time will create multiple parallel space-times. This is similar to the temporal and spatial changes of the butterfly effect, which is interesting and inspiring.
Looking at the types of themes in the world film industry, movies with the theme of time travel are not uncommon. Although time-travel movies such as "Back to the Future" and "The Butterfly Effect" verify the popularity of such themes, they also show that it is difficult to make new ideas on this theme.
The director's solution to this problem is to insert a suspenseful enough suspense story on the difficult and bitter cutting-edge scientific concept, and the suspense in this suspense story is multiple.
These include both the suspense of whether the bombing can be stopped, and the suspense of whether the protagonist can survive. The multiple suspense elements are kneaded together in the scientific knowledge of parallel space, and it becomes a commercial movie that is attractive enough and good enough.
In terms of shooting techniques, he tells the story in the simplest and most direct way. There is no urge to show off skills, and the flat and direct lens language alleviates the audience's difficulties in understanding the plot.
The rhythm of the beginning is bright, and under this fast rhythm, the speed at which the plot unfolds is based on 8 minutes of time and space travel as a node, and each time it crosses a step forward in the plot, and further portrays the characters and the worldview structure of the entire movie. The plot points are cleverly designed and balance the balance between the science and story elements of the film.
How many parallel planes are there?
Ding Cheng estimates that even the director can't answer this question correctly!
Because the number of times does not become the basis for him to create the number of parallel space-time, the dimensions and spaces of space-time will multiply an infinite number of space-times according to the things that are constantly moving.
None of the time-spaces are continuous, and it seems that the 8-minute memories and the capsule go back and forth repeatedly, but in fact, every 8-minute memory entered is a space-time created by another brain.
Because the space-time in the capsule is constantly changing according to the changes in the space-time of the 8-minute memory, and vice versa.
With the 8-minute memory world as the axis, it continues to advance and expand with each out-of-the-ordinary behavior that enters the 8-minute world. The simple scene of a train carriage becomes the main stage of the world.
Every passenger sitting on the train is a person in memory, but at the same time it is real. The director involves himself in a review of a case to investigate who is the suspect in the bombing, and this design can use the perspective of the protagonist to introduce the passengers in the train one by one, confusing the audience's judgment about the unreality of the eight-minute world.
The train carriage can also be divided into several sections, and in addition to the train carriage, the toilet inside the train is also an important place. In this bathroom, he finds himself transformed into Sean for the first time, and it is also in this bathroom that he finds a bomb hidden in the ceiling vent.
The meeting point of the concept of parallel worlds in the movie is also in this bathroom, and I mistakenly thought that by defusing the bomb in the train, I would be able to save people who might die in the real world.
As a result, a serious paradox of parallel space was committed: if the bomb is disarmed in time and space, only the passengers in time and space A will be rescued, and the passengers in reality in time and space B cannot be affected by the changes in time and space A.
Therefore, it is also a vague concept in real works.
Each time you return from the 8-minute world to the so-called reality, you will be in a different capsule than the last one. Although the female soldier on the capsule screen looks the same, she behaves in a contradictory state every time.
This shows that the real world represented by the capsule is actually constantly changing, but because the space of the capsule is closed and the light is dark, it cannot form a concrete impression of change. The space-time changes from the train car to the space capsule, two simple scenes create an abyss-like scientific black hole.
The director's talent is unquestionable!
It also happened during the journey before stepping out of the train car, which made him realize that the world of 8 minutes is not just a short 8 minutes. At the end of the movie, he also bluntly told the audience that the world in which the protagonist lives is no longer the memory world that will end in 8 minutes, and he is in a real parallel time and space.
When standing in front of the sculpture in the square, he saw that his face was no longer Sean, and he was really replacing Sean in the parallel world.
It's a new life.
Ding Cheng even specialized in the director's debut film "The Moon", using the story of clones and the moon's claustrophobic space station as the story stage, which is equally exciting.
In "Source Code", which is also a cutting-edge scientific concept similar to a clone, this time it takes place in the train carriage and space capsule of the earth, which can use a seemingly repetitive film structure to depict a unique cinematic parallel time and space for the audience.
This cooperation, both the script and the acting, are full of returns. 8)