In the world, it is rare to find a film circle like South Korea that dares to hack its ZF so much...

It's really fancy humiliation - a bunch of movies, and the theme is that your country doesn't love you at all.

"The Crucible", "The Way Home", "Horror Live", "The Insider"...

South Korea's ability to make "Playthings" does not mean that the forces of good can defeat evil, but rather that they are making an example of chickens and monkeys: I know that some people want to rebel against my rule, so let you see if these self-defeating ants can hurt me in the slightest.

Even if you shoot, it can affect me and lose.

China is different, the subject matter you shoot is broadcast, it means that the country will take big action in this area - why can "Glorious Anger" and "Tengu" be filmed? It is because the country decided to crack down on the phenomenon of village tyrants...

The president can't get an artist like Li Shengli!

It must be abnormal for an artist in such a country, Shen Ming has never seen Lin Yun'er have a gaffe, an idol, he must be burdened with the excessive unfriendly eyes of the public and extremely uneasy about the future...

Despite the success of "Extreme Escape", Lin Yuna is still very uneasy...

9.41 million moviegoers, if the next one can't break 10 million, it's a failure!

Shen Ming proposed: "It's very simple if you want to break 10 million people, find your three directors..."

“… They won't use me!"

Chungmuro's four major directors: Bong Joon-ho, Park Chan-wook, Kim Ji-woon, Choi Dong-hoon...

In addition, there are Lee Changdong, Kang Digyu, Heo Jinhao, Kim Ki-duk, Kim Yong-hwa, etc., who basically have their own fixed partners, and it is unlikely that they will enable an idol...

Moreover, to be honest, "Extreme Escape" was successful, and it was the director and the male protagonist who ate the dividends, and there were few women on Zhongwu Road who could get along, but after that, Lin Yuner's TV series resources could be better...

"You're good enough, there aren't many movies in South Korea that reach 8 million moviegoers at the box office every year, you can watch and leave your name, what's there to be content with?"

“… I'm not dissatisfied!"

Lin Yun'er looked up at him...

Shen Ming looked at her and smiled.

There are some things, it's better not to be so thorough...

……

Not surprisingly, Shen Ming and Lin Yun'er appeared on the Naver hot search and Twitter hot search...

"Joker" is reaping the box office, and Lin Yuna's "Extreme Escape" has just been released, and both of them are very popular.

And they themselves have had an affair...

Shen Ming actually has no opinion on online discussions, he knows from the day he stepped into the showbiz that celebrity artists earn wealth that most people can't reach in their lifetimes, and as the price of being a public figure, they must be freely commented on by all the public!

The reason why public figures can get high remuneration mainly comes from the public's attention, let's put it bluntly: public figures sacrifice part of their privacy and reputation rights in exchange for high remuneration.

Celebrity fans and teams have the right to publicize and control comments, and the public also has the freedom to comment on artists.

That's the normal process!

It is normal for the same event and the same person to have different views and positions based on their different views and positions, and everyone can discuss with each other...

Of course, rumors and smears for no reason will definitely not work!

It doesn't involve personal attacks, personal insults, everyone goes their own way, and the two have nothing to do with each other!

Why can you act in bad movies and feed people, but I can't scold you?

To be a public figure and not to be commented on by the public, there is no such good thing in this world!

In the past, they could withstand as much praise as they could withstand as much slander, but now celebrities only want praise, and then use online violence or depression as a fig leaf.

Is this necessary?

If you don't want to be discussed, quit the group!

How?

Is it possible that having made one or several good movies can lie on the credit book, and no one can criticize it?

Of course, netizens are too bitter and strict, why can't they understand the chief director's hard work, the film is 155 minutes long, there are so many things to worry about, can you understand him?

I'll just ask you, if you don't have "Daytime Meteor", when are you going to go to the toilet?

Five years later... No, after fifteen years, you can really understand "Daytime Meteor"!

As far as the facts are concerned, "Farewell My Concubine" is of course a masterpiece, but "Daytime Meteor" is really not - our respect for the artist is earned by his own intentions, not by consuming the respect and sympathy of the audience.

……

It is said that the Busan Film Festival was founded in 1996, and this year is the 24th edition, and the previous main venue was in Nampo-dong, but from the 9th to Haeundae.

Haeundae is a seaside recuperation place, nothing special, just like Yalong Bay in Sanya.

This year coincides with the 100th anniversary of the birth of Korean cinema, so it is particularly grand.

Park Shangtian led the way in front, Shen Ming followed unhurriedly, and the whole street was full of buildings plastered with movie advertisements, the most eye-catching being "Parasite"...

"Parasite" gave Korean movies a long face.

This movie, which has been screened in North America, grossed $376,000 in 3 halls on the first weekend, with an average box office of $125,421 per room, not only creating the highest box office record per game this year, but also creating the highest box office record per game in a foreign language film in North American film history...

According to predictions, tens of millions of dollars at the box office is normal...

Busan Film Festival, of course, to pull it out and show it off - I have the Palme d'Or, do you have it?

In addition, there are all kinds of booths, booths, events, and electronic music that you can't understand the tune, and as far as the eye can see, it is all black and pressed heads, and it seems that tens of thousands of people have been squeezed in.

Park Shangtian was the translator specially arranged for him by the main committee...

Although Shen Ming knows some Korean, he is not particularly proficient after all.

It's a little unexpected, I didn't expect the Busan Film Festival scene to be so big!

“… How many countries are participating?"

"More than 50, basically Asian countries and regions are here!"

Park Shangtian introduced with some pride: "That is the venue of the Asian Movie Night... This is the venue of the New Wave, and this is the largest venue for the panorama of Korean films, and because this year is the 100th anniversary, there will be screenings that look back on the 100 years of Korean cinema!"

Looking at Shen Ming's eyes, he continued: "Oh, this is the special feature of our Busan Film Festival: the trading hall of the Asian Film Market. ”

"Is it a finished deal or a script idea?"

"Yes, this year, there will be two venues for the Asian project market and the entertainment intellectual property market at the same time!"

“…”

Shen Ming sighed...

I really didn't expect the Busan Film Festival to be able to play to such an extent...

International B-category film festival (B means non-competition, not to say bad, but it will not be judged for the best film and the best actor).

The Busan Film Festival is one of the most important international film festivals and trading markets in Asia, aiming at the end of the year's Chinese commercial films are very fond of building momentum, this year there are "Snow Storm", "Galaxy Cram School", "Train to Spring" including Minghui Company's "Youth and the Sea" are coming...

It is not based on competitions, but just provides a platform for communication and display, and the market occupies a lot of content here, which is why so many companies come to sell films.

By the way, the reason why Shen Ming came to participate in the Busan Film Festival is because he wants to receive an award: Asian Filmmaker of the Year.

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