"The Screen" Magazine, Four Stars, "Thanks to Ranley Hall's heart-tugging performance, the Coen brothers once again brought a unique and wonderful character, a talented minstrel who holds on to his dreams and convicts but never touches the sun, and is undoubtedly one of the most heartbreaking and moving characters on the big screen this year." ”

"Sight & Sound" magazine, four stars, "Brilliant script, great performance, magnificent photography." It's a sweet and sad, humorous and bitter film about a world of lost folk that can no longer be found in contemporary society, with a faint poetic flow in the glorious performance of Lan Li-Hall. ”

"Release/Release of the Newspaper", four stars, "In the work 'Drunken Country Balk', Lan Li-Hall is the unquestionable absolute centerpiece, with an angelic voice and countenance, soul-like acting and singing, transforming a potentially repulsive character into a consistent yet irreproachable being, and reminding people once again that the greatest art often comes from disaster, even if it threatens to destroy the creator himself." ”

"Feature Film" magazine, four stars, "'Drunken Country Ballad' is not a story about creating greatness, it's a story about creation. Rite-Hall once again gave the best performance of the year, giving the film more possibilities, which is undoubtedly a great work, and at the same time a great work that knows how to mourn and remember. ”

Los Angeles Times, four stars, "This is perhaps the simplest and purest of all the Coen Brothers' work, and it is perhaps the best of the Coen Brothers' careers." In addition, this is perhaps the most moving performance of Lan Li Hall so far, and his performance is precisely the soul of the whole movie. ”

"The Times", four stars, "What could be more magnificent than witnessing the beginning and end of an era? Witnessing the beginning and end of a life is precisely the heart of the film: the passions, the pains, the losses, and the misses." Ranley-Hall's performance was heartbreaking and intoxicating, with a chair, a guitar, a light, and a voice. ”

……

The official house programme of the Cannes Film Festival is hotly released.

Needless to say, "Drunken Country Ballad" has had an explosively positive response, with a tie score of 3.6 points, a unanimous zero negative reviews, a collective frenzy of praise from the French and British and American media, a wave of praise on Twitter, or word of mouth in the small town of Cannes!

Not only that, but there is a lot of praise for the Blue Rite, and almost no media is exempt, and the Blue Rite is more or less mentioned in the discussion and commentary, not to mention that the Olivier Award has just been won, and there are countless topics of discussion about the Blue Ceremony.

But for the audience, they are also not sure whether this is unexpected or expected. Once again, Lan Li has conquered the discerning and demanding critics!

In addition to the official house magazine, it is clear on the Internet that all the major authoritative media have delivered absolute praise, overwhelmingly occupying all the major pages of Twitter and Facebook, including perfect scores for "Empire" magazine and "Hollywood Reporter", as well as perfect scores for "Movie Handbook".

As one of the most authoritative, professional and unique film magazines in the world, even the "one" can be removed, and the influence of "Film Handbook" on the world film industry is undoubted.

They never care about the eyes of others, nor do they refer to the opinions and opinions of their peers, they are completely self-contained, and the annual top ten list selected every year is one of the biggest attractions of the year for all media in the film industry; if you look at the annual top ten list of the "Film Handbook", you will find that more than half of the works have not been seen, or even heard, don't worry, this is absolutely normal.

To put it simply, the "Film Handbook" always puts directors and film works first, and their respect for directors is the best in the global film industry, and their professional appreciation and praise for works is unmatched in the entire industry.

For most film practitioners in Europe, they can not care about the comments of all other media, but the reviews of the "Cinema Handbook" are undoubtedly an important reference standard.

Although Hollywood's commercial influence is slowly eroding the European art scene in recent years with the prevalence of fast food culture in the Internet age, and the "film manual" has inevitably suffered some influence, on the whole, they are still one of the most respected professional media.

Every year at the Cannes Film Festival, when the news media report on it, they often put special emphasis on the "film manual" score in addition to the official house book rating.

For example, "This work was met with bad reviews in the official house books, but the 'Film Handbook' gave it a fair review."

Another example is, "The official house book was mediocre and didn't make too many waves, but the 'Movie Bookbook' was rated as the best of the year." ”

Another example is that "the official house catalogue has been a big hit, and the 'Movie Bookbook' has also been well received."

And so on and so forth.

This time, the "Drunken Country Ballad" belongs to a third party.

"The perfect way to enjoy this soulful, poetic film is to relax and let your mind slowly sink into that sad and sweet dream, and let yourself be a part of this wave.

When sobering up, a sacred and great place and era will disappear forever. But you will know that the short and beautiful effort has all been rewarded, and it will leave an indelible mark in the depths of the soul. Needless to say, it is beautiful, soulful, and utterly captivating. ”

Another perfect score, and it comes from the picky and tricky, unique and stubborn "movie manual"!

The craze after the premiere of "Drunken Country Folk" has undoubtedly been pushed to a new height again, with the full dissemination of the official house magazine, this small town with a big palm is boiling inside and out, following "Adele's Life", this year's film festival ushered in a super hit!

It's definitely the most exciting time in Cannes, but the weather doesn't work with it today.

Before the morning sun had time to fully emerge, the thick clouds piled up one after another, and the vast expanse of haze obscured the original clarity and translucency of the sky, and the faint gray was almost about to turn into raindrops.

After the premiere of the first main competition unit entry "Straw Shield" in the morning, the sea breeze became more and more raging, the raindrops became more and more ferocious, and the light blue sea gradually turned into a deep blue in the violent rain, and the rich color could not be dissolved in the dense rain.

Bad weather during the festival was really, really unfriendly.

Still, there was a long queue at the entrance to the Palais du Cinéma's News Media Center.

The nearly 300-meter procession once again reminded people of the Toronto Film Festival, and this time, they were not there to watch the film, but to enter the press center for the first time to interview the crew of "Drunken Country Folk".

This is the official press conference and the perfect time to interview the crew in a group. No one wants to miss out.

Even though the wind and rain were slamming, even if the cold wind was bleak, it was clear that yesterday the short sleeves and short skirts were flying in the midsummer sun, and today they were shivering in the raging rain with their coats and raincoats, but all the reporters of the large and small media still honestly came to the gate of the press center in advance to line up.

At the Cannes Film Festival, there are only a handful of film crews and film directors who can enjoy such treatment. The Coen brothers can be counted as one of them.

What's even more incredible is that with the advancement of time, the long queue has not only not shortened, but also continues to increase.

After asking back and forth, I realized that the "straw shield" had hit the streets.

The "street fighting" here is the kind of street fighting that "is the worst work of all the units so far", the kind of street fighting that "I can't believe I wasted thirty minutes in Debussy's Hall", or the kind of street fighting where "I think the journalist who stayed to watch the whole film must be rewarded".

So far, all the word-of-mouth has been a mess, and even many movie-watching reporters believe that the official house book score of this work may be less than one point, and they can't understand why Thierry Fumao chose this work to enter the main competition unit, which is a complete waste of time.

Among the one plus and one subtraction, the excellence of the "Drunken Country Ballads" screened last night is even more commendable, not to mention, today can also interview Lan Li and Justin, two super popular superstars, for every film festival participant, for every authoritative self-media on social networks, this is a moment that must not be missed.

As a result, the crowd that came to line up increased little by little, and the mighty line could not see the tail at all.

Emily, of course, is one of them.

Now, Emily is more fortunate than anyone else to have made the right choice between the "straw shield" and the opportunity to interview, which is not an easy task, but in the end of hesitation and entanglement, she still agrees to give up the premiere of a main competition unit work, and instead comes to the press center in advance to line up.

Eventually, she was able to stand at the front of the line, and at the same time, she avoided a work that everyone complained about.

If such a thing is still not perfect, then after entering the hall of the press center, when the body is wet and cold, the staff next to them take the initiative to hand over a cup of warm American coffee to dispel the cold and dampness in the body, then everything is complete.

What's more, this cup of coffee still comes from-

"The crew of 'Drunken Country Ballads'. The staff explained.