Meng Qi waited as nervously as Richard Kleiman to see how Ye Fan would get into the second section.

From the second measure onwards, it is impossible to play on a single piano, and all pianists need to be played by others.

Because at the beginning of this section, it becomes a master and a pair, two completely different tracks at the same time, and it is necessary to rely on twenty fingers to produce twenty notes at the same time at each moment.

A human with only two hands is obviously unable to cope with such a score design alone.

But at the scene, there was only this piano, and Ye Fan only had ten fingers.

Meng Qi and Richard Kleimande both secretly looked at Ye Fan's feet and found that Ye Fan had no idea of taking off his shoes and using his hands and feet at the same time.

Of course, even with this idea, the distance between the upper and lower limbs determines that this is not possible.

Most of the audience below didn't understand music theory, and they were only immersed in the touch brought by Ye Fan's performance.

Ye Fan's piano seemed to have firmly grasped the soul of each of them, and he could easily use the rows of black and white keys to make the people below crazy and quiet.

The first measure ended, and there was almost no pause and adjustment as Richard Kleiman imagined, and Ye Fan went directly to the second measure.

He didn't need to adjust at all, and Richard Kleiman had to find that the first quarter was supposed to take more than ten minutes to end at the earliest, but Ye Fan ended it in less than three minutes.

The speed of his hand was already shocking, and people didn't dare to guess how fast it was.

Richard Kleiman couldn't help but kneel in admiration.

In terms of piano skills alone, he knows that Ye Fan is taller than himself, and he doesn't know how much, perhaps, as soon as Ye Fan makes a move, no one in this world can dare to call himself a pianist anymore.

Because there is no one in this world who can compare with his performance level, and comparing it is self-inflicted.

When the first note of the second stanza came out, Richard Kleiman really got to his knees.

He knelt down and looked up at Ye Fan with a stunned face, as if looking up at a holy icon.

He did it!

He actually did it!

With one pair of hands, ten fingers, twenty sounds were made at the same time.

His performance, now like a storm, has knocked down everyone's dignity, making everyone want to kneel and surrender to him.

This is the theme of this summary, which is the struggle, the struggle of the persecuted.

This summary expresses that a person who has been suppressed and persecuted for a long time stands up and roars manically.

He smashed all the shackles with his iron fist, filed through all the intrigues and tricks with a stormy attack, broke all the shackles that wanted to trap him, and killed all who hated him, insulted him, and dared to disobey him.

Everyone's blood was ignited in an instant, and they all wanted to roar with it, and they all wanted to smash everything in front of them.

But in the end, they all chose to kneel silently, silently follow the footsteps of this hero played by Ye Fan, do everything he wants them to do, and realize all his will.

Respect him, regard him as their direction and future, regard him as a leader to follow in this life, and regard him as the only one who should be loyal throughout their lives.

"How is this possible, is he still a person?

How can he play twenty notes at the same time with one pair of hands, and twenty notes at the same time in a row?"

Richard Kleiman was puzzled, this scene was too weird.

No one could see what Ye Fan was doing, because Ye Fan was too fast.

So no one can answer the reason why Ye Fan was able to create this miracle.

Only Ye Fan himself knew that the reason why he could play twenty notes at the same time was that he could control the time of everything, including the time of each note.

Even if he hits that key, he can make the key temporarily unable to make a sound.

Ye Fan slowed down the speed of this note, until when he pressed the other ten keys, the notes that he sped up just burst out at the same time as the note he pressed before, and finally came out in sync.

In order to achieve the effect of playing two pianos with one hand, and playing a master and a pair of completely different tracks at the same time.

In the second measure, he still played it in three minutes.

The people who knelt down in the audience, but he didn't even look at them.

Surrender has long been commonplace for him, and this kind of scene is even more commonplace.

He didn't indulge in it, he didn't even enjoy it anymore.

Now for him, the sofa is his world, and the salted fish is his goal.

He still didn't make any adjustments, and went straight to the third measure.

As the performance continued, the rest of the audience slowly stood up again, because this summary expressed the loneliness of a king after being invincible.

There is no need for surrender, no need for an audience.

He has lost all motivation in life, and he doesn't know what the point of living is.

Everyone cried and wept bitterly along with his performance, and many people cried and collapsed on the ground, and they kept hitting their heads on the ground.

Richard Kleimande was still on his knees, and he wanted nothing more than to express his shock and admiration in the most onerous etiquette of the East.

Because from the third section, Ye Fan adapted the original version of "La San", and he kept playing thirty notes at the same time with one hand, which is equivalent to three people playing three pianos at the same time.

Even if the original author was alive, he didn't dare to change it like this.

You must know that the composer of "La San" is a famous "devil" in the circle, and for pianists is like a messenger of hell, because he composed five of the ten most difficult piano pieces in the world.

But even a composer like him, who is arrogant and arrogant and only cares about expressing his inner feelings, and never takes into account the hardships of the performers, will never change like this.

Because "La San" still has a chance to be played in the world, and if it is adapted according to Ye Fan, people can only wait for God to play.

Now Ye Fan's adaptation is not something that can be completed by three pianists and three pianos.

This difficulty is unique in the world.

Only he can play it himself.

From the fourth quarter onwards, Richard Kleimander didn't know how many notes were played at the same time, how many hands and how many pianos were played at the same time.

Because Ye Fan is alone, he has already played a symphony with a piano, of course, but all the musicians are the top pianists in the world.

At the very least, Richard Kleiman has to hear hundreds of pianos at the same time, and he can perform on the same stage with hundreds of highly skilled musicians.

It's not that Ye Fan only plays the sound of a few hundred pianos, but Richard Kleimande's hearing is too busy to take care of it, and he can only capture so much.

The performance was magnificent, and everyone couldn't help but feel proud.

Because their king has given them all the glory, he no longer cherishes all the glory and wealth of the world, but shares it with them.

His honor is their honor, and his light is the light of each of them.

This is what the fourth subsection says.