The foundation of the whole film is based on the premise that no one has ever seen the true face of the painter, so Li asked him to have room to make up stories in prison. In the days waiting for extradition, he wrote to Xiuqing and impressed her with a portrait. Xiuqing is an emotional person, so she still came to save him. In fact, he didn't write anything in his letter, but Xiuqing understood, it can be seen that she is very smart, and she is not what the painter recalls at all!

The two of them acted in the police station, made up a love story of an infatuated soft man, and fished people out. Why do you want to pretend to be a love story, because Xiuqing's rescue seems reasonable, and the painter doesn't want Xiuqing to know how humble he once was, which man wants to be despised by the people he cares about! But Xiuqing really wants to hear it, and believes it.

When she was in the hotel, Xiuqing said that she couldn't refuse the painter's request, and she was telling the truth! She never told a lie, even when telling a story. So her question was also true, she wanted to ask the painter if he really loved her, but unfortunately he didn't get the answer she wanted. In fact, the painter's answer is also true, he doesn't think Xiuqing is bad, and he doesn't feel that he doesn't love Xiuqing, it's just that he thinks Ruan Wen is better, and he feels that he loves Ruan Wen more, just like he makes counterfeit coins and appreciates counterfeit coins, but his ultimate goal is still genuine coins.

Or to use a lyric to describe it, those who can't get it are always in turmoil, and those who are pampered always have no fear, which is probably Li Wen's mentality.

But Xiuqing is not, she doesn't have so many goals, she loves him and is with him, and when she finds out that she is a substitute, she wants to replace the deity. Her goals are changing, they follow their feelings, so they are temporary, and in reality there are many such choices. There are few strategists like painters, and they are prone to backlash, of course, this is what movies mean, not me.

In the end, the ending proves that he is for women, and he is no exception.

There is nothing to say about Xiuqing's ending, her love is shattered, and it is normal to want to die. Kill the painter alone, she probably can't bear it. If a person dies, why should he let him go, let alone let him go! Without him, the painter will not agree. She is like a woman in reality, she is bloody, persistent, and emotional, but she can't find anyone who cooperates with her, so she also has the courage to die with him. For her, life is hard because she can't get what she wants.

Ruan Wen's role is actually very thin, and he is a perfect female character representative...... She has beauty, ability, and love, but she doesn't belong to you! Wake up, she is an ideal state, which is difficult to exist in reality! Moreover, the movie arranged for her fiancé to die, and the nightmare caused by perfection shows that screenwriter Lin Xiao himself does not agree with the existence of perfection.

He Weilan is an ordinary you, me and him, when I met love, I thought it was useless to insure him, I lost it at the beginning, and then I gave myself a makeover, and I like to sneer at other people's love hahaha, I believe that I will never love others again, in fact, it is still possible to meet later, don't be afraid.

Finally, it's actually interesting to talk about the names of each character in this movie.

First of all, Li Wen, this name is very interesting, a single name and a question, the meaning is probably that this person himself is full of question marks, is he Li Wen, or Wu Fusheng, or a painter?

Then there is Wu Fusheng, this is even more interesting, Wu Fusheng, many people probably think that this is the real name of the painter, but in fact, this is just a name made up by Li Wen.

Wu Fusheng, Wu Fusheng may be the homonym of "no resurrection", that is to say, Li Wen made up a life in the questioning, which is actually his second personality.

Looking at the name Wu Xiuqing again, I don't know if I think too much, I think of a historical figure, is it an implication, in fact, the real behind-the-scenes leader of this movie is her, not Li Wen, not a painter?

And Nguyen Van ...... Does Ruan Wen mean an advertorial?

Haha, Ruan Wen's true and false in the play makes people stupid and can't tell the difference, isn't it similar to those public relations advertorials in reality?

......

The box office of "Wushuang" exceeded 200 million Chinese yuan on the first day, coupled with the explosive word-of-mouth, and the various spontaneous interpretations of this movie on the Internet, also made the audience of this movie have the urge to brush it twice.

As a result, in the next few days, although the box office did not exceed 200 million, it was almost close, and after a week, the domestic weekly box office of "Wushuang" came directly to 1.2 billion.

It can be said that according to the box office trend of "Wushuang", this film is very hopeful to break through 2 billion, and even if the decline is not large, 3 billion is not impossible.

Compared with "Dangerous Couple", "Wushuang" is obviously more stable at the box office, with a box office drop of less than 50% on the second week, and it still maintains a very healthy decline.

In the second week, "Wushuang" won another 700 million box office in seven days, and the total box office came to 1.9 billion!

Basically, 2 billion is appropriate.

However, Yang Hao was a little disappointed, of course, he was disappointed not by the domestic box office, but by the fact that "Wushuang" was released in other countries abroad from the second week, and in Asia, it performed well, but in Europe and the United States, "Wushuang" was given a cold reception.

Although Yang Hao knew before that the style of "Wushuang" is completely different from "Dangerous Couple" and is more suitable for China, it still has a little expectation.

Don't look at Yang Hao, who seems to have reached the top director in China, but in fact, Yang Hao is also ambitious, he also wants to be an international famous director, and wants to sell his films abroad.

In fact, in Southeast Asia, the performance of "Wushuang" is still very good, and Yang Hao's previous movies are similar, in Southeast Asia, after all, it is more influenced by Chinese culture, and there is not much cultural barrier.

However, in Europe and the United States, "Wushuang" opened more than 500 screens in North America on the first weekend, but the result only got a box office of less than one million, which can be said to be much lower than Yang Hao's expectations.

However, this kind of achievement is actually too normal, and the films of domestic directors are only a few favored in Europe and the United States.

Cultural differences still exist objectively, and Hollywood blockbusters don't say that any genre is a global kill, and they also have many movies that are quite good at the box office in North America, but they are treated coldly in non-English-speaking areas.

For example, some epic films about European and American history often have no market at all in China and Asia.

Just as Europeans and Americans do not care about the history of other countries, in other countries, in the same way, people are not so familiar with some of the history of European and American countries.

SO THIS IS ALSO SOMETHING THAT CAN'T BE HELPED, SUCH AS SOME COMEDIES IN EUROPE AND THE UNITED STATES, MANY LAUGHS, THE SAME CHINESE PEOPLE MAY NOT BE ABLE TO GET IT.

Usually we see some American dramas in China, which often mention some music and some movies, but these music and movies, Chinese people are a little stupid and don't know what they are.

But abroad, it is a symbol of culture.

For example, the "Star Wars" series in the past can almost be said to have formed a Star Wars culture in North America, but in China, to be honest, not many people will think those movies are good! This is the cultural difference.