"Arima-kun, are you scared?"

Kaoru Miyazono stretched out his hand and gently patted Arima Gongsheng's shoulder, the latter smiled helplessly, straightened his glasses that were a little crooked, and said, "Although I am a little nervous, I can't compare to Miyazono-san at all, and your face is a little pale now." ”

Hearing this, Kaoru Miyazono's face changed slightly, and soon showed a smile full of vitality, while reaching out and patting the other party's shoulder more forcefully, patting it straight, and said with a smile on his face: "Arima Gongsheng-kun, what did you say just now?" I didn't hear it clearly, could you please say it again?"

"Ahem, ahem......... ,I just said that the opponent is very strong.,But fortunately, with Miss Kaoru Miyazono here.,There's nothing to worry about at all.。 ”

Feeling the heavy blow on his shoulder, Arima Gongsheng couldn't help but cough softly with a little flush on his face, and originally wanted to refute a few words, but after noticing Kaoru Miyazono's dangerous smile, he immediately dispelled the thought in his heart.

Let's forget about it here, since we met, Arima Gongsheng feels that he has been served by a lot of "gentleness (violence) and softness (strength)" from Kaoru Miyazono.

…………

……

Although the first group of players performed very well, there was no way to hide the shine of the others.

The contestants who are eligible to compete here have already proven themselves in many previous competitions, after all, the Fujiwa Music Festival is not something that anyone can participate in if they want to.

Today, musicians from all over the world, including many talented people, come together and compete with each other.

Several groups of players played shocking classic songs, and the basic skills of each player were amazing, even Allen and Shelley, who were full of confidence in the championship at the beginning, were not as confident as before.

"This music conference is really the right one! I kind of want to play on stage again and continue to compete with them!"

Shelley looked at the musicians playing on the stage with a little excitement, and Allen reached out to support his forehead helplessly when he saw Shelley's appearance, and said with a wry smile: "Shelley, don't be impulsive." ”

Alan was really worried that the other party would suddenly run up, after all, this kind of thing happened when the two were partners in the past.

However, he doesn't hate this obsession with music, because Alan is also full of competition, but he doesn't express what he wants on his face.

…………

……

The contestants who participated in this competition were very strong, and the songs brought to everyone were also very beautiful, which made the atmosphere reach a climax for a while.

Time passed slowly in this warm atmosphere, Wang Hao glanced at the list of participants, there was still the last group left, and the contestants were Kaoru Miyazono and Arima Gongsheng.

Feeling the fluctuations in the depths of the sea of knowledge, Wang Hao's expression was a little complicated, and he sighed slightly.

When the group of players on the stage got off the field, Arima Gongsheng and Kaoru Miyazono both came on the court.

Because it was the last group to appear, everyone looked to the stage.

The shining spotlight shone on the two of them, and in the face of the gaze of the audience, Arima Gongsheng's face turned a little pale, recalling the shadow of his childhood, and he stopped for a while, only a few steps away from the piano.

His mother's criticism and scolding resurfaced in his mind, and Arima Gongsheng was like a drowning person, and he was at a loss for a while.

Kaoru Miyazono, who noticed Arima's abnormality, also stopped, looked at the audience below with a smile, quietly took two steps back and stood on the same horizontal line as Arima, and took advantage of the misplaced timing to reach out and gently pat Arima's back, so that Arima Gongsheng suddenly came back to his senses.

The next moment, Kaoru Miyazono whispered in a gentle voice that Arima had never heard before: "No problem, don't be afraid, I'm always by your side." ”

After hearing Kaoru Miyazono's words, Arima Gongsheng's whole body was full of courage again, because a beam of light entered his dark world.

It's really a willful guy.,Just talking to himself and breaking into his world.,Obviously he was arrogant and arrogant before.,But now it's so gentle.,It's really too foul.。

It's as if he sees through his mind, always showing up at the most critical moment.

In the next moment, Kaoru Miyazono smiled and bowed lightly to everyone, and said in a crisp voice: "The song we are going to bring today is Fritz Chrysler's "The Sorrow of Love", please calm down and enjoy it." ”

As soon as the words were spoken, the two quickly took their seats.

Kaoru Miyazono placed the violin he was carrying on his left shoulder, pulled the bow with his right hand, and sat down after adjusting the height of the piano chair, gently resting his hands on the keys.

The movements of the two sides were very coordinated, and at the same time they closed their eyes and silently whispered together: "Eloim Essaim Eloim Essim, please listen to my request." ”

After a few moments, they both opened their eyes at the same time.

"The Sorrow of Love" has no prelude, and the first half uses syncopated rhythms and dotted notes to develop the melody, and the theme is quite clear.

Each phrase keeps appearing with the same note, like a mournful voice, but the melody is very beautiful and moving.

Kaoru Miyazono's hand holding the bow is full of rhythm, and Arima Gongsheng, who is the accompaniment, also plays a beautiful sound very softly and carefully.

Everything seems to fall into place, and it seems to be taken for granted.

A strong contagion filled the entire venue, and everyone was immersed in the melody that proved to be wonderful, and the sad mood gradually spread, and the melody was more lyrical, and people couldn't help but recall the days when they got along with their lovers.

It is similar to the sister song "The Joy of Love" played by Allen and Shelley just now, but as this memory continues to develop, the thoughts in my mind keep receding, and the happy scenes of those happy days resurface.

When Kaoru Miyazono shifted the second part of the piece to A major, she used the technique of modulation very skillfully, and the sound of the piano at this time was so soft and sweet, as if it was a memory of the happiness and happiness of the past.

Everyone was immersed in it, and the two of them were so shining on the stage.

Kaoru Miyazono grasped the rhythm well, and did not make "The Sorrow of Love" become "The Joy of Love", the sad theme in the first half of the first part reappeared, and the melody of the second part of the theme was picked up in the form of variations, and the direction of each sentence was grasped very accurately, making the melody more tactful and sad.

The style of Arima Gongsheng's accompaniment is full of a hint of softness and happiness, which is different from the melancholy mood played by Kaoru Miyazono, but the two are strangely perfectly integrated.