Lao Mouzi's most praised thing should be his aesthetics.

The Mou girl he chose, except for Dong Jie's own death, is basically a first-line actress - Mou girl refers to the female number one!

Dong Jie is the least likely to provoke!

Since her debut, she has been a variety of women, seeking girls, and supporting Liang Chao, Lao Liu can only match her back then, the starting point is high, and she has almost never played a supporting role in my impression...

Since splitting his legs, he has become a model of a good hand in the circle...

Gong Huang, Zhang Ziyi, Nini, Little Yellow Duck...

Even if Nini gets worse and worse, she has never played the second female lead...

Generally speaking, actresses who have been enlightened by the hands of the national teacher will basically become popular!

Nini is happy to make some funny movies, maybe she really doesn't have any ambition!

……

Lao Mouzi smiled: "I choose an actress based on a standard, good-looking!"

"Haha..."

A few people laughed...

"Director Zhang, after the filming of "The Great Wall", do you have any plans?"

"Well, I recently watched "The Love of the Hawthorn Tree", which is quite touching, and I want to shoot it!"

“… Yes. ”

"The Great Wall" is almost finished, and it will be released simultaneously around the world, Xu Yan for the heroine, all the actors under Yuehua are dispatched, and Matt is cute for foreign actors...

A $100 million blockbuster...

The script is in charge of the Chinese side, not the kind of film that is simply 'I fight monsters on the Great Wall', three lines, one line is that the nomads fight against the gluttony, the gluttony starts from Siberia and goes south, defeats the nomads in the north and causes tragic sacrifices, and the nomadic leader leads the remnants of the army to flee south;

In the second line, the nomads sent people to their world enemies, the Han people of the Central Plains, for help. The emperor angrily denounced the ethnic group for causing great aggression against the Han Chinese;

Through the scars on the nomads' bodies, combined with the same injuries on the prisoner's body, the general judged that this was an unprecedented monster that the Great Wall could not stop.

This part is a little more, after all, this paragraph takes up most of the space;

Silly is the first male protagonist, so, the general must hang up...

In the third part, the monster arrives at the Great Wall and launches a fierce attack on the remnants, and the defenders of the Great Wall finally open the city gates at the last moment, despite the emperor's opposition and the 800-mile urgent warning letter, and then the Armageddon...

Anyway, there is no great Tian Tian in this play, and there is no need to emphasize the role of the heroine too much.

Zhang Yimou sighed: "I don't know if anyone will scold me when "The Great Wall" is released!"

“… Don't worry, this time we'll release it in North America first!"

Lao Mouzi is a director with a sense of form greater than the plot.

Therefore, many of his movies will be criticized!

As a director, some people say that his script is poor, others say that what he makes caters to the West, and some even criticize him.

But to be honest, he should be the most powerful film and television director in China until now, not only domestically, but also internationally.

His films, from a visual point of view, are always enjoyable, and they will not feel tired or dark. But this is also the point that many people don't like him, because in the habit of another group of moviegoers, watching a story is the core of the movie.

There is no way, the film and television aesthetic art of Chinese audiences in recent decades has been cultivated by TV dramas and even sketch dramas, so for lines and storytelling in the first place, it is not that this orientation is wrong, but I feel that in a sense, most Chinese people still lack the ability to have multiple aesthetics.

Compared with the mainstream film and television forms, Zhang Yimou is actually non-mainstream, but, as anthropological point of view, color is a language that crosses nationalities, and as the most outstanding color master, Zhang Yimou's films have a large sense of the bridge between China and the world.

For China, it is no accident that Lao Mouzi has ignited the Chinese market again, it is he who tells us why we should go to the cinema, why don't we watch free movie channels or online cinemas at home?

This is not what a movie with a good story can do, but the visual impact, the shock and grandeur of the movie, which is why Hollywood stunts are all over the world!

The five-cent stunt and Hollywood confrontation are fundamentally self-inflicted, and they can only rely on Zhang Yimou's color to fight their way out internationally, and it is the color that has taught the public the difference between movies and TV series in China.

Of course, Zhang Yimou's era must come to an end, because his historical mission has been completed, and now China's influence is strong enough, and the public has the habit of going to the theater.

However, I am still looking forward to "The Thirteen Hairpins of Jinling"...

……

The gathering of the director's association was broadcast by a TV station, and according to the process, Ma Xiaokang came to the stage to speak:

"Like a dream, I'm thinking about what can make me persist all these years, not the scenery and fame. In the past 20 years, Chinese films have been turned upside down, and the directors have struggled very much, in the past, the film factory gave money, and in the past 20 years, they have begged people everywhere to drink and find money, not only to meet the needs of the audience market, but also to meet the needs of the heart, which is not easy. ”

Speaking of this, Ma Xiaokang, who spoke on the stage, couldn't stop crying...

"We directors have to meet the needs of the audience, the needs of the market, and the needs of our own hearts, and we are very struggling..."

"A lot of times, we rack our brains to think of an interesting line, a very good detail, and then put the story in a very defensible context that is relevant to our destiny, but the result is to remove the background. Sometimes, the opinions of the relevant departments on a detail and a line are reasonable, but sometimes the opinions we get are ridiculous and incredible. The mood of a director to write down a good detail, and knowing that it is so good, and still changing all kinds of torture when it is not good, has a Hollywood director suffered?"

"In the past 20 years, it has persevered so much, and it has promoted the prosperity of Chinese films. Because these fools love movies too much and are obsessed with movies, Chinese movies have such a good group of people, which is very proud. ”

"But what I haven't forgotten is to be a director and make some things I want to shoot, so I made "1942", and looking back on the past 20 years, I feel worthy of the film and myself. ”

The audience was moved, and Gao Qunshu, Lu Chuan, and Chen Musheng applauded in unison.

It's a normal thing, Ma Xiaokang is now the first brother of Dongyang Media, and "Private Custom" has a poor reputation, but the box office is very good, and it has broken 400 million, setting a new high at the box office of Ma Xiaokang's movies.

The most important thing is that the advertising placement of "Private Custom" has already made a lot of 20 million, and the 400 million box office is a net profit except for the theater account!

He's done, it's Zhang Junsheng's turn...

From the point of view of experience, Zhang Junsheng is definitely a first-line director in the mainland, and this year's two movies, "People in Embarrassment" won a box office of almost 500 million;

"Untouchable" box office 520 million...

Most importantly, he is also proud of the winner of Best Director.

But in terms of seniority, he... He has only debuted for five years, and he doesn't deal with more than half of the directors present.

Without him, the circle is different!