Taiwan Films, there have been a number of film masters such as Yang Dechang and Hou Xiaoxian.

In the eighties and nineties, in terms of world influence alone, Taiwan Bend Movies could beat Hong Kong films!

Asian cinema has always been the world of Japanese cinema in the 50s and 60s, and the world film industry is also very appealing and influential.

Cinema masters such as Akira Kurosawa, Nagisa Oshima, Yasujiro Ozu, and Kenji Mizoguchi have won many awards at international film festivals, making Japanese films unparalleled.

Since the 80s, Wanwan Films replaced Japanese films and started the road of world awards, until the outbreak of the fifth generation of mainland directors in the 90s.

Representative figures of Taiwan movies, Yang Dechang, Hou Xiaoxian...

Known as a master!

Yang Dechang called him a master, understandably, although he is the flag bearer of the New Wave, he is not pedantic, understands the truth that artists also have to eat, and his films can at least ensure that investors make money - at least not at a loss!

As for Hou Xiaoxian... Don't mention it.

In terms of losing money alone, he can be compared to Wang Jiawei!

Regarding this matter, Chen Sheng and Wu Guang rebelled and said: What kind of prince will Xiangning have?

On the Internet, many people discuss the film industry in Taiwan, thinking that the mainland can learn from...

To tell the truth, Taiwan can't produce a few movies a year, and it's barely alive... It's a bit of a mismatch to say "industry"...

"During the New Wave Movement, the Taiwan film industry gradually became world-renowned for the works of Yang Dechang, Hou Hsiao-hsien, Wu Nianzhen, Chen Guofu, etc., and the post-New Wave movement also had excellent works by directors such as Ang Lee and Cai Mingliang. Did the Taiwanese movie decline after that?

Wei Desheng's "Haijiao No. 7" started a wave of small and fresh films in Taiwan, such as "Blue Gate", "Those Years", "One Page Taipei", "Girlfriend Boyfriend" and so on.

These films can represent the diversity of the values of young people in contemporary society, and also mark the re-emergence of Taiwan films!"

Looking at the 'Taiwan Movie Introduction' in his hand, Zhang Junsheng was a little confused, he really didn't understand, where is the diversification of this stepping horse?

In the early 90s, Taiwan launched a film tutoring fund policy to vigorously support art films, which led to art films becoming the mainstream of Taiwan's film market, and finally completely destroyed Taiwan's local films.

A movie, a total of 10 people watch, even if the score is 10 points, the reputation is good, but what is the use?

According to Lao Guo's words: What is art? Art is your ability, art is the skill of eating, artists can't support themselves, that's not an artist, that's a hooligan!

When you enter the film industry, you have to understand: before talking about art, you must first learn to eat, support your family, and then talk about other things!

……

In November, "2012" arrived as promised.

This is destined to be a disaster film that will be remembered by Chinese filmmakers!

It's not just because of the box office - breaking 100 million in three days, breaking 200 million in six days...

How about the box office, not to mention it first, but its strange decline, the weekday decline is actually less than 10%...

According to the analysis of the current box office trend, the box office of "2012" can at least break 500 million...

Most importantly, the use of Chinese elements in 2012 has also created a certain height.

The film features the Potala Palace, the Himalayas, and Tibetan monks who know the future, and the film combines ancient Chinese civilization with the self-redemption of modern people, providing a new idea for the re-architecture of human civilization. It is even said that the end of the film is China saving the world!

Chinese save the world, the most disgusted by this plot in the world is not the United States or Europe, but China ...

"I don't understand why the Chinese save the world?"

"Hollywood is really looking at money now, and there is no backbone at all..."

"Is there anything else besides special effects and sensationalism? The Chinese spirit of saving the world is undoubtedly another fart of the media. ”

"Chinese save the world, why don't you say Chinese unify the world?"

Speechless, are these people in their brains?

A big production of 200 million US dollars, you can say that the story of the movie is mediocre, only special effects and nothing...

Or black propaganda - the reason why "2012" can win the high box office is inseparable from Hollywood's propaganda about the end of the world!

Why bother with 'Chinese saving the world'?

People want to be black, they are all "Guan Mou's knife does not kill nobodies"

It's good for you, "If my son is here first, why be afraid!?"

The idea of brain misery is really different!

It's a pity, the Chinese New Year file is coming soon, and the schedule of "2012" will definitely be cut!

By the way, "Sword Rain" is close to being deceived, with a cumulative box office of 230 million, so far, Yuehua's "A Chinese Ghost Story 3", "Crazy Racing", and "Sword Rain" have been ironclad in the top ten of the year...

……

This year's Golden Horse Awards was actually held in Taipei County!

It is a county-level unit directly under the jurisdiction of Taipei City...

A very grassroots place!

It is said that Zhang Junsheng is born, the roads in Taipei County often make Taipei people confused, the roads in Taipei City are still square, and when you get to Taipei County, as soon as you cross the bridge, it is like a maze, you can't get around, and there is a round road, and your brain will be a mess...

Yuehua and his entourage arrived in Taipei five days in advance, and they were busy for a year.

"The contradiction between social changes and humanity is the most basic element in building a movie, but unfortunately, I didn't see these in Taiwan, I only saw blue-green debates!"

"Yes, political involvement in movies is inevitable, but as a filmmaker, you should still remain independent!"

"In fact, in the past few years, film and television production has been completely transferred to the mainland, if it weren't for the fact that the General Administration strictly prohibits private awards, I really want to hold a film festival!"

“… The Golden Horse Awards are at the right time!"

"But to say that it is the first award in Chinese, I still don't think the name is worthy of the name..."

Zhang Junsheng, Tang Ningyu and Brother Song were fishing, chatting casually...

The topic must still revolve around the Golden Horse Awards, after all, the goal of this group is the Golden Horse Awards...

"In the past few days, the media has been helping Daley Shinobu build momentum, advocating "Can't Do Without You"... Shall we introduce this film?"

"He seems to be supportive, doesn't he?"

“… That's right!"

Zhang Junsheng waved his hand: "Don't worry about him!"

On the one hand, many Taiwan artists have a solid two-country tendency in their thinking, and on the other hand, they have a good cultivation in their habits...

Very contradictory!

To put it bluntly, Taiwan people did not have a strong sense of locality before, and when people began to fight for democratic rights, what followed was the surging outbreak of the previously missing sense of self-identity, which was specifically scattered on the individual, which is a so-called independent spirit.

Yang Dechang elaborated as early as the 1988 movie "The Age of Independence": A seemingly nervous writer, after writing a number of chicken soup articles that deceived the world but could not deceive himself, suddenly encountered a torrent of ideas, and wanted to save the world with the Confucian way, but the present world is stable and survival is the first, and his confusion finally turned into deeper confusion.

In the decade from 1979 to 1989, the confusion of the people in Taiwan was washed away by the inflated political enthusiasm and the prosperous economic environment, and the young people of Taiwan who did not care about politics had no choice but to be immersed in a wave of attitudes, and over time they also became walking corpses who blindly supported the one-country theory.

You stand by your point of view, and we stand up to ours!

As for the view that anti-service trade is not an attitude, probably only a group of fools believe it!

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