Liu Heng is the leading screenwriter in China!

"Assembly Number", "Jinling Thirteen Hairpins" and "Qiu Ju Lawsuit" are all his handwritings.

Of course, the main reason why I looked for him was because this person was very genealogous!

He is not like Reed, the screenwriter of "Farewell My Concubine", Reed's consciousness and style have always been mavericks, extremely sharp, sharp, and red fruit tears human nature in front of your eyes.

Liu Heng felt in his heart that screenwriting was a secondary job and could not be offside, to put it bluntly, he took great care of the director's attitude and the pass rate of the script...

There are indeed good screenwriters in China!

Lu Wei, Shu Ping, and Wang Shuo are all very good creators!

But one thing, these people believe in themselves too much, and if you don't shout that I'm so awesome, you have to do what I wrote!

Make it clear, we are a director-centered system, not a screenwriter-centered system!

No matter how awesome you write, what's the use of not being able to pass

I have seen a netizen who claims to be a master write the script of "Tangshan Earthquake": During the period of Brother Wen, the Black Five Letter and the Red Flag Bearer Ping fell in love. Xin was put to death by Brother Wen's group several times, and Ping used family connections to keep him.

On the Qingming Festival in April 1976, Xin participated in the commemoration of the prime minister and was imprisoned by his private helpers. Ping exhausted everything to bail him out. In order to avoid politics, Ping took the letter back to his hometown in Tangshan. But the family did not accept the letter at all.

The lovers decided to elope to Shanghai. On the night of the elopement, the Tangshan earthquake broke out...

What does this have to do with "Tangshan Earthquake".

The earthquake became a tool for accusation...

And it definitely won't pass the censorship!

……

The general direction of the script is there, Zhang Junsheng finally breathed a sigh of relief, and will return to Huairou tomorrow to start "People in Embarrassment"...

I won't be home for a while...

He was relieved, not necessarily the company was relieved...

After the announcement of the "Tangshan Earthquake" project, the company received hundreds of resumes and a large number of broker recommendations within a few days.

It's clear that I want to play with him!

It's very interesting, as far as the domestic filmmakers are concerned, in terms of influence alone, it is definitely the troika of Zhang Yimou, Chen Kaige, and Ma Xiaokang.

As long as you can pick up the director's play, how many celebrities will take off their pants and cry.

Speaking of one thing, Fan Pang took over the filming of "Zhao's Orphan", and he didn't ask for a dime, including her filming "I Am Not Pan Jinlian", but she didn't ask for a dime!

It's that just!

She believes in other great directors...

But it's true that big directors usually have this ability, and a drama can support you to the top.

Da Mi Mi once said, 'Many successful female stars are on top of the unspoken rules, and after success, people will not pay attention to how she is successful, they only see her light, and they think they are very good women.' So, if there is a big director who is willing to uncover the rules, I think I will be willing, everyone takes what they need!'

Ahem, that's probably what it means...

A little lower than the directors, it should be Liu Weiqiang, Chen Kexin and other Hong Kong directors, who are also very popular.

ordered again, it was the turn of Jia Zhangke and Wang Xiaoshuai.

They take a completely different route, although no one watches the film, they can brush their faces internationally, and if they are lucky, they can win awards.

The attraction of the first two directors, whether they are newcomers or big names, cannot be escaped.

The latter kind of director is more weird, newcomers are not very cold, but some stars want to make friends vigorously. Especially those who have already proven themselves commercially and urgently need a trophy to turn actors.

As for Zhang Junsheng, it can be said that he is a bit close to the troika!

It's easy to become popular when filming his scenes, Wang Bo, Zhou Xing, and Xu Yan all became popular through his movies!

The key is that he is not the kind of person who doesn't care about making a movie, and will give away all kinds of resources...

However, the heroes and heroines of "Tangshan Earthquake" have been determined, Zhang Guoqiang and Yan Bingyan, and a bunch of supporting roles.

It's not that the company's actors are cheap or anything, the most important thing is that Yan Bingyan signed into the company according to her acting skills, but in the past two years, except for "Teeth of Love" and "Tengu", there are really no other roles!

No, "Bullfighting" also invited her...

Brother Bo admires Yan Bingyan very much, and excellent actors are attracted to each other!

It is more difficult for the little girl to choose, or find Zhang Zifeng directly

When I think of Zhang Zifeng, I think of Ma Xiaokang, his "1942" seems to have been released yesterday...

……

Click on Weibo, search for "1942", and what catches your eye is indeed a bunch of criticism!

Ma Xiaokang, who switched from a popular position to an elite position, suffered a lot of tests this time...

In fact, the audience's impression of Ma Xiaokang has always been Beijing-style humor, and the audience can't accept your sudden change of position!

Let's talk about the original version of "1942", after filming, the above thought that the picture was pessimistic and negative, and it was not approved.

Feng was anxious and asked people everywhere.

Someone said: I can help, but there is one condition, to direct next year's Spring Festival Gala.

Feng gritted his teeth: Okay.

The film passed without a hitch.

Knowing that he would lose money, the audience didn't like to watch it, so Feng insisted on filming.

Huayi's two bosses looked at their friendship for many years, and the gentleman agreed to lose money, and in the end, he lost tens of millions.

Beforehand, Shuo Ye promised Feng that the film would lose money and quickly make up a comedy to make money.

Sure enough, the box office lost a lot.

Immediately, "Private Custom" was written and filmed at the same time, and it only took a month, and the speed was amazing.

The bad reviews are like a tide, but he makes a lot of money, Feng returned Hua Yi's favor, and left a sentence: two clear.

Didn't attend the celebration banquet.

This is true, no fabrication!

But it doesn't mean in favor of...

The domestic film market is developing too fast, and the rhythm of everything is in the direction of making quick money, without forming a stable segment, the audience has been changing, and the direction and trend of watching movies have changed very drastically, resulting in the Chinese film market has been in a relatively chaotic and fluctuating state, and it cannot be stabilized.

In short, the easiest movies to make at the box office are either special effects blockbusters or national comedies!

In other words, it is difficult for a movie that pursues a certain depth of thought to have a good box office.

"The History of the Disappearance of Romantic", "1942" and "Cracked Silence" are all good movies.

Although there were no corresponding results!

However, film practitioners, including the audience, must adapt to the status quo, you can be dissatisfied, you can guide, but you can't complain blindly, and complain publicly!

It's very simple: the market is for the audience, and the audience is theoretically not wrong.

Therefore, it is okay for Feng and others to complain about the box office failure of "1942", but it is very inappropriate to publicly accuse the audience.

Jiang Wen said after the box office failure of "One Step Away": "I hope the audience is very comfortable after watching the movie, and I can only blame myself for making a bad movie, I can't ask the audience." ”

Since you have made up your mind to shoot, it means that you must have expectations, and if the box office is not good, you will curse

"1942" is indeed a good movie, both in terms of the quality of the finish, or in the exploration and broadening of the subject matter of Chinese films, the achievements are great...

But the movie wasn't so good that the audience spread the word of mouth!

In addition, every time the pants are released in a movie, they will inevitably set off a scolding war...

The routine is already familiar...

So the audience will naturally boycott this film because of the director...

The original time and space was because of the preemption of the film schedule of "Youth Pi", and this time it was because of the public scolding of "Ouchi Secret Detective Greyhound"...

There is no doubt that the latter is a big bad movie, but if you can't stand it, there are audiences who are willing to watch it...

In a sense, the famous saying of pants is quite right, 'Why there are a lot of bad movies in China is because there are a group of garbage audiences', translate 'There is a group of audiences' aesthetics that match the bad movies!'

clicked on the box office list and took a look, "1942" sold 23 million on the first day...

This achievement clearly did not meet Toyo Media's expectations.

The second place is "Ouchi Secret Detective Greyhound", with a box office of 16 million on the first day...

No wonder Ma Xiaokang is angry...

Publicly criticizing your peers is a bit of a loss of grace...

But this time, most netizens are well-off, after all, "Ouchi Secret Detective Greyhound" is really bad!

After thinking about it, Zhang Junsheng called Ye Ning to tell Ye Ning that the theater schedules films normally, and it is slightly biased towards "1942"...

He believed that this kind of thing would reach Ma Xiaokang's ears...