Chapter 100: Filming on location begins

Seeing this, the rest of the crew immediately rushed over.

Countless hands supported He Yushan's upper body, took her off the horse, and helped her to the side to rest.

Jiang Xin saw that He Yushan had been helped aside, and his left leg stepped backwards, the whole person faced the side of the horse, his left leg first landed, and his right foot came down from the stirrup, his feet were together, brushing the dust on his body, and walked next to He Yushan.

"Teacher He, are you alright?"

He Yushan sat on the ground with her legs bent together, her arms on her knees, and her whole head resting on her arms, when she heard Jiang Xin's voice, she raised her head slightly, shook it, and said softly: "Teacher Jiang, I'm fine, you go and get busy with you." ”

Jiang Xin was still a little uneasy, sat next to He Yushan, and patted her on the back, "Teacher He, it's okay." That horse was frightened, why don't you tell the director that you will use a stand-in later?"

He Yushan thought to herself, everyone else was shooting by herself, there was no stand-in, and it was not easy for her to deal with that special situation, so she shook her head, "It's okay, no." ”

Heng Wenwei saw that He Yushan had already dismounted, and hurriedly ran over in a few steps, looking very anxious, "Teacher He, I knew you would be fine." ”

He Yushan glared at Heng Wenwei and didn't say anything.

Ye Feiyu also came from the side, squatted down and observed for a while, made sure that He Yushan was fine, and said, "Teacher He, you take a rest first, let's go take the first shot first." ”

He Yushan was so frightened that the whole person nodded lightly, without saying a word to Ye Feiyu.

Ye Feiyu turned around and shouted into the pager: "Pay attention to the photographer, the first shot, ready to shoot." ”

The first shot is an aerial shot, with the director sitting in front of a four-camera screen and the assistant director directing the scene.

"The first scene, the first shot, the first time. Action。 ”

With the crisp sound of the recorder, the first scene took an overview of the entire mountain, mainly some scenery.

In the movie, this is the main location where the story takes place.

"Okay, that's it. ”

The photographers are all veteran photographers who have followed the crew for many years, and they have a lot of experience in shooting scenes.

In the original text of Mr. Jin's "Smiling Proud Jianghu", the first paragraph is "Fuwei Dart Bureau".

The camera needs to shoot the straight bluestone slab outside the door first, then shoot the flag at the door of the "Fuwei Dart Bureau", the stone lions on both sides, and finally, the camera is locked, and the few big characters on the iron hook silver painting and the extraordinary "Fuwei Dart Bureau" plaque are frozen, and a short close-up of about a few seconds.

This technique looks like a person walking, walking to the door, looking up, and observing where he has come.

There's a smack of pitching shots.

And first the long shot, then the close shot, this kind of shooting from far to near is also commonly used in the film.

However, the interior scene has not yet been built, so the second shot of the first scene was vacant, so I had to start with the next few shots.

The assistant director shouted, "Mr. Jiang, it's your turn, do you need to try the play first?"

Jiang Xin got up and patted the dust on his body, it's okay, let's start directly.

The first shot of Lin Pingzhi on exterior belongs to the second scene of the third scene in the whole play.

Some people may think that one will shoot the first scene, and the other will shoot the third scene, which is very likely to be confused.

In fact, the possibility of mixing up the camera is almost zero in the filming of the drama.

Because the shots are clearly marked in the script, this scene is in the first few scenes, the first few shots.

The recorder will call the board according to the number of shots in the script, and it will be lit under the camera for about 2 seconds. In this way, when editing in the post-production, you can distinguish the number of scenes and shots of this scene.

If you don't make a movie, it's impossible. And there will definitely be "scenes, shots, and shots" in the field recorder. ”

The reading is also these three contents, and there will be no other content.

The second scene of the third scene tells the story of Lin Pingzhi and the rest of the four people in the dart game, hunting in the wild.

There are three main actions.

The first point, horseback riding.

The second point is to release the falcon.

The third point is to remove the bow and arrow and shoot the prey.

Jiang Xin was already on horseback, waiting for the start of this shot.

"Mr. Jiang, are you ready?" asked the assistant director.

"It's time to go. Jiang Xin replied.

"The third scene, the second shot, the first time, Action!"

Jiang Xin raised the long whip, clamped his legs fiercely, and pulled the reins fiercely, and the white horse that was about to rush out was pulled by this, and his hooves jumped in the air. Jiang Xinzhen's whole body is oblique under the camera, looking particularly heroic.

In the system, he has learned how to control the horse, allowing the horse to do simple stopping, running, neighing, and backing.

In this scene, Jiang Xin is to let the horses rise up, because the current Lin Pingzhi is still the eldest young master of the Fuwei Dart Bureau, and his personality is proud, but he has the demeanor of a young hero, so the camera should reflect Lin Pingzhi's chic state.

The white horse neighed in the air, its hooves fell, and the horse galloped, but for a moment, it had left the other four far behind,

Jiang Xin's whole body was straight, his hair was floating back, his left hand wrapped the reins a few times, and his right hand grabbed the horsewhip.

Everyone watched Jiang Xin's left hand around the reins, which was extremely familiar and they were all amazed.

What is even more impressive is that the details of Jiang Xin's reins truly express the artistic details of film and television dramas.

Many actors like to lean forward slightly, which is not wrong when riding a horse, because when the horse walks forward, the person will move back slightly, and if the body is forward, it can avoid being thrown off the horse by a sudden acceleration.

And Jiang Xin chose another way to deal with it, the whole back did not lean forward, so it made the audience look more comfortable, but the difficulty of the action also increased.

Balance, strength at the waist, and legs can grip the horse's back, and the slightest mistake can lead to a fall.

Martial arts instructor Liu had already arrived because of He Yushan's matter, looking at Jiang Xin's movements, he secretly admired in his heart, "Where did Jiang Xin's equestrian skills be learned, although he only learned fur, but these fur movements are already perfect skills." ”

The assistant director shouted, "Yes, yes, hold, the camera keeps up." ”

The camera A hangs on top of the Steadicam and is placed in the car, to the left of Jiang Xin, just parallel to Jiang Xin.

Camera B is on the side of the road on the left, and the main reflection is the speed, such as when a horse walks by, the dust on the side of the road is raised.

Here, there is no way to show the speed by moving backwards with the slide, because the horse is small in size and can be worn out if you are not careful.

"Iron Fist of Shame" species, the area of the car is larger, so it is not easy to goof.

How does speed manifest itself in this case? That is, the acceleration of the later stage. Just like a martial arts drama, you can fight slowly at first, and then speed up directly in the later stage.

The C camera is in front of Jiang Xin, and it is also hung on the Steadicam is top, but it is not Jiang Xin's sideways body that is filmed, but Jiang Xin's side is on the front side.

Camera D is in front of Jiang Xin, and the angle of view just didn't capture the three cameras A, B, and C, but only the five people and five horses in the field.