After the official announcement of the 86th Oscar nominations, the turmoil in various individual award departments has sparked countless discussions, among which Lan Li-Hall's four consecutive years of shortlisting for the best actor competition is undoubtedly the focus of attention, which also means that this year's awards ceremony is bound to be full of suspense.

If you look at the entire list of winners by work, the fierce competition between bayonets and red becomes more and more stark.

"Gravity", "American Hustle", and "12 Years a Slave", which have been in the first group throughout the awards season, are still the biggest favorites, with 11, 10, and 9 nominations respectively, leading the Oscar nomination list.

The biggest surprise is nothing less than the counterattack of "gravity". Since its debut at the Venice Film Festival, this work has received numerous praises and has become the biggest hit of the awards season in one fell swoop, but because of the mistake of Warner Bros. publicity strategy, the momentum after entering the awards season has never been able to seize the advantage, but has been overtaken by "American scam" and "12 years of slavery", and the overall momentum has always been in a position of catching up.

Until now.

Entering the second stage of the awards season, "Gravity" has carried forward its advantages in the technical department, and in one fell swoop, it has thrown off the two competitors "12 Years a Slave" and "American Hustle" without too many technical characteristics, and has become the leader of the nomination stage, initially showing the demeanor of the top seed, indicating that the next college PR landscape is bound to appear more variables.

Best Picture, Best Director, Best Actor, Best Supporting Actress, Best Film Editing, Best Cinematography, Best Original Score, Best Visual Effects, Best Sound Editing, Best Sound Effects, Best Art Direction.

Technically far ahead, "Gravity" could hardly find a rival throughout the awards season this year, which gave them an advantage in the Oscar nomination stage, easily overtaking their competitors, and reaching the heights of "Lord of the Rings 3" or "Avatar" in one fell swoop.

"Gravity" is the fifth-ever work to be nominated in all seven technical categories, the previous four being "Titanic" in 1997, "Angry Seas" in 2002, "Hugo" in 2011 and "Life of Pi" in 2012.

However, the fatal shortcoming of "gravity" is undoubtedly very obvious: the absence of the script department.

The original script of commercial attributes does not have much structure and content worthy of praise at all, and even the lines and characters are a little rough, relying entirely on the camera and performance to support the whole movie, which is definitely a work suitable for feeling the visual and auditory shock in the cinema, but the content of the script is still relatively thin, and those reflection cores are all completed through the composition of the picture.

It is also reminiscent of "Avatar". At the beginning, "Avatar" also stood out in the technical department, but the lack of the acting department and the script department became a shortcoming that could not be ignored.

This...... Does it also foreshadow the future of "gravity" at the awards ceremony?

By the way, this year's list of nominees for the script department is also quite interesting.

Original screenplays, "Blue Jasmine", "Dallas Buyers Club", "She", "Nebraska", "American Hustle". With the exception of Woody Allen's "Blue Jasmine," all four other works were nominated for Best Picture.

Adapted screenplays, "12 Years a Slave", "Philomena", "The Wolf of Wall Street", "Drunken Country Ballet", "Love Before Midnight". In addition to "Love Before Midnight", the other four works were all nominated for Best Picture.

In other words, out of the ten nominees for Best Picture, only "Gravity" and "Captain Phillips" lost the nomination in the screenwriting department, does this mean that the competition in the screenwriting department will be extremely fierce?

In the original script department, the five nominees have maintained four of the same seats, the only difference being that "gravity" has taken the place of "Dallas Buyers Club" - although the "gravity" script is not the most brilliant part, the Writers Guild of America has boldly and proactively given recognition, while the "Dallas Buyers Club", which has struggled slightly throughout the awards season, has been miserably ignored.

In the adaptation screenplay department, only "Love Before Midnight" remained consistent, and the other four seats belonged to "August: Osage County", "Lone Survivor", "Captain Phillips", "Behind the Menorah", and the final winner was "Captain Phillips", but when it came to the Oscars, all four seats were directly overthrown, which is absolutely a rare scene in history.

From the nomination of the Writers Guild of America Award to the nomination of the Oscar, the ten seats have changed dramatically, which also makes the second phase of the academy PR full of variables, "intense" is not the most appropriate adjective, but the suspense is certain.

In the screenwriting department, from the Writers Guild of America Award to the Oscar nomination seat, "Gravity" and "Drunken Country Ballad" just swapped places. As a result, the Oscar prospect of "gravity" is also clouded.

But...... Eleven nominations don't lie, and "gravity" is the absolute frontrunner of the Oscar nominations, and it really ushered in the moment of accumulation.

Immediately behind "Gravity" is "American Hustle", a comedy-style serious work that continues David O. Russell's consistent style in the eyes of academics, and once again receives numerous praises, and the biggest surprise is the acting department, "American Hustle" has successfully won nominations from the four major acting departments, successfully replicating the feats of "TV Storm", "Desire/Hope Streetcar", "Beacon Flames", "Spiritual Spring Festival" and other works - this is the fifteenth work in history to achieve such a brilliant work.

It is worth mentioning that this is also the second year in a row that David O. Russell has won such honors, last year's "Happiness Line Behind the Dark Clouds" and this year's "American Hustle", and won the best picture, best director, best actor, best actress, best supporting actor, best supporting actress and best adapted screenplay nominations.

Everyone is amazed that Lan Li has repeatedly performed miracles, and in fact, David O. Russell is the real Oscar darling.

This year is no different.

Best Picture, Best Director, Best Actor, Best Actress, Best Supporting Actor, Best Supporting Actress, Best Adapted Screenplay, Best Film Editing, Best Costume Design, Best Art Direction, a total of ten nominations, followed closely by "Gravity" to become the strongest contender for this year's Oscar awards.

Moreover, David O. Russell is best at light comedy. The Oscars don't like comedy works, just look at Charlie Chaplin and Jim Carrey, but now David has become the Oscar winner for light comedy for two consecutive years, and this favor far exceeds the unique treatment of Lan Li.

Obviously, the chances of this year's "American scam" are even more ferocious than last year's "Happiness Line Behind the Dark Clouds", and no one can easily underestimate this work.

Then there is "12 Years of Slavery", the black film's unstoppable rise in the awards season, even if it is slightly inferior in the Oscar nomination stage, it still remains in the first echelon with nine nominations.

Best Picture, Best Director, Best Actor, Best Supporting Actor, Best Supporting Actress, Best Adapted Screenplay, Best Film Editing, Best Costume Design, Best Art Direction, a total of nine nominations.

A closer look reveals that the difference between "12 Years a Slave" and "American Hustle" is only one Best Actress, which means that the two films will face off head-to-head in nine departments, with bayonet intensity, and the "gravity" of the technical department is expected to take advantage of the fisherman.

"Gravity", "12 Years a Slave", and "American Hustle" are all very close in overall momentum, only the script department is misplaced in the main awards, and all three works are shortlisted for best film editing at the same time, no wonder the major news media think that this year is a "triwizard battle".

Known as the "Little Best Film" award for Best Film Editing, among the five nominees, in addition to the top three, the other two seats belong to the "Dallas Buyers Club" and "Captain Phillips", and the number of nominations for these two works has also ushered in a bumper harvest, both receiving six nominations, closely behind the top three works.

The other two nominees for Best Director were Nebraska and The Wolf of Wall Street, which received five nominations and four nominations, respectively, all of which came from major awards, keeping their race for best picture alive.

"Drunken Country Ballads" also received six nominations, Best Picture, Best Supporting Actress, Best Cinematography, Best Adapted Screenplay, Best Sound Effects, and Best Original Song.

Among them, the song "The-Death-of-Queen-Jane" was written by Lan Li and the Coen brothers, and successfully won a nomination for Best Original Song, which is also the first time in Lan Li's career that Lan Li has won a music-related award nomination above the Oscars. If nothing else, Lan Li will perform this piece on the night of the awards ceremony.

Six nominations, which is slightly lower than what one would expect from "Drunken Country Ballads", is only slightly higher than "Nebraska", but the importance of the awards is far behind, and it is inevitable that it is difficult to ask for more, but this is the taste of the Academy, and it is not a big surprise to be able to win five nominations in the end, and I can't ask for more.

In addition, "She" also received five nominations, which is quite similar to the overall situation of "Drunken Country Folk", "Philomena" received four nominations, and Weinstein Pictures can be described as a slump in this year's awards season, and "Blue Jasmine" received two nominations, but it was two blockbuster projects of Best Actress and Best Original Screenplay, which is also Woody Allen's sixteenth nomination for Best Original Screenplay, creating Oscar history.

Of course, Meryl Streep received her eighteenth Oscar nomination for "August: Osage County", far ahead of Jack Nicholson and Katharine Hepburn's twelve, and constantly breaking her own record.

This is the overall pattern of this year's Oscars, and the second phase of college public relations is about to start.

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