Not to mention that it's all dangerous moves,

It's impressive.

The first half of the period seems to be bland, but in fact, it profoundly shows the monopoly of the big chaebols on the economy, which makes South Korea have a serious gap between the rich and the poor. For ordinary people, it is almost an impossible task to turn over and become rich.

Just like the Kieser family in "Parasite", the reason why they are so hysterical is also because that is their only chance to change their lives.

The director uses the relationship between the protagonist and his family to show the dilemma of young people's current life, the nephew is unwilling to admit that he is his uncle, his parents dislike him for not even being able to brush the bowl, and the sister counts this unproductive brother all day long......

But no matter how you dislike yourself, you are still a family after all. My sister will still find excuses to give living expenses, and my mother also loves him very much.

Therefore, when the crisis comes, he will put his family first and put his own safety aside, and his bravery will also want to regain the recognition of his family.

As one of the core themes, family affection is constantly strengthened, which also becomes a very important motivation for the protagonist's actions in the second half of the film.

Unexpected

Reasonable!

Even the director did not strengthen the clue of love, and his hand in hand with Lee Yoona was more like a partner than a lover.

In Ding Cheng's view, their end point is not each other, but their respective families.

In the end, when the two escaped from the infected area, they rushed over to hug their families in desperation.

And she is also smiling and calling her family......

I have to say that although Lee Sang-geun is only a newcomer, his shooting in rock climbing and parkour scenes is undoubtedly first-class!

Especially when I chose to climb up from the window in order to open the door of the hotel rooftop, climbing a high-rise building of more than 50 floors with my bare hands was thrilling enough, and it also cooperated with the cross-editing of the danger that my sister might die at any time due to poisoning!

The constant poisonous gas, rather than capturing his own struggling movements and expressions, the director emphasizes the relationship between the character and the environment, knowing that the reason for the fear of the audience is the environment that may kill at any time.

Almost every tilt shot is a loose shot, in order to better highlight the tension caused by the environment.

At the beginning of the duo's urban parkour, this guy made jokes and continued to escalate the crisis. The pacing and suspense design is undoubtedly excellent, and almost every scene pushes the character's situation to a greater extreme.

Only by forcing them to keep breaking through the level can they get out of danger, the most impressive is that the two came to the roof of a barbecue restaurant, thinking that there was still time to escape, and they wanted to grind with Li Yun'er, but they turned around......

The smoke machine sends all the poisonous gas that wafts into the shop to the rooftop!

There are many such scenes, and almost every individual scene has its own internal three-act structure, which constantly creates expectations for the audience, and then sets up difficulties, and then allows the characters to solve the suffering and stand out from the encirclement.

At the most burning moment, the drones were dispatched en masse, watching the drones on the screen come to rescue the protagonists......

Tears in an instant!

Rushing between buildings in order to survive, the little people are not willing to be in danger of the environment, the kind of survival instinct that erupts out......

Who is not impressed?

"This scene of students gathering in the opposite building and screaming in despair through the window is to remind the audience of the serious shipwreck in 14 years......"

Li Shanggen looked at the material and explained to Ding Cheng: "At that time, most of the victims were sophomores who participated in the graduation trip!"

Ding Cheng suddenly realized why he did not choose hysterical and rough close-ups, but restrainedly expressed his inner intolerance and entanglement from the perspective of the two protagonists.

Because it is a real practice, he gave up the opportunity to escape and pointed out the way for the helicopter rescue students.

In the illusory parallel time and space of the movie, finding an exit for students to live may also be the most touching tenderness given by this movie.

Compared with other works of the black government, this drama obviously deliberately downplays the political context behind the disaster, and even limits the cause of the disaster to personal vendettas.

But it also makes the context of the situation more purely focused, and highlights the wonderful details of the language. The director and screenwriter's high sense of self-awareness of social responsibility has resulted in a textbook-like rigorous interpretation of the depiction of the rescue.

All disaster emergency sections, including coma first aid, temporary stretchers, distress signals......

Percent actionable!

At first glance, the two protagonists are just small individuals in the disaster, but what is actually reflected behind them is the anxious group portrait of the entire Korean society eager to survive!

"Thank you seniors for taking care of you!"

After reading the material, Li Yuna stood up, bowed deeply to Ding Cheng and the director, and said gratefully: "This is the first movie heroine in my life......"

"It's also a once-in-a-lifetime experience!"

Ding Cheng smiled and waved her hand, her role is also a rare independent woman who is decisive and responsible. When fleeing, think of the guests first, calmly report the address with a clear note when calling for help, always act ahead of others, and take the initiative to give up the opportunity to escape again and again at the moment of decision......

It is definitely not a vase that is used to being saved behind a man's butt in traditional disaster movies, but a positive female character with subjective initiative, and even after returning from the catastrophe, she recklessly fights back against the workplace harassment that she has endured in the past.

may be the key to attracting female audiences to buy tickets for Korean blockbusters that have long ignored female roles.

This work is far better than the text, whether it is the director or the team, no rendering, no hypocrisy, no self-drowning, one second resolutely give up the chance to escape to others, the next second can't help but shed tears, struggle and grievances.

But after wiping away his tears, he still bravely continued to run for life, and what he never abandoned was the truest humanity.

Although he doesn't have the superpowers of a hero, all he does is apply what he has learned about fitness, let alone save the world, but at least he can save his family, save strangers in his life, and save himself.

Just like the rainbow looming in the rain, this is the brilliance of ordinary little people.

In all fairness, it's definitely not enough to define this drama as a popcorn movie that entertains and relieves stress!

Under the foggy and difficult social reality, the deep strength and courage that come from within, and the inspiring exuberance are the most fascinating parts of it.

Fixing!

Returning to Beijing at the end of January, the Spring Festival is about to arrive, and I am very satisfied with this cross-border cooperation, which not only tries new genres, but also has an in-depth understanding of the Korean film industry model.

Of course, there is another good thing during the period, Wushuang was released on Christmas, and it directly broke 100 million on the first day!

In the end, the box office was locked in 1.89 billion,

Break Zhuang Wenqiang's personal record!

At that time, he called to report the good news, and heard that there will definitely be a few more Academy Awards shortlisted next year, so Ding Cheng hung up the phone directly.

Who is willing to give to whom,

Brother really doesn't want it anymore!