"Teacher God is really humorous, but please don't joke casually during the meeting. ”

Minako Uematsu said with a reluctant smile, and when she heard this, Wang Hao shrugged her shoulders indifferently, with a helpless look on her face: "I'm not joking, in short, please read this document first and then we will discuss the next thing." ”

"Well, please wait a while, if this script is really excellent, then I am willing to give the job of script creation to the god teacher.

Although I think that you are more suitable for the position of screenwriter than me, because you are the original author of this work, I believe that no one is more familiar with this work than you. ”

The man who spoke was a slightly thin man, with shiny hair, who looked about twenty-seven or eighteen, and gently pushed the black glasses frame as he spoke, with the beard on his chin and a serious and indifferent expression, making people feel like a programmer who had worked overtime for three days and three nights, and his face had lost his smile at this time.

Wang Hao remembers that the other party's name is Seiichi Kubo, who is in charge of the script creation and some other work of this project, and serves as a screenwriter.

The name Seiichi Kubo is also very famous in the industry, even Wang Hao had heard of it before he came, and the other party completely relied on his own strength to create many excellent scripts, and he is now one of the gold-medal screenwriters in the industry.

The role of the screenwriter is to concretize the requirements of the producer, the director, and the script coordinator into deducible words, and it is difficult to do this, and it is not an exaggeration to say that the script of a work is the most important part of the work.

The script can be said to be the foundation of the work, and painting is the soul of the work.

There's also a lot to do when it comes to animation scripting.

To put it simply, after the text is written, it must be drawn into a picture, but it is not a real animation artwork, it is just a series of small pictures, detailing the characters, story locations, camera angles, dialogue content, time of the picture, what actions have been done, etc. Then there was a lot of work to be done.

It can be said that it is more troublesome and troublesome, and ordinary people simply have the confidence to take over the script creation, let alone Wang Hao, who has little experience.

But Seiichi Kubo just said that Wang Hao is more suitable, and he also has his own unique reasoning, which Wang Hao also knows.

In the previous life, why did Gen Xubuchi, Jun Asaeda, Shiaki Maruto, and Makoto Shinkai look so powerful as screenwriters?

Because before "screenwriter", they also had a title called "original", and that's it.

That's right, just like Seiichi Kubo just said, Wang Hao is the person who is most familiar with second five in this world, no matter from which point of view.

When most authors create their works, they already regard their works as their own children, how can there be normal parents who are not familiar with their children?

What's more, before Wang Hao wrote the second five, the ancient book in his mind had already taken him to the world of five centimeters per second and experienced it deeply, although the time passage in the outside world may only be a short one or two seconds, but he really spent a long time in another world, which cannot be faked.

Wang Hao guessed that his ability to gradually become so mature was absolutely inseparable from the magical function of ancient books, otherwise no matter how strong his adaptability was, it would be impossible for his personality to change drastically in a short period of time.

Of course, the factors that contribute to the change of one's personality are not only ancient books, but also the reasons why one's memory and personality of one's predecessor gradually begin to assimilate, and the surrounding environment is also very important.

The script prepared by Wang Hao this time belongs to a text script, which he has recently taken the time to work hard to complete, and the weight is also very large, everyone has a thick pile in their hands, and this is just a text script.

After confirming that this text script is passed, Wang Hao will start to change this text script into a picture.

The atmosphere in the conference hall was very quiet, and nearly forty minutes or so passed, and during the period when everyone was reading the script, Wang Hao, who was idle and had nothing to do, was also responsible for serving tea and water for the thirsty people.

An animated meeting is generally normal to talk for about four or five hours, and some even talk and discuss for most of the day, Wang Hao is also a person who can bear the temperament, of course there are no complaints about this.

After a few more minutes, everyone put down the documents in their hands one after another, looked at each other, and could see the shock in each other's eyes.

Seiichi Kubo gently rubbed his eyebrows, then slowly raised his head to look at Wang Hao, who was leisurely drinking tea, and finally showed a rare wry smile on his old-fashioned and serious face: "It seems that I don't have to worry about the responsibilities of the screenwriter this time." ”

"Wait! Kubo-san, you're not kidding, are you?"

Shinnosuke Kawaguchi looked at Seiichi Kubo with a stunned face, full of disbelief, but Yuichiro Takami next to him grinned bitterly: "Actually, I think that after reading the character design drawings of the master teacher, I may not have to worry about the role of art supervision......"

Hearing the words of Seiichi Kubo and Yuichiro Takami who almost surrendered and admitted defeat, Michiko Yoshida couldn't sit on the bench, frowned lightly and said: "I admit that the script creation and character design of the master teacher are very good, but the screenwriter and art supervisor have to do more than this, such as creating storyboards, art boards, etc., which may be indispensable, is it a bit too sloppy for you to give up so easily? ”

"Yoshida-san, are you questioning me and Takami-san?"

Hearing this, Kubo Makoto showed a sneer on his face anyway, and before the other party could answer, he continued to taunt: "Women are really big-chested and brainless, with long hair and short knowledge, it seems that the ancients did not deceive me."

If I just read this text script and character design, I naturally wouldn't have handed over the role of screenwriter easily, but you should know that the recent manga called "Dragon Ball" in the weekly jump was also written by the god master teacher, right?

Let's not discuss the plot content of "Dragon Ball", but in terms of storyboarding, "Dragon Ball" is really good, which even I am ashamed of.

And in addition, the second five manga version is also written by Mr. Shiina Mashiro, and the teacher of God is responsible for providing the script, and the two of them finally completed it together, and this matter is so popular that it is on the international news.

There is no doubt that the painting skills of the master teacher have reached the point of perfection!