Lin Yue looked at the reminder sign in front of him in a daze, and finally a wry smile appeared on the corner of his mouth.

How did you forget this, identifying the authenticity is the easiest of the staunch porcelain, and the identification of the age is the most difficult, because you don't know the authenticity of the porcelain at all, and you don't hesitate to judge the specific age according to all the characteristics. For example, if a piece of porcelain has both the porcelain characteristics of the Kangxi period and the porcelain characteristics of the Republic of China, it can only be written as an imitation of the Republic of China. Since it is an appraisal competition, there must be an appraisal age.

But if you judge all the characteristics.

Lin Yue's face became ugly, there was not much time, and now there were fifteen pieces of porcelain that needed to be identified, didn't it cost him his life?

He first thought of his ability, because it was the most effective way to identify the age, and it was better than high-tech, but it was clear from the first event that he could only identify five pieces at most, and not more than five.

What to do?

Lin Yue frowned and pondered, he had to find the most reasonable way, it was obviously impossible to use abilities for fifteen pieces of porcelain.

After thinking for a minute, Lin Yue came up with a more feasible way.

Quickly identify the better of the fifteen pieces of porcelain, and then save the ones for the end, and when the remaining porcelain is identified, he will use the ability to identify, but only if he has to identify all the porcelain within the specified time, and leave time to use the ability.

There may be a better way, but Lin Yue didn't have more time to think about it, time was too precious for him.

Just do it!

Lin Yue immediately picked up the twenty-first piece of porcelain.

Blue glazed dragon handle squatting monkey pot.

The more famous flat varieties of the Sui Dynasty.

Lin Yue immediately made a judgment, and then continued to check the features on it to see if there were any traces of new imitation.

The carcass is thicker, the carcass is hard, gray, the glaze is vitreous, the texture is very strong, the upper part of the pot is glazed with cyan glaze, the glaze is thicker, the condensation is brownish-green glaze is not to the end, there is a vertical phenomenon, and broken lines. The surface of porcelain is decorated, which is the kind of decoration made by embossing the ornament on the mold onto the porcelain fetus and making the ornament convex. Handicap, neck long and bamboo, wide shoulders, bulging abdomen, shoulder-abdominal demarcation is obvious, flat bottom. The right side of the neck is attached to the dragon handle, the cage mouth is connected to the spout, and the tail is connected to the shoulder. On the left side of the shoulder squatted a stubborn monkey with its legs bent and its paws scratching the back of its head and knees......

Typical Sui Dynasty features, and there is no trace of any new imitation, each feature is in line with the Sui Dynasty products.

The porcelain of the Sui Dynasty is undoubted!

After Lin Yue made a judgment, he immediately picked up the notebook and wrote the number, name and age of the porcelain on it. As he writes, he walks towards the twenty-second piece of porcelain.

Twenty-second piece of porcelain three-legged furnace.

The statue has three frog feet, the image is lively, and vivid and moving, and the ancestors of the devout worship of the frog with strong reproductive ability are vividly expressed.

Lin Yue saw the shape of this three-legged furnace and roughly judged that this porcelain was in the Tang Dynasty, because the child had such a type in the Tang Dynasty, which was very similar to the celadon of the Tang Dynasty.

Then Lin Yue took a closer look at the features on it.

Transparent glass glaze, there are cracks on it, the blank tire is rough and casual, the carcass is thick and hard, and the color of the tire blank is gray and blue. There are three very obvious pad marks at the bottom of the ring.

Seeing this cushion mark, Lin Yue immediately judged that it was porcelain from the waterwheel kiln. Only the waterwheel kiln has this characteristic, this is because the three cushion marks are first applied with glaze, and then the small piece of glaze juice is wiped off at the equilateral triangular point position at the bottom of the vessel, and then the part where the glaze juice is wiped off is padded with ceramsite, and the sagger is formed by firing it, which is unique to the waterwheel kiln.

Although it was judged to be a waterwheel kiln in the Tang Dynasty, Lin Yue was not sure whether it was genuine, so he took out a specially prepared high-powered magnifying glass from Ali, and with the lesson of the last time, he did not forget to take the magnifying glass.

Under the high-magnification glass, the glaze immediately changes into a different appearance, like an irregular pile of broken stones, surrounded by dewdrop-like bubbles, small and not refreshing.

Seeing this, Lin Yue immediately judged that such porcelain was an imitation of later generations.

Because the real product not only has clear bubbles like scattered dewdrops, but also the bubbles are relatively large and look more refreshing, so the three-legged hearthstone in front of you is fake.

Later, Lin Yue found traces of the Republic of China imitation on the soles of his feet, and immediately determined that the porcelain in front of him was an imitation of the Republic of China.

Lin Yue walked towards the twenty-third piece of porcelain as he wrote.

The twenty-third piece of porcelain is......

At 4:40, Lin Yue finally finished appraising the last piece of porcelain that needed to be aged, although he was very fast, it was still too slow in front of time.

Not only that, but he also had four pieces of porcelain that were not dated because many of the features of these four pieces were somewhat obscured and not enough to prove the age of the porcelain. There are many doubts, and at the same time, Lin Yue also found his weaknesses in the identification of porcelain.

It's still pottery!

Especially if you have found previous pottery, because those characteristics are too difficult to grasp, the descendants have no systematic knowledge at all, and it takes too long to identify a pottery, and you have to find a lot of information to prove the age of a pottery.

Lin Yue was quite helpless about this kind of pottery, and it was unfortunate that there were two pieces of pottery in these four pieces of porcelain that needed to be identified.

You have to wait until the end of the ability.

After identifying the thirty-fifth piece of porcelain, Lin Yue immediately pounced on the thirty-sixth piece of porcelain.

The thirty-sixth piece is a broken branch peony vase. There was a small card next to him, and after seeing that card, Lin Yuexin jumped uncontrollably, and he subconsciously meant that this was still to identify the age. When he saw the above content, he immediately breathed a sigh of relief.

The broken branch peony bottle during the Hongwu period of the Ming Dynasty.

It's no wonder that Jingdezhen wrote like this, because the official kiln porcelain in the Hongwu period has not yet found the actual porcelain of the chronological model, so it can only be marked like this.

The characteristics of porcelain in the Hongwu period continued the characteristics of the Yuan Dynasty, but there was more than neatness and insufficient changes. However, there are still certain changes, the porcelain in the Hongwu period is relatively thick, and gradually got rid of the thick and clumsy style of Yuan porcelain, forming a dignified and stretched style.

Modern porcelain imitating the Hongwu period is relatively stiff and rigid. According to this characteristic, Lin Yue first looked at the device type, which was indeed more thick and stretched.

After there was no doubt about the type, Lin Yue continued to check the carcass. At this time, his mind had already formed the characteristics of porcelain in the Hongwu period, and the characteristics of modern imitations.

The carcass of the genuine utensils of the Hongwuguan kiln is firm and fine white, and the section of the carcass of the folk kiln is earthy yellow, and most of them are slightly light gray-white with impurities. The color of the modern imitation tire is white, because of the mechanical process of refining the fetal soil, the degree of porcelain is higher than the real product, and the fetal soil is denser than the real product......