69 love summer 5oo days

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There are many ways to tell a story, flashbacks, interludes, flat direct narration, etc., each of which has its own advantages and disadvantages, but for a small and fresh love movie like "Five Hundred Days with Shamo", all kinds of methods have been used, and it can be said that it is even more difficult to shoot something new. But unexpectedly, "Five Hundred Days with Shamo" actually uses a chaotic narrative method, which makes people a little confused.

Since the name of the story is "500 Days with Shamo", it describes the 500-day relationship between the male protagonist Tom and the heroine Shamo. At the beginning of the story, it starts from 488 days, and everyone is a little strange, is this a flashback technique? So why not start a flashback from 5oo days In short, let's start watching it as a flashback.

But the content of 488 days only showed everyone an ambiguous expression of the two leading actors, as well as the ring on Shamo's left hand, and it didn't even have time to make the audience think about what was hidden in the expression, and the story was told from the first day. Well, it's still a straightforward story.

When Tom played by Lee Joon-yi appeared on the big screen, the girls in the movie theater couldn't help but cry out in amazement. is different from the charm of "Twilight" and the sexiness of "Hangover", this time Lee Joon-yi is more like a nerd, or an artistic youth, or an otaku, but it is such a dull and somewhat silly young boy, but he has an unprecedented charm and makes people smile. And Shamo, played by Blake Lively, lost her sharp and sexy appeal in "Gossip Girl" and became a fresh and lovely girl, the light blue style with the summer blue sky and sea, which made everyone's eyes shine.

After the story begins, it suddenly jumps from day one to day 9o, should this be a flashback or an interlude? At 9o days, Sammer and Tom break up and say they want to be good friends again, so Tom breaks down and smashes dishes at home. This beginning made the audience's mentality straighten. Regardless of the reason why they originally walked into the cinema, they were attracted to the plot at this time. I don't know how to tell the story, there is a different kind of charm, which makes people start to care about this story: The male protagonist who was played by a girl, what is going on, and how are things unfolded?

When the story returns to the first day, the audience realizes that the narrative of this story is actually very simple. Tom and Shamo were in a relationship—five hundred days, or 9o days, and the rest of the time was when Tom forgot about Shamo. But Tom didn't want to forget Sammer at first, because he felt she was the right person. Therefore, Tom began to recall the whole process of their relationship in a leaping and jumping manner, one would be the first day of meeting, one would be the 85-day quarrel, and the other would be 54 days of love declaration, Tom was carefully pondering what went wrong in the process of the relationship between the two people, trying to piece together the original appearance of love.

There is no doubt that the way this story is told is novel, although the content of the story is old-fashioned but new, it is from a male perspective to look at love and breakup, subverting the previous model of women infatuated with men. Tom is a delicate, shy but fantasizing young artist of love, yearning for the perfect love, with a specific dream lover in mind, and once encountered, he falls into the abyss of no return, weaving his own vision of love in the other party, but often can't see the truth of the matter;

Interestingly, in typical romantic comedies in the past, the personalities of the male and female protagonists often coincided with the above, the woman was infatuated, and the man was infatuated. But this movie tells you that not every man plays the world, in fact, in real life, many men are as emotionally important as women, they will be hurt and entangled, and they will talk about "emotional troubles" with male friends behind women's backs. Moreover, every man has been hurt by the so-called "dream lover" type girl at least once in his life, and that woman is often what he has unexpectedly obtained, but in the end he has no choice but to lose, is the eternal pain and regret in his heart, and this person is certainly not the last person he married.

Not only is the story novel, but the director's approach to storytelling is also refreshing, making the audience temporarily forget whether this is a flashback or an interlude, and just follow the rhythm of the story. Like a calendar, from meeting to forgetting, jumping back and forth in these five hundred days, sometimes sunny and sometimes cloudy, strongly contrasting Tom's very different mood at the beginning of love and the breakup stage. The number of days and backgrounds shown in front of each clip are presented in the form of pencil sketches, and Tom often sketches because he is studying architecture, and of course, these sketches are all made by Lee Joon-yi.

In addition, the film also uses the old-fashioned black and white film fast-forward technique to introduce the background of Shamo, so that all viewers can experience the excitement of Tom when he met Shamo as if he had met a goddess.

Tom and Shamo's acquaintance is very ordinary, but with a fairy tale flavor: the two have their first conversation in the elevator because of the same musical taste. Next is Tom's unrequited love alone, reminiscent of the shy unrequited love of his youth. Luckily, Sammer also has a crush on Tom, so they had their first kiss. And then there was the furniture store game of being together, two people playing in a furniture store, and making people laugh. Then, the two had their first intimate contact.

Here, again, the film is shot in a new or nostalgic way. After Tom and Summer had their first intimate contact, when Tom went to work in the morning, he sang and danced happily on the street, and even joined the birds and animals of Disney cartoons, and the whole street was danced with Tom, this traditional Disney Broadway opera, so that the audience had a happy smile on their faces, and they came to the top with Tom's mood.

Tom and Shamo's relationship is also very ordinary. They will go to comic shops and DVD stores together, they will borrow images of * people to watch and then imitate the difficult actions inside, they will go shopping together and share each other's hobbies, they will go to the movies together, and they will take advantage of the darkness of the theater to do what couples do.

On the date, Tom shows Shamo all his heart, including his heart's desire to become an architect, and that corner of the park in the city is a sacred place that belongs to Tom's heart, and he shows Shamo unreservedly. At the same time, Sammer finally lets Tom into her private space, her nest, to share time that only belongs to the two of them.

But the sweet couple life is eventually interrupted, Tom wants to go further, his fantasy of love makes him want to be sure, but Shamo doesn't want to, she doesn't want to involve the relationship of "boyfriend and girlfriend", let alone marriage. Tom's eagerness made Summer flinch, and the two of them had a big argument. But just like all couples, they were separated and reconciled. When the young couple played a game in the park, all the spectators smiled.

As shown at the beginning of the movie, the two did break up at 9o days, and Shamo finally couldn't bear Tom's wholehearted love for her, so she chose to break up, or it would be more accurate to run away. This puts Tom in a situation where he is tormented by himself, distressed, sad, and discouraged, with no end in sight. Tom began to fall in various ways.

But on the way to the wedding together, Tom unintentionally meets Shamo again, and the two talk again and become friends. That tacit understanding, that kind of comfort, that kind of naturalness, that kind of heartbeat, made Tom think that he and Shamo could have a fresh start.

At this time, Summer invites Tom to her house for a party, where the big screen of the movie is divided into two halves, generally showing everything Tom is looking forward to life, while the other half shows the situation of the real life, and the two parts are carried out at the same time, which obviously makes people see the gap between reality and expectation, and feel Tom's loss and sadness. What's even more hurtful is that Tom showed Shamo's new boyfriend, to be precise, his fiancé at this party, and her happy and smiling appearance made Tom fall into hell. Tom couldn't believe it, he tried his best to make Shamo believe in love, to make Shamo believe that feelings can be certain and can have results, but he failed, and just a few months later, Shamo actually got engaged, and this reality tore Tom to shreds.

After every breakup, almost all of the people who were dumped had fantasies that they wanted to redeem and the process of fantasies being put on standby by reality, presenting the two on the same screen at the same time, producing the strongest psychological impact, plus the film's ups and downs of the soundtrack. All the audience heard the sound of their hearts being torn, and although there were no tears in their eyes, the heartache that came from the soles of their feet to the top of their heads was terrifyingly real.

This pain made Tom break down, and he was like a walking dead for the rest of his life. In an impulsive explosion, he resigned from the greeting card company. This accident has rekindled Tom's dedication to pursuing his dreams, and he hopes to become an architect again, and he is trying to cheer himself up.

At the end of the movie, Tom and Summer meet again in a corner of the park, and the audience immediately remembers that this is the beginning of the movie, 488 days. The ring on Sha Mo's left hand is no longer an engagement ring, but a wedding ring, which makes the audience suddenly realize, but there is an inexplicable regret in their hearts. This encounter made Tom untie the knot in his heart, and finally believed that there was love in this world, but Shamo was still not the right person who belonged to him.

In the end, Tom met a girl again when he was interviewing for a new company, and after hesitating, Tom invited the girl to go on a date, and unexpectedly, the girl's name was Autumn: The name of the heroine of "Five Hundred Days with Shamo" was Summer, which was Summer. When the girl said her name, Tom's expression was quite interesting, and the pencil sketches that had been present in the movie went from summer to autumn, and the movie came to an end.

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