"Bang! bang!"

"Papapa!

The whole Lumière hall was plunged into a frenzy, and all the spectators rose to their feet and gave a frenzied and enthusiastic applause in the midst of the noise of whistles and cheers, and the bubbling blood could not be calmed down at all, and with the progress of time, it began to climb little by little, and the thunderous echoes stirred up violently.

"Bang bang!"

As far as the eye can see, there is a dense crowd of people standing in the ground, high and low like a vast forest with no end in sight, the wind is passing through, the noise is endless, and the whole world is echoing with that surging sound wave, and then everyone moves towards the position of the "Drunken Country Ballads" crew in the center, and will unmistakably send applause, and in this way send the respect of worship.

This is Cannes.

In a one-of-a-kind, star-studded Cannes, the audience politely applauds and thanks even the worst of the best, at least a courtesy response, but not at the moment.

Thunderous applause poured in from all directions, endlessly, and in every corner of the line of sight, a pair of tearful eyes and impassioned figures could be captured, almost without exception, and everyone could not wait to send respect and worship.

This is France. A land that has nurtured countless great arts, and the passion for artistic creation has been integrated into their blood, from painting to music, from theater to contemporary film art, where countless artistic masters and classics have been born, and historical innovations have been laid again and again.

From the French Impressionist films in the twenties of the last century, together with the German expressionist films, the Spanish surrealist films, and the Soviet montage shooting techniques, the first artistic theoretical foundations at the beginning of the birth of the film were constructed, to the French poetic realism in the late thirties, and finally to the French New Wave in the sixties, which changed the global film structure, and truly shook the world's filmmaking industry.

There is no doubt that in the long history of artistic development, France has played a pivotal, irreplaceable and vital central role. Once upon a time, Paris was a world-famous center of the arts, and even Woody Allen remembered the golden age on the banks of the Seine.

They know better than anyone else that it is difficult to adhere to artistic ideas, that they are physically and mentally exhausted from the fetters of the reality of life, and that there are also the waves of the times.

In the story of "Drunken Country Ballad", they saw Levine Davis, they also saw every other supporting character, they saw that magnificent era, and more importantly, they understood Levian Davis, everyone can find their own place and be a part of that wave.

Although this is a story that belongs to the era of American folk, it belongs to France, and it shines brightly in this land that has nurtured countless glorious artistic cultures. Everyone genuinely felt the same way, and the immersive realism made everyone in the audience deeply moved.

No one is an exception.

The incessant applause, with no end in sight, no end in sight, no end in sight, and no way to even feel one's own presence, is like a raging wave in the Lumière Hall, in which everyone becomes a part of it, one after the other, and becomes a part of it, so oblivious to it, that it loses itself.

Ang Lee stood up, Nicole Kidman stood up, and Christian Mongi stood up.

Marion Cotillard stood up, François Oujon stood up, and Jim Jarmusch stood up.

Leonardo DiCaprio stood up, Matt Damon stood up, and James Frank stood up.

Thierry Fumao stood up, and so did Gilles Jacob.

The audience stood up and stood up for more than 2,000 spectators, and even the staff responsible for maintaining order couldn't help but burst into tears with applause.

Only in Cannes, only when the work "Drunken Country Ballads" comes to Cannes, can you enjoy such treatment!

Ryan Gosling was a little embarrassed at this point.

His eyes were red, tears were streaming down his face, he was sweating profusely, and he looked like a chicken in the soup that had just been drenched in a rainstorm, and he didn't have any image at all, but he didn't care, because he knew that this was not his moment, and he wasn't even a supporting role, just one of the countless audiences in the audience.

So, Ryan stood up for the first time, turned sideways to his friend on his left, and gave enthusiastic and excited applause, and his eyes couldn't help but flash with emotion again, because of the movie "Drunken Folk", because of the role of Levine Davis, and because of the actor Lanley Hall.

Feeling the scorching gaze from his friend, Lan Li couldn't help but smile dumbly, and the mixed tastes on the tip of his tongue also dissipated.

The ephemeral sigh in his heart is still difficult to solve, and he follows the camera back to Levien's world again, and also to his own world, the bitterness and confusion in the predicament, curling between his lips and teeth, intricate and heavy, unable to be accurately expressed in words, just immersed in that emotion, and gradually falling into the trap of thoughts.

However, the applause at the scene was really too crazy, and Ryan's gaze was really too eager, so Lan Li couldn't do it if he wanted to pretend not to notice, so he reluctantly raised his head, met Ryan's eyes that were glittering with tears, stood up with a chuckle, and politely nodded to the applauding audience around him, expressing his gratitude.

Afterwards, Lan Li also encouraged his hands and took the initiative to offer applause to the Coen brothers not far away.

The biggest contributor to the work "Drunken Country Folk" has always been the Coen brothers, who successfully captured the context of the times and the loneliness of the individual.

Under the watchful eye, the Coen brothers also stood up.

The surging applause climbed a step again, and the tsunami-like sound of the mountains stirred up an incredible storm above the eardrums, mixed with cheers, screams, and cheers, and that terrifying energy found resonance among the 2,000 spectators, and pushed the 66th Cannes Film Festival to a new peak step by step.

Even more fanatical than "Adele's Life".

Since the opening of this year's film festival, "Adele's Life" has undoubtedly been unbeatable, and all the other exhibited works in the main competition unit have been unanimously praised by the media, and the end of the premiere has also ushered in a wave of applause, which lasted for nearly four minutes.

However, this work is not an impassioned and blood-boiling genre in the first place, but more of a moisturizing and silent genre with lasting stamina, and after the praise, the applause quickly calmed down.

The enthusiasm of the audience was all accumulated on the subsequent film reviews and ratings, which was clearly reflected in the situation of scores-

In the official house book score of four out of four, "Adele's Life" received a super high score of 3.6, breaking the highest score in the history of the Cannes Film Festival since the establishment of the house book, not only the best work of this year's film festival, but also the best work of media reputation in history.

This is the momentum that "Adele's Life" currently has.

But today, after the screening of "Drunken Country Folk Songs", every audience can deeply feel the mixed emotions under the tide of the times, or excitement or sighing, or enthusiasm or helplessness, or happiness or bitterness, using folk songs to allude to movies, and even other different forms of artistic expression, that stirring emotions are like a wild horse, completely released.

One minute, two minutes, three minutes......

The applause shows no sign of stopping, and the enthusiasm and madness that continue to burst out push the applause to a new high/tide again and again, making people really feel that this is the Cannes Film Festival, a city born because of film, a land that is bright because of film, although it has been repeatedly criticized for being too strong in commercial style in recent years, but the enthusiasm from the bottom of my heart is still beating and surging because of film all the time.

Four minutes, five minutes, six minutes......

The applause was so frenzied that the Coen brothers and the crew had to come to the front of Lumière Hall under the watchful eye, bow and thank the audience for their madness and excitement again, and truly experience the beauty and moving of this movie city, and the happiness slowly overflowed in their chests.

Ten minutes, ten minutes!

This isn't Toronto or Berlin, it's Cannes.

Everything is business-oriented, everything is starlight-oriented, everything is market-oriented, media reporters and marketers are the main force in the Lumière Hall, and it is not difficult to win their appreciation, but it is difficult to win their respect, let alone a ten-minute long applause.

Today, at this moment, the crew of "Drunken Country Ballads" has succeeded. Applause, endlessly.

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