, 10,000 book fans recommended the song online at the same time: Gong Shijia - once again

Five minutes is a lot of things to do, like taking a combat bath, like lazy at your desk, but it's also very short, so short that it seems like it's just a blink of an eye in a long life. David Fincher spent five minutes putting a vivid image of Mark Zashiberg in front of everyone.

Five minutes and twenty-four seconds, to be exact. But at the end of the five minutes, almost all the audience remembered the standing ovation, which was so wonderful. This is definitely the best start of 2o1o, and there is no one. It took all the strength of Justin Bieber to restrain himself from standing and clapping, and he looked to his right, and met the sparkling eyes of Caitlin Biddles, and it was clear that both little ones were very excited. Uncle Guard didn't cheat anyone, these five minutes are indeed too exciting.

A person's personality is very complex, and down to Mark Tashiberg, he is a nerd, a nerd who doesn't fit in with the world. He's the youngest billionaire in the world, but he's also an adolescent boy with hormones. In the fall of 2oo3, he was only nineteen years old, and some of his motives for doing things may make you speechless, such as being humiliated and dumped by girls, such as being jealous of his good friend joining the Phoenix Club, such as wanting to re-establish his image in the hearts of all the girls in the school, but it is this kind of motivation that finally has fabsp; Lee Joon-yi used his superb acting skills to present everyone with a Mark Tashiberg, a genius with serious interpersonal problems. Few people know if he presents the most realistic Mark Tashiberg, but all the viewers want to believe that this is true, that this is the most convincing. Whatever the real-life billionaire is, the audience has identified this one.

The "Social Network" is the center of two world-famous lawsuits, one between Mark Zashiberg and his friend Edvar Savarin, and the other between Mark Zashiberg and his twin brothers, Winklevoss. Around these two lawsuits, memories are constantly flashing back, without any sense of stiffness, it is completely seamless, and all the stories of the creation process of Face Wave OK are presented little by little. This slightly boring story is brought to life by David Fincher's lens, making it almost impossible to blink.

David Fincher's shooting and editing techniques undoubtedly reflect his mastery of the camera, space, and art, and the countless shots in each time and space are intertwined, not only to avoid confusion, but also to clearly show the whole story at the same point in time and on the same timeline.

When Mark Zuckerberg made the Harvard girls' "facemash" website after falling out of love, Mark Zuckerberg's process of making the page, the scene of the rich children in the Phoenix Club, the various reactions of other people playing the "facemash" website, and countless scenes in different spaces were perfectly interspersed together, neither in terms of plot nor rhythm, which made people feel the slightest inappropriate, fully demonstrating David Fincher's strong expressiveness of montage art.

In reality, the legal confrontation between the two parties in the conference room broke through the limitations of time and space, and Zuckerberg designed the "Face Wave OK" website behind Zuckerberg's back, Edvar Savarin's experience as a rookie at the Phoenix Club, and the various reactions of the Wenklevoss brothers in Mark Zuckerberg's delaying process, accompanied by the voiceover of the lawyer's cross-examination, were edited in series. Such a clear and clear expression technique makes people's minds restore the situation in three dimensions, as if they were there, and with the lens of David Fincher, they experienced every detail of the whole event together.

When the whole story is revealed, everyone applauds David Fincher and screenwriter Aaron Sorkin.

Towards the end of the film, Marlene, the female lawyer, says to Mark Tashiberg, "You're not a jerk. You just want to be a jerk too much. This is almost the most classic line in the whole film, echoing the end of Erica Albright's "You're a bastard" at the beginning of the movie.

This line seems to turn the whole process in the middle of the movie into the process of Mark Zashiberg proving that he is not a bastard, but the truth is that the more he tries to prove that he is not, the closer he is to a bastard. Seamless tail photo. As for whether Mark Zashiberg is a bastard or not, everyone has a scale in their hearts and will make their own judgment.

At the end of the movie, Mark Zashiberg sits in an empty office and applies for his ex-girlfriend Erica Albright as a friend on the face wave OK, and then keeps pressing F5 to refresh, seemingly waiting for Erica Albright to apply through a friend, and seems to be waiting for Erica Albright and Edvar Savarin to forgive, and seems to be waiting for the sight to redeem itself. Meaningful.

This is where the film comes to an end.

There is no doubt that this is a wonderful movie. Almost immediately, Justin Bieber and Caitlin Biedles stood up and clapped their hands vigorously, even though the palms of their hands had turned red, but they could not calm the surging in their hearts. Now there is no doubt about the status of Face Book in the United States, but David Fincher uses his lens to show the story behind this empire, and Lee Joon-yi even uses his wonderful performance to bring everyone a Mark Zashiberg in their hearts. No matter what the real Mark Zashiberg is like, in the hearts of all audiences, it is like Lee Joon-yi.

"Wow, can you believe it?" Justin Bieber and Caitlin Biedles were on their way out of the cinema, but they couldn't contain their excitement and danced.

"I absolutely don't believe that Mr. Yi just expressed all the complex emotions in Mark's heart just by a few changes between his eyebrows. Caitlin Biddles was also excited, and her voice raised two tones, "It's just a frown, and there can be so many variations, oh my God." ”

In fact, Justin Bieber and Caitlin Biddles are now completely talking about their own feelings, constantly expressing their feelings. They can deeply understand the mood of the audience when they left the movie theater before. It's as if your heart is filled with countless feelings that will explode at any time if you don't express them.

In fact, the mood of Justin Bieber is just one of the feelings of thousands of viewers after watching the movie, and in the whole United States and even the world, "social networks" have begun to spread in a terrifying manner like the spread of face-to-face waves. And this time, professional film critics are going crazy.

Most of the scenes in "social networks" are born in university dormitories or classrooms, with no glamorous scenery, large sections of professional dialogues full of elite colors, no humorous jokes, and Mark Zashiberg sits in front of a computer all day writing programs, a female insulator, not to mention the eyeball effect of beautiful women. It's hard to tell an interesting story like this.

Although the story of Mark Zuckerberg, a young IT tycoon, is legendary, it is only a striking result, and as for the process of starting a business person, it is far less eye-catching than their scandal with a female star for an audience with no professional knowledge. Just like "Wall Street 2" not so long ago, large sections of financial jargon did not create tension, but rather made people drowsy, and before the release, "The Social Network" was also caught in this worry. The only thing that makes people feel a little at ease may be the joining of Lee Joon-yi.

But the truth is that David Fincher really told this story vividly, and after reading it in one sitting, he didn't find it boring, and he had a faint ridicule and a mixture of sympathy. FACE wave OK itself is a product of the times, and "Social Network", a film that represents the spirit of the times, has also successfully amazed the big screen this year.

The best idea of this film is that the legend of Face's entrepreneurship is actually just the background, and what David Fincher and Aaron Sorkin show the audience is the eternally lonely and wandering heart of a genius, with a little irony and sadness in this vision. Mark Tashiberg created a social empire and became a billionaire, but he himself was an unsocial person. He had no way to build a long-lasting relationship with anyone, whether it was love or friendship, compromise and resignation or loneliness and pride in the struggle with the world, and Mark Tashiberg chose the latter. So, in this huge social empire, he is still alone, which is ridiculous.

What's more, Aaron Sorkin uses the characters in this film to tell about different classes and different symbols of this era.

The twin Winklevoss brothers, who were well-to-do, tall, and handsome on the Harvard campus, represented the aristocratic class and retained their time-honored "traditional gentlemanly demeanor." This can't help but remind people of the old pedants in the "Titanic" who still have to maintain aristocratic elegance even when the ship is sunk, even when the sea is submerged, they are not willing to crowd with the "low-class" people, so as not to lose the aristocratic tradition. Dressed up and holding red wine, even if they were frightened, they remained motionless, and let the sea swallow them up like this. Although this spirit is admirable, I can't help but feel a sense of comical sadness in my heart.

They belong to the past, just as they are engaged in rowing, which represents an ancient tradition, and even if they catch up with new trends, they are still behind the times. So, the Winklevoss brothers came up with the original idea of Face Book, but it didn't succeed, but Mark Tashiberg got the first shot. Perhaps, the Winklevos brothers were the opportunity for Mark Zashiberg to begin to integrate into the mainstream life of the campus, but they were destined to be unable to tame the wild horse of Mark Zashiberg, and could only catch up with the pace of the times in embarrassment.

Corresponding to the twins, Edvar Savarin represents the general public of this era.

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