After years of unremitting development and development, Honolulu's tourism has also been fully matured, and the improvement of related supporting facilities has made this island city full of commercial atmosphere, and correspondingly lacks the purity and simplicity of nature.

Walking through the surging crowds of people at the Gurani Ranch, slowly disappearing into the knee-high grass and tall trees, I have the illusion of being in the story of "Raiders of the Lost Ark", like Indiana Jones to start his own adventure, there is a strange and unique feeling.

Bidding farewell to Melanie and Chen Zihao, Lan Li walked along the pedestrian passage, then gradually derailed, strolling in the safe area where exploration was allowed, and the figure gradually disappeared into the jungle, no one noticing his presence or his departure.

It's a little incredible, with Lan Li's current popularity and recognition, it is unbelievable that he can walk freely in the crowd. But in fact, it is not as difficult to implement as imagined.

Keanu Reeves, Woody Allen, Anne Hathaway and other artists living in New York, until now, they still take the subway - because the traffic in New York is really too crowded, compared to the car, the convenience and convenience of the subway still can't be replaced. But their presence is rarely revealed, and almost no one can detect their presence.

Hidden in the city, in fact, this is the truth.

In the huge and turbulent city of New York, where the busy and crowded life immerses everyone in their own world, few people can calm down and carefully observe everyone who passes by, and those who commute by the subway have to work hard every day to make a living, and many people fall asleep on the subway, how can they have time to take a serious look at the others around them?

It is precisely because of this that when those top superstars take off their makeup, strip off their disguises, get rid of their burdens, and appear in the crowd with ordinary and ordinary images, they naturally become inconspicuous.

Even if you occasionally make eye contact with a stranger, it's not a big deal, you just need to keep your composure, politely bow your head, and look away indifferently, and then the matter will be settled, and the other person will only take it for granted that it should just look like the face of an artist, and will not think that he has really met an artist.

If an artist wears sunglasses, a hat and a mask with great fanfare, it is almost equivalent to announcing to the world, "Hey, look at me, look at me, I'm bored", even if no one notices in the first place, and finally starts to attract attention because it is too conspicuous, and it is easy to expose his whereabouts.

The same goes for Lan Li.

After getting rid of the burden and burden, he returned to the identity of an ordinary person, and his figure naturally disappeared into the crowd. This is true in New York, but it is also true in London.

Although it is a little difficult to accept, the reality is that after stripping off the identity of an actor, Lan Li is just an ordinary member of the six billion people on the earth, and at the same time, an actor is just a job living under the spotlight, there is no need to pose on the ground, no one is nobler than anyone and no one is more important than anyone.

What should I do if I am occasionally discovered?

Chen Zihao's experience just now is a good demonstration, Lan Li can now deal with it freely, that usual calm and calm is almost flawless, and he can always easily convince the other party that he just "looks like";

From London to Honolulu, Lan Li embarked on the journey alone without any doubts, except that the customs officers were able to know his whereabouts. The paparazzi were still looking for him in the streets of London, and he had already arrived in Honolulu without a trace.

After a short vacation and a work in London, Lan Li is finally ready, returns to the crew again, regains his identity as an actor, and enters "Jurassic Park" to restart the sequel crew to start filming.

After more than a year of back-and-forth, the composition and structure of the project have changed a lot, and the cast is now a far cry from what it started with, and the film project has officially changed its name to start a new journey under the name "Jurassic World" - not only to distinguish itself from the previous series, but also to adapt to the upgrading of the entire story setting.

In the "Jurassic Park" series, the rediscovery of dinosaurs is the source and core of the whole, and the resurrection of dinosaurs that humans have imagined and conceived for many years is the biggest highlight, and in the script structure of "Jurassic World", the reappearance of dinosaurs has become an established fact, and now Dinosaur Park has become a well-known tourist attraction, and the follow-up story is developed on this basis.

Conceptually, the theme of the new series will evolve with the times, with humans trying to use dinosaurs to create new weapons as the main line to build the development of the whole story.

In fact, this is similar to the theme of many contemporary superhero movies, war movies and disaster movies: when human beings try to become creators and play the role of God, it is often easy to cause human suffering, and more terrible than natural disasters is always human ambition, and it is always human beings themselves who can destroy human beings.

The evolution from "park" to "world" is a progressive innovation that reflects the theme as a whole.

The new "Jurassic World" script was co-written by six screenwriters, with director Colin Trevorrow writing the main writer.

In order to cooperate with the joining of the top superstar Lan Li, and also to cooperate with Steven Spielberg's return to the theme design of human text, Colin conceived an overall framework for the story of the entire trilogy, and gradually upgraded and expanded the level of the disaster, and finally the whole process of crisis world security and falling into the crisis of destroying the dinosaurs again, all presented the context, which can ensure the integrity of the storyline, and also ensure the fullness and coherence of the main characters.

But Universal Pictures is still more cautious. It's not that they don't believe in Lan Li's market appeal, but they are worried about the ratio of pay and return, after all, Lan Li's salary figure is too high, and they are not sure what the final rate of return will be;

In the end, Colin could only temporarily keep the idea of a sequel in the framework stage, and took the lead in writing the script for the first episode.

The script passed Lan Li's approval.

The script that appeared in Lan Li's hands in this life has changed a lot from the completed version of the previous life, and the main variable appeared in Lan Li.

Universal Pictures spent such a high salary and experienced such complicated twists and turns, so they officially decided to star in Lan Li, they naturally don't want Lan Li to come over to enjoy Qingfu, or hope that Lan Li's role can be increased to maximize Lan Li's market value. The structure of the script has changed - just like the "Mission Impossible" series is to Tom Cruise.

In the previous life, the male protagonist of "Jurassic World" was Chris Pratt, who had not yet completed the outbreak, and there was not much background introduction to Parratt's Owen in the script, but it was simply mentioned: he was a retired soldier, and then now he is the safety director of Jurassic Park, and that's all.

It can be said that this is the basic setting of the hero protagonist in commercial movies - there are few further detailed settings, and there is a lack of a framework for the background, character, characteristics, etc., and the actor naturally has no room for development, and finally becomes a face-painted character.

In "Jurassic World", the thin image of "Owen" has not yet been highlighted, the whole story needs to be explained, and the narrative is relatively full, even if the characters are not given too much room for development, watching the movie will not be too boring or empty.

But when entering the sequel, the plot gradually began to go deeper, and the image and personality of the characters lacked layers, so that they could not be further expanded and extended, and there was a fault line between the complementarity between the characters and the plot, and the whole perception was obviously thin.

It's a paradox for screenwriting work.

In the first part of the series, they need to explain the cause and effect, they need to explain the background of the story, they need to explain the beginning and end, and at the same time, they need to create a continuous high/low of ups and downs in 120 minutes, firmly attracting the audience's attention, which makes the space to tell the "character context" completely compressed;

The most important reason for the success of Marvel's film adaptation is that these superheroes are given a little edge, if not a plump and three-dimensional image, at least they are impressive features, "Iron Man" is the best example, it was an instant success when it first appeared, and Robert Downey Jr. also gave the character an uninhibited and unruly character, and the subsequent development was successfully continued and expanded - although the so-called "character connotation" is really limited.

Now "Jurassic World" needs to face a different challenge: the script needs to give Owen more room to develop.

This is indeed not an easy task, but in Lan Li's view, it is not impossible, and it comes down to whether the director and screenwriter are willing to give the male lead enough space, whether they are willing to make time to cram such plot content, and then allow the actors to give more meaning to the characters - this may add more difficulty to the rhythm control of commercial films, and may also need to sacrifice more branches.

Now that Lan Li has enough weight to get Universal Pictures to allow Colin to do this, things will fall into place.

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