This is Wu Zhizhen's secret, Diao Yinan didn't say it explicitly, but he used enough clues to let the audience deduce.

If you can't deduce it, it's not bad to watch it as a romance movie, this is the commercial element given by Diao Yinan.

It is also these secrets before Wu Zhizhen that make "Fireworks in the Day" bloom.

The story of "Fireworks in the Day" seems to have started five years ago, but the origins are much earlier.

At that time, Zhang Zili had not divorced his wife, Wu Zhizhen was still a junior at that time, and Liang Zhijun was still an ordinary factory weigher at that time.

Wu Zhizhen, who longed for stability, decided to get rid of his past life, broke off the relationship with Pi Yunan, went to work in Rongrong's laundry, and married Liang Zhijun, a weigher.

The man was obsessed with Wu Zhizhen's perfect meat, and by chance he met Wu Zhizhen again, approached with the excuse of washing the skin, and then framed her for washing the 2.8W skin.

then framed and even threatened to have a relationship with Wu Zhizhen again#, and even asked her to continue to be a third for him.

The evidence that corroborates this is that the contact information in the leather jacket left by the leather man is that of a friend.

And Wu Zhizhen said that she had gone to find Pi Yunan's plan to be private, and gave the other party 2,000 yuan, which shows that she can find Pi Yunan's daytime fireworks nightclub without contact information.

Later, Wu Zhizhen's threat and even assault # was known to Liang Zhijun (Liang Zhijun did not know the previous relationship between Wu Zhizhen and Pi Yunan).

He couldn't contain his anger because he thought it was blackmail, so Pi Yu Nan became the first to die.

After being impulsive, Liang Zhijun came up with a way to stiffen Li Daitao, and the dead became a fake 'Liang Zhijun', and Liang Zhijun, who had died in the legal sense, was hidden in the dark.

Liang Zhijun is guilty and even inferior to Wu Zhizhen, one possibility is that he married Wu Zhizhen as a 'dick' but couldn't give him a stable life.

The other is that he also needs her to help him cover up the fact that he is alive.

Liang Zhijun began to flee, and Wu Zhizhen lived an ordinary life, a young and beautiful widow, and naturally there would be no shortage of suitors around her.

The second person is ready to marry Wu Zhizhen, Liang Zhijun must not be able to accept the news calmly, in his heart he has always been Wu Zhizhen's husband.

Even though he is legally dead, he does not allow anyone to covet Wu Zhizhen.

He rushed back and killed this person by killing Pi Yunan, and later someone was killed by him as soon as he came into contact with Wu Zhizhen.

This shows that Liang Zhijun began to stay by Wu Zhizhen's side, even if he knew that Wu Zhizhen no longer liked him now, or he always knew that Wu Zhizhen had never liked him.

The dark emotions are accumulating more and more, his murderous intent is getting heavier and heavier, there is no doubt that he is deeply in love with Wu Zhizhen, but his love has begun to deform, and even degenerated into a perverted desire to control #Wang.

He was reluctant to treat Wu Zhizhen well, but he became more and more vigilant about the threats around her, and even followed her every day.

Wu Zhizhen is a living person, but she is also a dead person, she is a 'living dead' in another sense, and she is controlled by Liang Zhijun with some secrets.

Liang Zhijun is a dead man in the legal sense, but he is still alive, he is also a 'living dead' in a sense, he loves Wu Zhizhen deeply, and he also firmly controls her.

Wu Zhizhen's character is characterized by coldness, and coldness can be understood as despair, and her life is shrouded in the shadow of Liang Zhijun.

There is an exception here, that is, Wu Zhizhen's boss Rong Rong, Rong Rong's character is not portrayed much, there is a detail, Rong Rong brought a lot of skirts for several women to wear.

He just touched it without going any further, indicating that his excitement was lewd... xie, not that kind of thing, he's the kind of little #bird that can't be saved by sending a coloring map.

Because he knew that Rong Rong could not hurt Wu Zhizhen, and Liang Zhijun needed Wu Zhizhen to have a stable job, Rong Rong survived.

······

Wu Zhizhen felt guilty about Liang Zhijun, and also said "I betrayed him", and the meaning of 'betrayal' here is not to betray Liang Zhijun, but to say that she and Pi Yunan stole the sun.

But with great psychological pressure, coupled with Liang Zhijun's mastery of her, this guilt turned into fear and despair.

When her whole person was on the verge of collapse, Zhang Zili deliberately appeared, bringing her a sense of security and helping her get out of Liang Zhijun's control.

Let her think that she can finally start a normal life.

So she put on makeup for the first time in the whole play, and went to Zhang Zili's date with heavy makeup, which means that her heart is beginning to live.

On the cable car, she told Zhang Zili some facts, although it was not necessarily true, but on the cable car she gave herself to Zhang Zili. (Yes in the Berlin version, not in the release version)

In the bun shop, Wu Zhizhen, who touched up her makeup, asked Zhang Zili if he would see him at night?

This means that she has accepted Zhang Zili and is ready to start welcoming a new life, the kind with Zhang Zili.

But she didn't wait for the evening, she waited for the strip, and the strip took out the ashes belonging to the leather man under the tree.

This was buried by her secretly, and there were only three people who knew about it, the laundry owner Rong Rong, Zhang Zili and Tiaozi Xiao Wang.

Xiao Wang died in the hands of Liang Zhijun, and when Rong Rong got into the police car, she didn't know the truth, afraid that she would send her a towel in the cold.

Wu Zhizhen eliminated her suspicion of Rong Rong, until the 2.8W, which was taken away by Zhang Zili for 1,000 yuan, appeared, and Wu Zhizhen's world collapsed and was completely defeated.

The man she loved the most and was ready to entrust her for life betrayed her.

If Wu Zhizhen is a camel, then Liang Zhijun is a thousand catties of burden on her, and Zhang Zili is the last straw.

When Tiaozi took out the ashes of the man and asked her to explain honestly, Wu Zhizhen denied it without panic and even very calmly.

But just the appearance of a piece of skin made her cry, this was the first and only time she shed tears in the play, and after thinking about it for a long time, she finally understood that Zhang Zili didn't love herself.

Or that his love for her was far less important than taking back his glory.

may be out of complete despair of the world, it may be that she really loves Zhang Zili and wants to fulfill his glory.

So, she admitted that she had killed Pi Yanan, and even asked Liang Zhijun if he was involved, and she said no.

If you carefully sort out the plot, you will find that if Wu Zhizhen does not admit it, no one can prove that she is the murderer.

The strips (including Zhang Zili) are not good, if they had evidence, they would have arrested people a long time ago, and the evidence in their hands is only the ashes of the man.

This is completely useless, as long as Wu Zhizhen said that Liang Zhijun killed her, and she didn't know it, she was an accomplice at most.

Because Liang Zhijun is dead, there is no proof.

Because in China, there is never any suspicion of guilt.

But she still took the initiative to admit it, and even took the heaviest punishment# punishment, because she understood that this was the ending that others wanted to see, and everyone thought that she would be the murderer, and they were willing to believe that she was the murderer.

Since you want to see it, then I admit it.

If it's not a complete collapse of the inner world, why admit it.

The story ends in Zhang Zili's dance, at this time he is already crazy, and he betrayed her mercilessly after getting Wu Zhizhen's flesh, just for the regret of his previous career, just to get back his glory.

The whole dance reflects his distortion, deformation, extreme arrogance, and deep loneliness in his whole body.

Zhang Zili's dance is the ugliest and ugliest, but it is the most important.

Fireworks lit in the day are not romantic, but absurd.

It's like mocking this group of people.

Wu Zhizhen was a dead face from the first shot, and at the last moment, she finally smiled, disgusted and relieved from this world.

Maybe there is a hint of romantic reluctance.

This story is already full and deep, but it always feels like it's still a little bit, just a little bit.

All the characters appeared, except for a supporting role that was not too heavy, Zhang Zili's ex-wife Su Lijuan.

In the first scene of the script, there was a problem in the marriage between Zhang Zili and Su Lijuan, Su Lijuan asked Zhang Zili for a divorce, and Zhang Zili asked to do it one last time.

Su Lijuan agreed, and then they divorced.

At the station, when Zhang Zili was sending Su Lijuan, he wanted to force her to do that kind of thing in public, Su Lijuan struggled to break free, and then left, and never appeared again.

This plot seems to be useless, and it doesn't even affect the follow-up plot, but Diao Yinan uses it, and it's at the very beginning of the script.

It's like the prologue of a book, the foreshadowing of the follow-up story, and the finishing touch.

Zhang Zili and Liang Zhijun are opposites, but in some ways the two of them have too much in common, such as a strong and even deformed desire to control.

Liang Zhijun is guilty, inferiority complex and infatuated with Wu Zhizhen, but it is an extreme pathology to kill the man who appears next to her.

Zhang Zili has a strong desire for a surname, once with Su Lijuan, who is still his wife, in a hotel, once with an auto show that has become an ex-wife, once with a female worker in the factory, and once in the cable car, Wu Zhizhen learned to take the initiative and got her.

Even the fact that he refused to admit his failure to himself became his obsession and even a demon.

This is also a disease, Wu Zhizhen's fate has been doomed since she met Zhang Zili.

Like a snowflake, from the moment it falls, its fate can only be like this.

Wu Zhizhen and Su Lijuan are two unrelated individuals, and they also have something in common, such as having to be threatened and manipulated by some people in order to achieve their intentions.

Wu Zhizhen is not a real murderer, so naturally she will not poison a woman's heart, but she is definitely not a pure white lotus.

Liang Zhijun really loves Wu Zhizhen, but this kind of love is deformed, and the nutrients absorbed are other people's lives.

Zhang Zili is not the one who loves Wu Zhizhen the most, and it is not even necessary to love it or not, so naturally he will not be reluctant, and his future is very likely to be swallowed by darkness.

Rong Rong may really be a little obscene, but he didn't do anything angry and resentful, did he?

There was no murder, and there was no betrayal of the woman who loved him.

He also has a dark side, but compared to Zhang Zili and Liang Zhijun, he is like a white lotus.

The whole story is like this, and the second [human nature] has been told in the superficial love story.

Since there is a second layer, will there be a deeper layer?

Everyone in "Fireworks in the Day" is pessimistic and unenergetic, especially the main characters Zhang Zili, Liang Zhijun and Rong Rong are all physically or mentally problematic.

What is the reason why everyone is in this state?

Zhang Zili forgot to bring handcuffs because he was chasing the murderer, giving the suspect a chance and causing his colleagues to die. (The script and Berlin version are available, but the release version is not)

Leaving the police force, he was stolen by a thief, and several women appeared in the play, blackmail, cheating, students indulging in online games, deliberately destroying other people's property, industrial bankruptcy and opening an Internet café, picking up rags and inexplicable disappearances, guns, killing # people, etc.

Of course, not all of them represent the negative, at least one person is not sure, and that is Zhang Zili's ex-wife Su Lijuan.

She reluctantly agreed to Zhang Zili's request before divorcing him, but after the divorce, she firmly refused Zhang Zili.

Without hesitation, he stepped on the train to a distant place.

Where does the train go? North or South? Maybe the latter is more?

Think about the place where the story of "Fireworks in the Day" takes place, and the change in status of this place over the years.

Don't dare to say more, I'm afraid of being sprayed if I say too much.

Say a word of begging for mercy: It's only the analysis of "Fireworks in the Day" that I came here, and I don't have any dissatisfaction with this place.

A digression: the third metaphor of "Fireworks in the Day" can be extended to the fourth (definitely key politics, dare not say more).

Counting from 2019, more than ten years ago, Zong Tong Xiaolu, the strongest in the stick family, took office and then committed suicide (the stick family is the worst).

Also more than ten years ago, Xiao An, the third elder of the Sakura family, took office for the first time, and expressed his friendship to the flower planter at the beginning of his tenure.

Because Uncle Sam was angry, Xiao An turned around and went to the Yasukuni Shrine, and the former friend of the flower grower became an anti-China vanguard.

Also because Uncle Sam was angry, the high-spirited little Lu jumped off the cliff.

Leaving behind the hard work of a flower planter.

If you zoom in on the story of "Fireworks in the Day", it's actually a bit similar to these things.

This is the meaning of "Journey to the West", which took a lot of pen and ink to explain earlier.

is still the same sentence, "Journey to the West" just tells the usual methods of the bigwigs in the long history to the general public in dramatized means.

You can't turn back time, but history can.

To put it happily, in 2019, in fact, I have been able to perceive some things, Xiao Lu's younger brother Xiaowen took the eldest brother's gun and also wants to inherit the eldest brother's legacy.

Many years ago, he was forced to resign from the position of the head of the cherry blossom family, Xiao An made a comeback, and took the initiative to go to the embassy of the flower planter to express his friendship during the National Day of the flower planter.

The best friend of the flower grower seems to have returned.

And the two sons of Uncle Sam's family, thousands of miles away, are about to fight for the family property.

Of course, things are not so rosy, and everything is too much uncontrollable.

Xiaowen's opponent was already trying to get him, and Xiao An's plane almost had an accident.

But everything is better than more than ten years ago, and the flower planters more than ten years ago really only planted flowers, and now it has become a chessboard in charge of chess pieces.

History, from ancient times to the present day, is the same.