At first glance, Su Jing's paintings are a mess of bits and pieces, like a pile of garbage. Pen, fun, pavilion www. biquge。 info draws this and that, and only a part of it, and it's all disorganized. However, taking a closer look at Su Jing's pen, everyone had to be surprised.

It is obvious that Su Jing is not deliberately trying to draw something, but is learning various techniques.

In fact, the techniques of Chinese painting can be understood as the method of using the brush by Chinese painters, that is, the technique of using brush and ink produced by the brush, in which the ink method includes the technique of color. In the course of the development of Chinese painting, especially after the Yuan Dynasty (the intervention of literati painters), the lyrical meaning of Chinese painting became stronger and stronger. The meaning of brush and ink in Chinese painting is no longer a simple matter of technique, but a synonym for Chinese painting. In the concept of brush and ink in Chinese painting, the spirit of Chinese painting is infiltrated. To put it simply, the brushwork of Chinese painting is composed of points, lines, and planes, and the use of lines is the most important. The ink method is to use the action of water to produce different changes of thick, light, dry, wet, dark and shallow. The method of writing lines in Chinese painting is called "using a brush", and the method of using ink in Chinese painting is called "using ink". Whether it is the use of pen or ink, it is broad and profound, all-encompassing, and can be divided into many, many kinds.

For example, with a pen, there are points to the center, the side with the pen, the center with the pen to hold the pen upright, the pen in the middle of the ink line, the power of the pen to be even, the pen perpendicular to the paper, the effect is round and steady. The side of the pen is held on the side of the pen, the pen is at the edge of the ink line, the pen edge and the paper surface form a certain angle, the force is uneven, sometimes fast, sometimes slow, sometimes light, sometimes heavy, the effect of hairy, astringent changes are abundant.

It is also divided into Shun Feng and reverse Feng with a pen, which generally refers to the running of the pen and the inclination direction of the pen barrel, and its effect is smooth and straight. The reverse front is the reverse direction of the pen (that is, the habitual direction of the pen is reversed), and its effect is dry and clumsy.

It is also divided into a poly front and a scattered front with a pen, and the poly front refers to the pen blades being put together to form a single front. Scattered front refers to the spread of the pen edge, in a multi-frontal shape (also known as "flowering pen"), and its effect is dry and varied.

In addition, the speed of using the pen will also have a great impact on the picture, when to use what brushwork, what kind of effect to achieve, ever-changing, just the basic skills, it is broad and profound.

In addition, in ancient Chinese painting, there was a saying that ink is divided into five colors, that is, black, white, thick, light, dry and wet six effects. The method of ink is to reflect the rich variation of painting, "the pen is the bone, the ink is the flesh". So the ink method can be said to be a method of using water. According to the amount of water, we are divided into five change ladders: coke, thick, heavy, light, and clear. Because ink has new, old, stale, and changing, the ink quality is divided into five types: new, coke, su, retreat, and angstrom. Due to the different processing of ink color, different ink changes are produced, which can be divided into five senses: dry, dry, wet, wet, and dripping. In pen and ink, penmanship emphasizes internal force, while ink emphasizes "life" and "change".

The method of using ink, the predecessors have a lot of experience, summed up, there are mainly seven methods: thick ink method, light ink method, coke ink method, ink method, ink breaking method, ink accumulation method, splashing ink method. All kinds of ink methods are also ever-changing.

It can be said that Chinese painting is very difficult to learn, and it is not easy to get started. I am afraid that it will take a lot of time to learn one of these basic techniques, and if you want to learn them all and integrate them, it will be even more difficult, and I am afraid that after two years of study, the progress will be limited. And Su Jing is now using all kinds of techniques. Originally, I had just started learning, and I was so greedy that I was afraid that I wouldn't be able to learn anything. But looking at Su Jing, the first time he used the center, he may have some shortcomings, but the second time he used it, it became much better, and the third time he used it, he was close to perfection, and then he used it again, and it was not easy to use it without exception. The same is true for other brushstrokes and ink methods.

In other words, Su Jing seems to be drawing some messy things at first glance, but his various techniques are becoming proficient at an extremely terrifying speed, and all kinds of difficult techniques are actually easy for him to use.

"Oh my God, am I dazzled? Splash ink, he actually learned to splash ink in three or two times?"

"We have learned all kinds of difficult techniques that we have not been able to learn for a long time, and he actually learned them in three or two strokes. ”

"Oh my God, look at the half of the mountain he just painted, is this a beginner in Chinese painting?"

"He wouldn't have been a master of Chinese painting for a long time, deliberately pretending to be a pig and eating a tiger here, right?"

Many people present felt that Su Jing was not a beginner, but a master of Chinese painting who had studied for a long time, deliberately pretending to be a pig and eating a tiger here, and deliberately pretending to be learning step by step, otherwise it would be impossible, there should be no one in this world who learns Chinese painting so quickly. Otherwise, it's just a demon.

Cheng Shiyao and Zhu Yan were very surprised, Huang Jinghong frowned slightly, Su Jing was excellent in other aspects, and it was just that, he thought that at least in terms of Chinese painting, he had an advantage, but now, his self-confidence has been greatly hit. Regardless of whether Su Jing's learning ability is against the sky, or he has long been a master of Chinese painting, the result is that Su Jing's level of Chinese painting surpasses him every minute.

However, although Cheng Guyi was shocked, he believed that Su Jing was indeed a beginner, and every stroke of his painting was to verify the question he had just asked him, which seemed to be a messy mess, but in fact, he did not waste any pen and ink. Cheng Guyi was excited, he knew that he had met a genius, a super genius, a peerless genius.

In fact, it is not an exaggeration to say that Su Jing is a genius. Su Jing has several advantages that ordinary people do not have, one of them, he has long been proficient in calligraphy, can be called a master of calligraphy, although calligraphy and Chinese painting can not be confused, but in the use of pen and ink, there are commonalities, a calligraphy master, with pen and ink will be more skilled and natural than ordinary people; Thinking ability is far beyond ordinary people, he can every technique and every detail, remember clearly, when the pen, will not scruple this and forget that, all aspects, he can think clearly, obviously a novice, but like a veteran, the pen is confident; In addition, Su Jing is also a spiritual master, he can use his spiritual power to construct a picture virtually, which can make every stroke and every drawing more detailed.

Combining the above points, let Su Jing learn to the point where ordinary people can't reach it. He is not only a genius of painting, he is a genius of geniuses in almost every profession.