Live up to the enthusiasm of the audience queuing up to grab tickets.

The movie "Three-Body Problem" is as good as the owner said, and it is far more than that.

Because even with Zhuoqun's critical eye, this movie has to be said to be an absolute classic.

If nothing else, the key is that this movie not only retains the essence of the original book to the greatest extent, but also each master has also brought out his own strengths from it.

Let's talk about the plot first.

James?? Cameron himself is very fond of "The Three-Body Problem".

His screenwriting talent even surpasses that of directing, and he can certainly capture the core highlight of the story.

So he wrote the script of this human race facing a crisis one day, from the perspective of visual transformation, as grand and atmospheric as the "Terminator" series.

In addition, Cameron mostly made up for Liu Cien's weakness to some extent according to his own preferences.

First, a lot of details have been added and many logical loopholes have been filled.

The second is that we have not forgotten to reflect the highlights of good and evil and human nature in the cold and cruel main tone of the law of the jungle.

This makes the film even more singable and crying around the theme of how to highlight the struggle for human destiny.

The second is the plot cohesion, rhythmic evolution and narrative technique.

It's all clearly Spielberg's signature style.

Although Bei Lu bears the title of director, I am afraid that in fact, it is not a shame that this film should be called a co-director's work.

Or rather, Spielberg's sophisticated final editing contributed a lot.

If not for this recognized master of directing at the helm.

It is difficult for this film to present such a coherent and smooth artistic effect with clear meaning and clear theme.

As for the soundtrack and character upgrades, it fully benefited from the creativity of the two masters of the Oriental island.

As the soundtrack master most admired by Hayao Miyazaki and Takeshi Kitano, Hisaishi composed music with his distinctly personal style.

And the soundtrack he made for "The Three-Body Problem" this time maintained a consistently high level.

The theme song has the grandeur of "Castle in the Sky".

Several interludes also have the faint sadness of "Kikujiro Summer".

Even if it's just an ordinary piece of music, it has a sense of touching the soul.

Not to mention, his music can be perfectly combined with the plot.

In fact, the effect combined with the picture is like a heavenly sound that penetrates the heart.

Many people at the scene couldn't help but cry when they saw the touching place.

And Takeshi Nosue, who has directed two CG films of the Final Fantasy series.

The imagination of the science fiction world is almost the most in line with the aesthetics of the Orientals.

This avoids the rough style of character design and scene props, which is completely biased towards Europe and the United States.

With him as the creative director, he maintained the softness, romance, pathos and mystery of the Orient to the greatest extent.

And finally, ILM, which did the special effects for Star Wars, also provided photorealistic special effects footage.

George?? Lucas, with the highest level of technology, has created a realistic and credible sci-fi world facing the threat of the Trisolarans.

So when everything of this kind comes together perfectly.

has created a unique film in the history of the film industry, and the production technology can be called the pinnacle of the film.

It must be said that the reason why masters are called masters is because the height of their field is beyond the reach of ordinary people.

So even if there are no big names in the cast.

The actors of this movie, in addition to a few old domestic actors with acting skills.

The rest are all young actors who are not well-known, and even their performances are still very young.

In fact, except for Bei Lu herself, there is not even a youth idol star with its own fan traffic.

Then this movie also presents an amazing effect like a movie epic.

This proves once again that making a good movie actually has little to do with inviting big-name stars.

The key is whether the story itself is good or not.

Can it effectively present the atmosphere of the story through technical means?

In fact, Zhuo Qun thought about it afterwards, and couldn't help but praise Bei Lu for her intelligence and confidence.

Because Bei Lu's biggest contribution in this movie is obviously the overall work as a producer.

She spends all her money on the blade, regardless of the cost.

Moreover, the parts that each master is responsible for are perfectly coordinated, which creates a masterpiece of profound meaning and high quality.

To be honest, as a star himself, Benlu is indeed a person who really understands movies.

She knows very well that bad movies rely on traffic stars to cheat money.

If the quality of the movie is not bad, seventy percent of the production cost of the movie will be used to hire stars.

Then it might as well be cost-effective to advertise overwhelmingly.

In short, during the three hours of the movie, Zhuo Qun was as deeply immersed as the rest of the audience.

He was also in the deep grief of being infected by the film, ecstatic and shed tears.

And his years of self-exile, detached from this world, began to falter because of this new film that had never appeared in his past life.

He was extremely suspicious that something strange had happened to Bellu.

So as soon as the film ended, he called the capital and tried to contact his college classmates, and finally he found Qiao Jian.

"Qiao Jian, buddy, I'm Zhuo Qun. Remember me? We were classmates for three years, and then I dropped out. ”

"Ouch, it's you, I said where did you go? It's been years since you graduated, and I haven't heard from you. Hey, how do you know my phone number?"

"Well, it doesn't matter. We can meet and talk about the specifics. Dude, I know you're now in charge of the entertainment section of the Beijing Daily. So I want to ask you for one thing, I need you to arrange for me to meet Bei Lu as soon as possible, yes, the producer and director of the "Three-Body Problem" movie, and the heroine......"

"Ouch, why do you have a problem as soon as you call me. Where is it so easy? She is now the most popular master, a figure on the cusp, who doesn't want to see her. We want to get news from her ourselves. It's hard. Don't worry about relying on me to chase stars. ”

"Please, man, I'm not that bored, I really need to see her on something very important. I know you're righteous, so help, so I'll invite you to the capital. You just want to eat the whole banquet. If it's done, how about I give you a Harley-Davidson? I'll be worthy of you. ”

Qiao Jian really exclaimed. "Don't scare me!

But then he sighed and complained.

"Hey, it's not like I didn't help. But you don't know. People know how to protect themselves, and once they become popular, they will no longer appear in public, and it is completely impossible to take photos of her. Occasionally, they are interviewed by the public, and they are also invited or booked in advance, and they will be received only when the number of people who say they are going to go. And the interview time is very tight every time, asking questions is limited, and there will be a spokesperson to accompany Beilu. Bei Lu easily does not speak on sensitive issues. I suspect that someone specifically taught her how to deal with reporters......"

Hearing this, Zhuo Qun almost spurted blood. I can't wait to give myself a mouthful.

Who taught?

He still remembers the advice he gave to Belle on the plane.

If what happened to Beilu was as he thought, it was probably because he was cocooning himself.

In this way, after concentrating on thinking for a while, Zhuo Qun spoke again.

"Dude, I know your difficulties, not for you. However, you can tell me as soon as you have the opportunity to interview. Also, I'd like to ask you, what is her attitude towards national television, where does she usually work or give interviews?"

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Sogou