The big names in the third issue, Luo Yiming contacted insiders.

is a female director in the circle.

However, she is not one of those movie directors who is released in theaters and sells out.

Rather, it is the chief director and chief screenwriter of the Impression series.

This is the king of Chaoge, who together with Zhang Yimou and Fan Yue, created a precedent for live performances in China and became a well-known "Impression Iron Triangle" in the industry.

In her previous life, CCTV invited her when she started talking, and in the first few episodes of the broadcast, her episode had the highest ratings.

Successfully invited Wang Chaoge, the third phase of the big name came, and it was also completed with the full cooperation of everyone.

After the recording, the big names came, and Luo Yiming did not continue to stay in Changyu.

The day after tomorrow is the 50th anniversary of Master Mei Lanfang's return to his hometown.

All those who love Peking Opera, friends from all over the world, will arrive in the capital today and tomorrow.

Then early in the morning of the 28th, a feast of Peking Opera will begin.

Luo Yiming still has the matter of cooperating with Chu Lanlan in the new Peking Opera, and he has to leave in advance.

After handing over the work in handover, Luo Yiming arrived at Beijing by plane that night.

The day after arriving in Beijing, Luo Yiming met with Chu Lanlan.

Because the two did not know each other, the place where they met was in Mr. Mei Baojiu's viewing garden.

In the viewing garden, there is a stage.

Luo Yiming and Chu Lanlan found a stage and completed the song of Han Jiangxue, a new Peking Opera, with the cooperation of the troupe.

I have to admit it.

The two still have singing skills in their respective fields.

Luo Yiming sang popular and popular, and Chu Lanlan sang Peking Opera.

Chu Lanlan's skills as a professional opera actor directly deepened the cultural heritage of this new Peking Opera.

The Peking Opera singing segments interspersed with it have a classical charm, skillfully combining the quintessence of traditional Chinese and popular love songs.

In the arrangement of this single, Luo Yiming inserts drum beats and traditional Chinese instrumental music at the right time.

It is also adjusted to the combination of opera and song to a just right degree.

The fans of the troupe feel that this song is really refreshing, they can not only hear the high-level ancient rhyme, but also see the sorrowful parting of Luo Yiming and Chu Lanlan splashing ink with musical notes.

And the lyrics of this song are even more beautiful and moving.

"Cold River Snow" is sung from afar and the famous work "River Snow" by Tang Dynasty poet Liu Zongyuan.

It not only uses modern words and phrases to retranslate the vast meaning of "thousands of mountains and birds fly away, and thousands of paths and people disappear".

It also interprets the memories of the lost emotions in the cold winter night.

It is like a modern reproduction of "Jiang Xue", which is evocative.

"Cold River Snow" combines the arrangement of Peking Opera singing and pop music, with the poetic conception of "Lonely Boat Lady, Fishing Cold River and Snow Alone" in Liu Zongyuan's "River Snow".

The pain of longing is expressed.

It also made more fans have a deeper understanding of traditional Chinese culture through this song.

I have to say that Luo Yiming's brilliant new Peking Opera performance mode surprised the fans of the garden.

But some people applauded, and some people felt that this was not Peking Opera at all, but a bad practice of Peking Opera art.

Zhang Yunchu is the successor of the Zhang School of art.

Among these Peking Opera ticket holders, Zhang Yunchu is not a big man, but he is also a senior in the Peking Opera industry.

When he heard some ticket holders say that someone was singing a new play on the stage over there, Zhang Yunchu took his junior brother Zhang Yunmeng over to take a look.

After listening to it for a while, Zhang Yunchu felt that his ears were polluted by Luo Yiming.

When it comes to the art of Peking Opera, it is the quintessence of the country and traditional culture.

But this kid named Luo Yiming, what kind of new Peking Opera he cooperated with Chu Lanlan is simply.

You want to innovate, no problem.

However, innovation should be based on tradition, not divorced from tradition.

Your costumes, your singing, and your music are all based on Peking Opera, so that you can stand on your feet.

It's not that it won't be like Peking Opera after the change, but it will definitely not work.

The craftsmanship left by the ancestors, the jobs left behind, if Luo Yiming is so tidy, it will really be over.

Zhang Yunchu has a lot of temper, and before Luo Yiming finished singing, he walked to the front of the troupe, grabbed the big drum hammer, and beat it desperately on the wooden drum next to him.

While knocking, he said angrily: "Who are you who invited the theater, isn't this nonsense?"

"I've listened to Peking Opera for most of my life, but what did you just sing on stage?

Zhang Yunchu was very domineering.

He doesn't think that such a junior can stand by and watch such a junior "spoil" art.

Originally, many fans listening to the play in the audience thought that Luo Yiming and Chu Lanlan sang well.

So, everyone listened to it lively.

But Zhang Yunchu's beating, all the fans also understood what was going on.

Luo Yiming's Peking Opera is not an authentic Peking Opera.

Zhang Yunchu must have come to maintain Peking Opera.

On stage, Luo Yiming and Chu Lanlan cooperated very well, this cold river snow, with Chu Lanlan's Peking Opera joining, it can be said that it is a very picturesque Peking Opera performance.

With traditional musical instruments and the arrangement of pop music, the sense of involvement of the two makes "Cold River Snow" come to life because of the atmosphere of the picture.

It truly embodies the combination of people and scenes, sound and painting, and artistic conception in Chinese style works, and presents the original flavor that this kind of work should have.

In terms of details, when singing Peking Opera, Luo Yiming blurred the arrangement, highlighting Chu Lanlan's delicate, gentle, and soft sense of dramatic tension, and also fully releasing the charm of Peking Opera.

This can be said to be a successful new Peking Opera work.

However, for the die-hard original Peking Opera ashes, the addition of pop music is unacceptable.

"Hello, you are now holding a big drumstick and have stopped my singing, I think you must be very angry. ”

"Stinky boy, who asked you to come to Guanyuan to make trouble, you just sang Peking Opera like that, it's a waste of art, do you know?" Zhang Yunchu said angrily.

"I came to view the garden by myself. But you say that I am singing like that is a waste of Peking Opera, I don't think so. Teacher, you should dissipate your anger first. As for why I don't think so, I don't think I'll be able to tell you for a while, or why don't we sit down and talk together?"

After Luo Yiming sang, he looked at the time, and it was already more than eight o'clock.

In a few minutes, it happened to be the big names who came to broadcast the second episode.

In this issue, it was he who put forward the concept of new Peking Opera in the program to promote the sound of new Peking Opera.

Let these old fans and ashes in the theater watch the show, which is more effective than him saying it ten times and hundreds of times.

Zhang Yunchu didn't know what medicine was sold in Luo Yiming's gourd, but it could be seen that Luo Yiming was polite, thinking, this kid might just sing casually, and he didn't really mean to play Peking Opera like this, and he didn't pursue it more.

In the viewing garden, there is a TV series that everyone watches.

This TV set is hung on the edge of a crowded stage, in order to wait for the TV to watch the TV before watching the play, so that it is not boring.

Luo Yi knew that the shape of Peking Opera had never changed in the plays rehearsed by these old opera fans, and that kind of drama would naturally stand anywhere.

However, there are no good-sounding and innovative operas in today's Peking Opera.

They are all inseparable from the framework of Peking Opera.

The times have changed, if Peking Opera is not injected with fresh elements, Luo Yiming is sure that young people in the future will definitely not go to the opera again.

Therefore, reform and innovation are imminent.

When Zhang Yunchu made trouble for Luo Yiming, Mr. Mei Baojiu was also on the stage to discuss with the ticket holders, and when he heard that the two were quarrelling, Mei Baojiu immediately rushed over.

Seeing that Luo Yiming would bring a large group of people to the TV, Mei Baojiu already knew what Luo Yiming was going to do.

If I'm not mistaken, on March 27th, tonight is the episode where the big names came to participate in the show.

Luo Yiming and himself promoted the new Peking Opera in the program, and Luo Yiming wanted to give the fans in the theater a sneak peek.

However, Mei Baojiu also knows that there are many traditional Peking Opera defenders under the stage, and this matter has to be big.