The character dies because I don't allow the character to survive.

What is normal and what is abnormal?

Where does this definition come from, and why do I accept these arguments so completely?

I felt incredible about my former self, and I was also shocked by the presentation of the picture elements.

What is often presented is normal?

Is it an occasional hallucination?

Presenting "everyone else is like this", I am just like everyone else is normal?

can't stand any scrutiny at all, and he is the most easily deceived.

If you look closely, so many things that you can't be sure of can easily deceive me.

This life will end, no matter how painful, no matter how sad.

Perhaps, I can no longer have my lover and enjoy the warmth of my family, but unreal is unreal.

I don't need to be reasonable, I don't need to discuss anything, it's just to kill.

Whether the character is alone or on the streets, there is no reason to stop killing.

The twists in the mind can find at least ten thousand reasons to hinder the kill, and they all make sense.

So, I'm not reasonable, unreal is unreal.

Beauty can't make me stay, and fear can't make me stay.

There is only death, only slashing, and all this must end and destroy all the good and sweet.

It's not cost-effective for the characters, it's not cost-effective for the picture elements, and the meaning of dreaming is to dream, not to try to wake up.

What's more, my life is simply a sweet dream, and there is no reason to wake up.

Unfortunately, I can't go back and don't want to go back.

Go ahead and go further.

Fear gripped me, and the pull of emotions made the distortion in my mind very real.

I'm hopeless, I keep going around in circles, I just don't want to kill.

But on the other hand, there is simply nothing to kill.

No matter how you kill it, it's just a spin at the character level, and it doesn't affect the reality.

Moreover, why bother to kill, why bother with the content, just throw away the entire character.

The character wants to catch my mother, what does it have to do with me, it's still just a character, it's still unreal.

Are you going to drive yourself crazy again?

I don't know, after all, these four are just pretending to be aware, and they are not real.

The character must die, die completely.

No matter what the character grabs, it's just a picture element, and it's all pushed away.

Nothing is real, there is no truth in this world, just emotions tugging.

The emotion itself is not real, the feeling itself is not real, and even, grasping itself is only the presentation of the elements of the picture.

It's not that I'm grabbing, but the picture elements show that the character of Yuan Changwen is grabbing.

It's not that I'm killing, but the picture elements show that the character of Yuan Changwen is killing.

All of them have to be thrown away to make the character's death more complete.

When arguing with others, it's easy to get caught up in the role.

Even, even a simple dialogue will bring me back into character.

What Yuan Changwen's character is going to do, no one knows.

However, what has been done is the presentation of the elements of the picture, that is, the inevitable fate.

Without knowing the linear passage of time, I perceive the words and deeds of the past because these things can only happen this way, because this is how the pictorial elements of the present moment are presented.

I already knew a lot of things beforehand, and I had already found a weapon to slash the twist in my mind.

But it seems that it doesn't work, the distortion in my brain is still there, and I can still feel that these weapons can kill at the moment.

I'm still grabbing something, it's not over yet.

Vainly trying to end and live a good life is in itself a kind of hope, but also a kind of fear.

My wife is separated, and maybe the future I will face.

Judging from the current situation, how painful it is for his wife to be separated, and he is unwilling to let go of his wife and children.

Unfortunately, it's still not true.

I'm so lonely that I need someone to talk to me?

However, no matter what the chat is about, it is just a distortion in the mind.

And if they want me to stop killing, I might turn around and leave.

There's no reason why I need someone to accompany me, it's just a trick of the character, just a means of wanting to flesh out the character.

The character is not real, whether the character needs to be accompanied or not, it is not real.

Things happen by themselves, or rather, the presentation of the elements of the picture is all there is to the moment.

I had to stand firmly in that position of awareness, and then draw a clear line, and beyond the line was the character, the world, and so on.

It's easy to get caught up in character-level discussions, and you can get entangled in topics like what the character should do.

Just like the situation just now, I feel like I need someone to accompany me, but it seems that the killing itself is to cut off these unrealities, so how can I allow myself to need someone to accompany me?

This view itself is, like the practice of some sectarian fanatics, harming the body or forbidding the eating of meat.

None of them are real.

The key is to throw away the character, not to think about whether the character should be accompanied or not.

It feels like the previous killings don't seem to be necessary, just take filial piety as an example, it doesn't matter if the character is filial or not, just throw it away.

And I spent a lot of time to kill, to cut off the anchor of "I must be filial".

Perhaps, not caring whether the character is filial or not, is a kind of slashing in itself, and it is an effect that can only appear after cutting the anchor.

I don't know, and I don't need to know.

Anyway, this world is not real, and the character of Yuan Changwen is not real, just play it.

Instead of being pulled by the twist in the head, and even less driven by fear.

Of course, there is nothing wrong with the life before, but I can't go back, and I can't figure out how I can live like that.

Ignorant and ignorant, he works hard for the role and is rude like a child.

Behind those inspirational words, there is all fear.

The character itself is made of fear, even when I want to explain something, it is still fear.

Because if someone refutes me, I will be furious, and I will not admit that I am really wrong.

But what words are true?

Whatever I say, it is a discourse based on a myriad of assumptions, at least on the assumptions that the linear passage of time and the reality of objective things exist.

If the character is going to die, he must die.

Destroy all this, and the character will be destroyed in any state.

Like the good harmony or evil of the village, I will destroy the whole village like a flood, leaving nothing behind.

If the flood can't do that, then the magma erupts and destroys it all.

You don't need to care about what the character is going to be, and you don't need to discuss the state of the character, it's something you do for a better life.

It's killing, it's death, and all other words are obstacles.

There is no need to think about it so much, no matter what the obstacle is, it will be killed, and the rot in the heart has reached a realm, as if all of it is going to be burned.

And reason is still there to stop it, just a little bit, you can go crazy or die, and all the character attributes will dissipate. (https:)

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