After realizing that there was no trick, Zheng Zheng stopped thinking about anything else, and continued to command those strong men to build up these stones. Although the sections of these stones are very flat, they are not stacked with any adhesive in the middle, and they all rely on the splicing between the stones. So after this work is done, not only those strong men are carrying a heart, but even Zheng Zheng is also carrying a heart, in case someone accidentally breaks a stone or something, then there will be fun to watch......

Thankfully, there were no surprises until the stones were completely put together.

After these stones are stacked and spliced together, they are six one-meter-high pillars, about the thickness of a sea bowl. The tops of these six pillars should be thicker, but not too thick, otherwise the top of the pillar would not be able to support Zheng Zheng if he had no adhesive.

After making such six pillars in one day, Zheng Zheng's feeling in his heart is still quite complicated. If you want to talk about achievements, it is indeed a bit of an achievement, and if you put these stones together, isn't this an achievement? But if you really say that it is an achievement, what kind of achievement is this? These are six pillars, where do you say to stuff these six pillars? Even if you say that this sphinx is different from the one in Egypt, this is a standing sphinx with legs, so this is also two more pillars, right? Could it be that this sphinx's bones are so strange that they are two legs long? Isn't this nonsense......

But looking at these six pillars, Zheng Zheng remembered that Mr. Berg. These six pillars should be the very post-modern "hairs" on the head of the Sphinx in his envisioned picture, right? Zheng Zheng thought before that it was a bit of a problem for Berg to add these things on top of the Sphinx's head, but now that he looks at it, Berg has indeed spent a lot of effort, otherwise he would not have been able to toss these six pillars. If you want to say that he added these six pillars to the top of the Sphinx's head, it seems that there is really nothing to say about this, because Zheng Zheng doesn't know where to put these pillars except for putting these pillars on top of the Sphinx's head......

After being lucky with these six pillars for a while, Zheng Zheng still had no choice, so he could only ask these strong men to carefully dismantle these pillars again, and then find a box to put up the stones that make up these pillars. Zheng Zheng pondered, these six pillars should not be inside the Sphinx, otherwise they would not have been eroded like this. Since it's an external accessory or something, it's easy to say, just pack up these accessories first. Later, when the main body of the Sphinx is tossed out, see where you can put these pillars.

The plan is such a plan, but Zheng Zheng really has no bottom in his heart: where these six pillars are installed in the Sphinx, this is unreasonable......

Seeing that the time was almost up, Zheng Zheng returned to the hotel. Although the stones are in the warehouse, the winery is Anna's territory after all, and there will be no mess.

After returning to the hotel, Bai Xiaoxue was still doing her distance learning. Zheng Zheng didn't bother her, and found Berg's plan and read it. Because of the six pillars that were spelled out today, Zheng Zheng attached a lot more importance to Berg's plan.

I basically couldn't understand what was written in the plan, otherwise I wouldn't have asked Anna about it at that time. This kind of plan is indeed a bit sensitive to be said to be sensitive, and Zheng Zheng is not easy to find someone to translate this plan, so it can only be like this. He looked at the plan, just to think about the projected restoration diagram in the plan, and see if he could find something useful from the plan made by Berg.

What preparations Berg had made before making this plan, Zheng Zheng didn't know, and it was not easy to ask Anna about this now. However, Zheng Zheng pondered that since Berg could integrate the six pillars, it would prove that he had put a lot of effort into it. It's just that Berg and himself are faced with the problem of not knowing where to put these pillars. It is estimated that Berg was also forced to have no choice, so he put the six pillars on top of the Sphinx's head.

It can be seen that Berg's approach to the Sphinx is fine, but it is the wrong way of thinking. And Zheng Zheng is to find his right way to do it, and then avoid making the same mistakes as him.

It's just that ideas are just ideas, and when they are implemented, the gap between ideas and reality is too big.

The biggest problem with this blueprint is probably the thing on the sphinx's head and the shield it is carrying. I can barely say what the symbolism of that shield is, but if I am more serious, this sphinx should not have a shield on its back. Without saying anything about customs and the like, isn't there the Sphinx in Egypt? There is no statue of the Sphinx, so how can this Sphinx appear?

But relative to this shield, the six pillars are the real big problem. The shield can barely be explained by the fact that when the Egyptian Sphinx was built, the shield was omitted because of the actual construction situation, so how should these six pillars be explained? Even if this is the same as being omitted, then where should these six pillars be placed on this miniature version of the Sphinx?

Zheng Zheng really wanted to avoid Berg's wrong ideas, but after pondering the past repeatedly, there was really no better way. No matter where these six pillars are placed, the sense of disobedience can break through the sky. Placing these six pillars on the Sphinx's head is the least discordant of all the methods.

After looking at this design over and over again for nearly an hour, Zheng Zheng gave up his original idea. It can be seen that this Berg has really done his homework, although these six pillars and the shield seem to have a high sense of disobedience, but compared to Zheng Zheng's thoughts, the position of these six pillars and shields is really not so shocking.

"That's a bit of a shame for Berg......"

Putting down the information in his hand, Zheng Zheng thought secretly in his heart. It is conceivable that the problem that Zheng Zheng is encountering now is the problem that Berg encountered back then, and in order to solve this matter, Berg could only come up with such a plan, and as a result, he was regarded by Anna as a guy who did not learn and did not know how to learn. And now Zheng Zheng's situation is similar to Berg's, except for Berg's method, Zheng Zheng really can't come up with a more acceptable recovery plan.

Berg came up with such a recovery plan, but was directly sprayed by Anna and lost his appearance. Zheng Zheng pondered that if he also came up with this restoration plan, then his evaluation in Anna would not be better than Berg, or even worse: Berg still took out such a thing independently, and if Zheng Zheng took out such a thing again, it would be suspected of copying. Don't say it, but also copy a failure, it's strange that Anna didn't spray Zheng Zheng to death.

"What should I do......

Zheng Zheng is a strong toothy flower. At first, Zheng Zheng didn't think how difficult this job was, although he knew that it would not be his turn if it was an easy job, but Zheng Zheng pondered that other people couldn't repair antiques, it should be that they didn't have confidence in their craftsmanship and the materials used to repair antiques, so they didn't dare to repair it, and they had a secret medicine inherited by their family, which shouldn't be a problem. But now that he started to do things, Zheng Zheng found that this had nothing to do with the stage of "restoration", and he was completely stuck in the link of "restoration".

If you can't restore the Sphinx first, you will have to stop cooking if you have any great secret medicine or something.

After pondering left and right and not figuring out a solution, Zheng Zheng could only sigh and put this stubble here first. So far, Zheng Zheng can only take one step at a time, and he can't figure out what method he can't figure out. The design drawings given by Berg are indeed quite confusing, but what is the specific situation, Zheng Zheng still has to see it himself, it makes no sense to say that Berg spelled out the six pillars, and he definitely spelled the rest right, right?

If Berg made a mistake when fighting the rest of the Sphinx, which led to such a situation, then naturally there was nothing to say, Zheng Zheng would not be embarrassed as long as he found the right way; If this Sphinx is really the shape of six pillars on its head and a shield on its back, then this is a fact that Zheng Zheng can't change, he can only explain this to Berg, and then see what Berg means, whether to repair this Sphinx.

If it's the former, it's done. If the latter is the case, then what Anna thinks and says is still what Anna thinks and says. The Sphinx, which his grandfather had handed down, had become such a form in the end, and it was not certain that Anna could accept it. If he has emotions, this is a normal reaction, the key depends on whether he will affect Zheng Zheng because he has emotions, if that is the case, then Zheng Zheng will not be able to do what he wants to do.

Although when it comes to the people in the position of Anna, they are all a little tolerant and can distinguish right from wrong, but there is no way to use reason to talk about emotions. If the worst happens, even if Zheng Zheng is not to blame, but Anna is angry with Zheng Zheng because of this, although there is no reason at all, but it also makes sense.

When things don't get to that point, no one can say what the situation will be. Zheng Zheng can only try his best to think of all possible situations first, and then see if there is any solution, lest this situation really occur and be helpless. Of course, there are basically no solutions to some situations, and Zheng Zheng can only be mentally prepared first.