Recommended song: Hikaru Utada --- First.Love

In the end, it was Lee Joon-yi and Lee Hyo-ri who went to have a meal together, and when it came to Park Chun, both of them thought it was quite funny. After the party, Samsung's advertising itinerary has finally come to an end. And Li Zhunyi then invested in the crew of "Witch's Condition".

The press conference for the production of the new drama was very low-key, and there was not even a formal press conference, but the publicity group of the crew released the relevant news of the new drama, and then organized some media, and the propaganda group held a small press conference of an internal nature. None of the performers attended the press conference. But even so, the "witch's condition" has managed to gain all the media attention.

Lee Joon-yi and Son Ye-jin starring, Gao Douxin joined, Lee Yoon-jung directed the first feature film, another masterpiece written by Oh so-yeon, and the adaptation of Japanese drama classics, all of which made the media excited.

In the first half of the year, Lee Joon-yi and Son Ye-jin both had works coming out. The success of "Palace" in the ratings was applauded and acclaimed, although it was criticized as too procrastinating because of the extension of the encore, but overall it was still one of the most successful dramas in the first half of the year. And Son Ye-jin's "Love Era", although the ratings did not make a big breakthrough, but it won a lot of applause in word-of-mouth. The old drama bone Gao Douxin teacher, plus Wu Zhihao, Zheng Donghuan, Xian Yu Yinshu and other excellent supporting roles. The cast of "Witch's Condition" is called the most watched drama by the media, and "Hwang Jin-yi", which will be broadcast in the second half of the year, is tied for the most anticipated drama.

Lee Yoon-jeong, who successfully attracted a lot of attention with her short film, challenged the long-form drama for the first time, and many professionals expressed their expectations. And Wu Xiuyan's adaptation of the classic script of "The Witch's Condition" also reassured everyone. Adapting a classic script will either soar or fail. The most important thing is to keep the best parts of the classic script, and then add some new adaptations. Wu Xiuyan, who has rich creative experience, is pinned on by everyone.

It is not an exaggeration to say that there is a sentence of "all eyes on the public", and the "conditions of the witch" began to practice the script in the midst of the excitement of many media.

After a tiring day of script practice, Lee Jun-yi returned home, leaned on the edge of the bed, and sat down. When he took over the script, Li Zhunyi knew that the role of Xiaoguang in "The Witch's Condition" was more complex and difficult to interpret than Li Xin. In the past few days, in figuring out the role, Li Zhunyi has suffered a lot. This rebellious teenager is a mixed combination of darkness and sunshine, and such a contradictory temperament appears in the same person. Although director Lee Yoon-jeong saw such a temperament in Lee Joon-yi at the beginning, he felt that the role of Xiaoguang was indispensable to Lee Joon-yi, but Lee Joon-yi was not Xiaoguang after all. Compared with Xiaoguang, Li Zhun Yi is a little too sunny, so to be appropriately restrained and integrate the role of Xiao Guang into his body, Li Zhun Yi spent a lot of effort.

It's been a week, and Lee Joon-yi is still gradually finding some feelings, but there is still a distance from Director Lee Yoon-jeong's requirements, which makes Lee Joon-yi very distressed. In the past few days, I have been spending energy studying the role of Xiaoguang.

The same situation also appeared in Son Ye-jin and Gao Doo-xin, which may make Lee Joon-yi less anxious.

Son Ye-jin is better, the heroine is unknown and lacks understanding of herself, and her life has been in a state of confusion, Son Ye-jin has already grasped the essence of the gods, but she still needs to think about it more.

As for Gao Douxin, an old drama bone, he studied the role of Xiaoguang's mother for a long time, and it was not until the past two days that he discovered the deeper charm of this role. Xiaoguang's mother's doting on her son, to a certain extent, transfers her love for her husband to her son, saying that she loves her son, and it is not an exaggeration to say that she loves her son. When this kind of love crosses a certain threshold, it becomes a confinement. This role, even for Gao Douxin, is a huge challenge, although he is still looking for feelings in the past two days, Gao Douxin is already gearing up.

Flipping through the picture album that Lee Yoon-jeong borrowed from the Library of Congress today, Lee Joon-yi was a little distracted.

In "The Witch's Condition", Xiaoguang is a high school student who is very good at drawing, and unexpectedly, Li Zhunyi is not good at painting, but it is not bad. So Lee Yoon-jung hoped that Lee Joon-yi would give it a try, and if it didn't work, he would find a special painter to paint the two important pictures in the play.

There are two very expressive words in the play, which were regarded as classics in Japanese dramas back then, and the screenwriter Wu Xiuyan has no intention of changing this part.

The first one appeared as a theme picture of the TV series, and what Lee Joon-yi has now obtained is the version based on Nanako Matsushima and Hideaki Takizawa in the original Japanese drama version. Xiaoguang and Unknown are dressed in white, with their eyes closed, lying face to face on the white sheets, their hair scattered on the white background. Xiaoguang's head was slightly lowered, buried in the unknown chest, the unknown chin was slightly raised, and it would not be a few centimeters away from Xiaoguang's hair, and the two of them could feel each other's breathing at any time. Both men are hunched on their knees, intertwined with each other, their bodies invisibly fitting together at a certain distance. On the ankles of the two people, a pair of pitch-black shackles connected the two people, and at the same time, the fate of the two people was firmly tied together. This painting has a very strong visual impact.

The second is not original, but is from Michelangelo's "The Creation of Adam" in 1511. This painting has been called one of the highest achievements in the history of the development of Western European art. In its Sistine Chapel in the Vatican in Rome, Italy, the painting is considered Michelangelo's most successful masterpiece among the churches with its many breathtaking works of ceiling frescoes.

In the painting, Adam's body is fully formed, but it still looks lacking in vitality, in other words, the spark of life has not yet been infused into his body. On the other side of the sky, the Father flew towards him with energy and energy. And he saw a strong wind blowing the Father's cloak and fluttering around him and the angels, and Adam's arms hung limply on his knees. God is stretching out a strong arm, and Adam is very close to God's fingertips, but not really in touch. The tension of the energy that brews in the picture is the visual effect of the space between the two fingers, often described as an electric current that is about to spark. Indeed, it seems that God is ready to breathe life energy into the first human beings through this space.

And in the TV series, God and Adam are about to come into contact, but there is still a distance between the fingers, which are given more meaning.

Looking at these two paintings, Li Zhunyi was a little distracted. In the first painting, in the white of heaven, the impact of the shackles creates an indescribable sense of fate in people's hearts, as if two people are destined to be together, and neither of them can be separated. In the second painting, the distance between God and Adam's fingertips, which is so close at hand, but also seems to be far away from the end of the world, fate may be so miraculous that it takes countless hardships to touch the fingertips.

The night outside the window was already deep, deep, and the ticking of the second hand in the room was silently ringing, and it was already past two o'clock in the morning. Today is a clear night, the stars in the sky are clear through the window, and occasionally a cool breeze blows, so the summer night can't help but settle down. Outside the window, on the distant street, you can occasionally hear the sound of cars passing by, and perhaps the sound of conversation on the way home in the middle of the night, adding a touch of life to the night.

For more than a week, the hard work invested in Xiaoguang's body, accumulated, suddenly broke out at this moment, in front of the pair of shackles that represented the fetters of fate, between the pair of fingers that seemed to never be touched, Li Zhunyi suddenly understood, understood who Xiaoguang was, what was between Xiaoguang and the unknown, that kind of turbulent emotion, instantly submerged Li Zhunyi.

I don't know when, Li Zhunyi has written many symbols in the sketchbook he has in hand, there are musical scores, lyrics, and scattered paintings, Li Zhun Yi seems to have entered a state, a state of selflessness. At this moment, he is Li Zhunyi, and he is also Xiaoguang.

Not long ago, when Lee Joon-yi was in Kusatsu Hot Springs in Japan, some scattered melodies appeared in his mind, but the accident of the female fan at that time made Lee Joon-yi lose inspiration. Today, the familiar melody reappeared, this time not as a scattered melody, but as a flowing chapter. This is true not only of the score, but also of the lyrics. This is the first time, without the help of Lin Xiyuan, Lee Joon-yi completed a lyric that satisfies him.

The sketchbook was full of messy sketches, and by the time the sky was getting brighter, Lee had already drawn most of the book. In the end, I drew a work that I was satisfied with.

Before I knew it, it was already past six o'clock. Li Zhunyi actually tossed it all night. Not only did he finish a complete tune, but he also completed two paintings.

For the song, Li Zhunyi is full of confidence, the quality of this piece is better than the one he created on the plane before, and even in terms of artistic conception, this song is even better. This is the most satisfying song since Lee Joon-yi's creation. On the notebook, Li Zhun Yi first wrote the name of the song "First.Love", the name of this song is the same as the original "Witch's Condition" theme song, the song sung by Hikaru Utada is the same, but the content is completely different, Li Zhun Yi has this confidence, this song will definitely not lose to Hikaru Utada's classic. Under the title, Li Zhunyi signed his name "Yi" in a chic manner, and a smile appeared on the corner of his mouth.

As for the paintings, Lee Joon-yi is not so confident. When he was a child, Li Zhunyi did learn sketching, but more time was spent on calligraphy, so Li Zhunyi's handwriting is very beautiful. As for the sketch, he hasn't painted it for many years, and Lee Joon-yi really doesn't know how Lee Yoon-jung will react to the painting. But fortunately, there is still a way out, and if the sketch can't be used, just invite a special painter to paint for the TV series. Therefore, Li Zhunyi was not too worried.

packed up the album that Lee Yunzhen lent to him, and put the sketchbook together, and stretched out. Looking at the already bright sky outside, I missed the morning sun, and the whole sky was already dyed red by the golden sunlight. Since he was going to participate in the script practice in a while, Li Zhunyi decided not to sleep today, made a cup of coffee, and enjoyed this cool morning, which was also unique.

Today's update is delivered.

In addition, in the past two days, Seven Cats has been adjusting the outline behind, about the future development direction of pig's feet, and I hope everyone will go to the book review area to vote, hehe.